C86 Show - Indie Pop

The band's first single, "I Think I Need Help", was released in April 1982.^[2] In January 1983, "More Than a Dream" was re-issued as their first single for EMI.

Several more singles and two albums, Get Out and Walk and With These Handswere released before the band split in 1985, citing the enigmatical reason of "electrical differences".

They also recorded notable BBC Sessions at Maida Vale Studios for John Peel, the last of which featured early versions of "Sport for All" and "Heartache" [BBC, John Peel, 1984]. Their work became very influential upon the Norwich scene, as previously mentioned with The Higsons, and other offshoot outfits such as Ronnie Can You Hear Me. Baz and Mark went on to form The Avons in 1985.^[1] Mark later joined The Nivens.

Echobelly with Glenn Johansson & Sonya Madan in conversation with David Eastaugh

Madan and Johansson first met in a pub, with Sonya expressing her desire to sing in a band "I used to sing to myself as a child. I suppose I had a secret desire to sing", They soon teamed up with bass guitarist Alex Keyser and drummer Andy Henderson, who had previously played with PJ Harvey's band. Guitarist Debbie Smith, formerly of Curve, came on board in 1994.

According to the Epic Records' website, the group came up with the name Echobelly from the notion of "being hungry for something". With Madan and Johansson as the band's songwriters, they recorded their debut EP, Bellyache, on the independent Pandemonium label in late 1993.

Bruce Thomas - Elvis Costello & The Attractions & Suzanne Vega - in conversation with David Eastaugh

English rock bass guitarist, best known as bassist for the Attractions; the band formed in 1977 to back Elvis Costello in concert and on record. In addition to his work with the Attractions, Thomas has recorded with Billy Bragg, John Wesley Harding, Suzanne Vega, and Tasmin Archer.

Played with the bands Bitter Sweet and Bodast in the late 1960s and recording with Quiver, the Sutherland Brothers, Moonrider and Al Stewart in the early 1970s.

His inventive and highly melodic bass work with Costello brought Thomas his greatest fame. Between 1977 and 1987, Elvis Costello & The Attractions released nine record albums, including This Year's Model (1978), Punch the Clock (1983), and Blood & Chocolate (1986), and toured extensively.

Neil Oram in conversation with David Eastaugh

In 1956 Oram traveled to Africa where he met musician Mike Gibbs in Salisbury, (now Harare). He played double bass in the Mike Gibbs Quintet with Gibbs on piano, vibes and trombone. A post-concert epiphany where a voice repeatedly told him "Je suis un poet!" led him to take up writing. Oram returned to Britain in 1958 where he ran a jazz café called The House of Sam Widges at 8 D'Arblay Street in Soho, London.The café was known for its jukebox which only had modern jazz records. It attracted many of the top London musicians. Ronnie Scott, Tubby Hayes, Graham Bond, Dave Tomlin and Bobby Wellins were frequent customers, occasionally enjoying a bowl of spaghetti bolognese crafted by Oram. Downstairs was a club/performance space called 'The Pad'.

Oram was now writing poetry, giving readings and painting large abstract jazz inspired paintings. In 1960 he opened The Mingus art gallery in Marshall Street, Soho where abstract paintings by O. G. Bradbury, George Popperwell, Jaime Manzano, Tony Shiels and William Morris the American beat poet/action painter could be seen. Morris's huge, jazz paintings were executed in The Pad to the vibrant sounds of the Graham Bond Quartet, then carried round the corner and hung up wet in The Mingus.

Adrian Shaw or Ade Shaw - bass player with Hawkwind, Bevis Frond, Arthur Brown - in conversation with David Eastaugh

Ade Shaw, is a musician primarily working in the psychedelic field. He has a long history dating back to the 1960s working with such acts as Hawkwind,Country Joe McDonald, Arthur Brown, and the Deviants. Shaw played bass for former Tyrannosaurus Rex percussionist Steve Peregrin Took's band in 1974 and three years later, while appearing with Hawkwind on the former other half of Tyrannosaurus Rex Marc Bolan's TV show, was himself invited to join T.Rex; however Bolan's death very shortly thereafter prevented this.

Shaw co-founded Magic Muscle, and since 1990 has been a member of British psychedelic outfit the Bevis Frond. He has also recorded many albums as a solo artist and co-run the independent record label Woronzow Records with Bevis Frond's Nick Saloman. Since 2011 Shaw has also been a member of the band Hawklords.

Michael Visceglia talking about his life in music with David Eastaugh

"Native New Yorker Michael Visceglia got his professional start as a bassist touring with Welsh rocker, and Velvet Underground alumnus, John Cale. Since then he has recorded and/or performed with artists as diverse as: Jackson Browne, Bruce Springsteen, Avril Lavigne, Jorma Kaukonen, Phoebe Snow, Cyndi Lauper, Bette Midler, and Christopher Cross.

Since 1985, Mr. Visceglia has been, and continues to be the primary bassist for the iconic songstress Suzanne Vega, and played on her breakthrough album “Solitude Standing”, which featured the Grammy-nominated song “Luka”.

John Porter special - The Smiths, Roxy Music & much more - talking about his life in music with David Eastaugh

Porter met singer Bryan Ferry, and was part of his fledgling band The Gas Board. Ferry's later band Roxy Music had achieved success in the early 1970s, but having had some troubles with bass players, Ferry invited Porter on board to record the 1973 album For Your Pleasure. Porter went on to serve as a record producer for many later albums for Roxy Music and Bryan Ferry. Porter is credited with the production of Liverpool's Watt 4 album at Matrix Studios in 1979.

He has since produced for The Smiths, Billy Bragg, The Blades, Microdisney, School of Fish, B. B. King, Los Lonely Boys, Buddy Guy, Ryan Adams, Missy Higgins and numerous other bands. 

The Nivens from Northumberland special with Peter Martin with David Eastaugh 

The Nivens from Northumberland existed between 1987 to 1990. Recording for the excellent Woosh label, Their debut 'Yesterday' hit the indie top ten in January 1989.

Indie pop band from Cramlington, Northumberland, UK. Not to be confused with The Nivens from Norwich, UK who recorded at the same time for the French Danceteria label.

Basti & Globo special with Steve Appleton in conversation with David Eastaugh

Basti was formed in the late 1980s by members of The Herman Herd and Eva Valve. The two bands used to share a rehearsal space and were both very active in the Norwich Venue Campaign at around that time. Most of the members were also involved in The Waterfront. When Basti split up in 1993, four of the members went on to form Globo.

Thea Gilmore also known as Afterlight -  in conversation with David Eastaugh 

Thea Eve Gilmore  also known as Afterlight, is an English singer-songwriter. She has released more than twenty albums since her 1998 debut Burning Dorothy. She has had three Top 40 entries on the UK Albums Chart and one on the UK Singles Chart. Her first album as Afterlight will be released in 2021.

Gilmore has announced two albums to be released in September 2021: The Emancipation of Eva Grey and Afterlight. According to Gilmore's website, "[the two albums'] songs share the same subject matter", with Emancipation being the last album to be produced under the name "Thea Gilmore", and Afterlight being the first produced by the "newly personified Afterlight".

Blueboy special with Paul Stewart in conversation with David Eastaugh

Blueboy formed around 1989 and initially consisted of Keith Girdler (on vocals) and Paul Stewart (on guitars), formerly of little-known band Feverfew. They soon signed to Sarah Records, releasing the home-recorded single "Clearer" in 1991, and took on more members, including singer/cellist Gemma Townley and second guitarist Harvey Williams (of The Field Mice/Another Sunny Day).

"Clearer" was followed by several singles and two albums on Sarah, If Wishes Were Horses and Unisex. In October 1994, Blueboy recorded a session for John Peel's BBC Radio 1 show.^[3] Their final release, The Bank of England, was released in 1998 on Sarah head Matt Haynes' new label, Shinkansen Recordings. By then, Girdler and Stewart were the only original members of the band. Girdler and Stewart were also involved in two other bands, Arabesque and Beaumont,^[1] and Girdler also recorded with Lovejoy. Townley later joined Trembling Blue Stars, as did Williams.

Power of Dreams special with Craig Walker in conversation with David Eastaugh

Power of Dreams released their critically acclaimed first EP A Little Piece of God,^[1] on Keith Cullen's London-based Setanta Records in 1989, while Walker was still at school. Following a six-figure bidding war between rival record labels, the band signed a deal with Polydor Records. In December 1989, the British music magazine NME picked Power of Dreams, along with others such as Carter USM and the Charlatans, as their "stars of tomorrow".

Blue Orchids & The Fall with Martin Bramah 

Blue Orchids are an English post-punk band formed in Manchester in 1979, when Martin Bramah decided to quit The Fall after playing on the band's debut album Live at the Witch Trials. Christened by Salford-based punk poet John Cooper Clarke the band recorded for Rough Trade and acted as backing band for the Velvet Underground's Nico before a 25-year period of intermittent activity and alternative identities.

Quentin Budworth in conversation with David Eastaugh

Quentin Budworth is famous for playing Hurdy-Gurdy with Celtarabia and recently collaborated with Lou Duffy-Howard of the Red Guitars to form Agent Startling, their  debut album, European Howl was released May 2021

Agent Starling are Quentin Budworth hurdy-gurdy and Lou Loudhailer voices & other instruments. Recorded in the first three months of 2021, European Howl also features Dexter Duffy-Howard on violin and cello. Recorded in Yorkshire UK by Agent Starling, the album was mastered in Oregon by Kevin Carafa.

The album is influenced by musical traditions from nations across Europe. A mix of instrumental pieces, spoken word and songs, themes range from a miscellany of Greek Tales (Wine Dark Sea), an elegy by a dying lover (Requiem) to Helicopter Arms, inspired by the glorious gurdy tune at the heart of the song.

The Three O'Clock special with Michael Quercio in conversation with David Eastaugh

The Three O'Clock is an American alternative rock group associated with the Los Angeles 1980s Paisley Underground scene. Lead singer and bassist Michael Quercio is credited with coining the term "Paisley Underground" to describe a subset of the 1980s L.A. music scene which included bands such as Dream Syndicate, Rain Parade, Green on Red, the Long Ryders and the Bangles.

The Bevis Frond special with Nick Saloman in conversation with David Eastaugh

Saloman was originally in a band known as the Bevis Frond Museum in the late 1960s, and in the 1970s, whilst at college, he played guitar with a duo called Oddsocks. They released one album, Men of the Moment. In 1979 he formed a band called the Von Trap Family, who released the first single on his own Woronzow Records label. The early Von Trap Family recordings, comprising three sessions, were released on the Bevis Frond Bandcamp site for the first time in May 2010. The next release on Woronzow was in 1982, a 12" single by Room 13 with Saloman on guitar and future Bevis Frond drummer Martin Crowley. After Room 13 reached the end of its natural life, Nick Saloman had a bad motorbike accident that left him with a constriction of movement in his left arm. True to form, he had the arm set so that he could continue playing guitar.

Gallon Drunk, The Flaming Stars & Nikki Sudden special with Max Décharné in conversation with David Eastaugh

In his musical career, Décharné has released eleven albums and something in the region of twenty singles since 1989. He played drums with his friend Nikki Sudden before joining Gallon Drunk in 1991, with whom he toured the world. Since 1994, he has been the singer and principal songwriter with The Flaming Stars. In a long and varied career in the music business, he has also recorded nine John Peel Sessions and played shows all across the US, Canada, virtually every country in Europe and also in Japan. One of his songs made the 1995 John Peel Festive Fifty (Kiss Tomorrow Goodbye by The Flaming Stars), then two more of his songs were in the 1996 John Peel Festive Fifty (Ten Feet Tall and The Face On The Bar Room Floor, both by The Flaming Stars).

The Erasers with David Ebony  in conversation with David Eastaugh

The Erasers were part of the ‘70s CBGB art-punk scene that included Television and Richard Hell, and though they made a brief appearance on a (long out-of-print) 1982 ROIR compilation, their music and history were lost for decades to everyone outside of a very small circle of critics, collectors, and old punks. But their one excellent, off-kilter single (“Funny/I Won’t Give Up”) is one of the standouts on Numero Group’s comprehensive, painstakingly curated Ork Records: New York, New York box set, which was released to well-deserved acclaim late last year.

The Erasers began around 1974, the brainchild of artists Susan Springfield (guitar, vocals) and Jane Fire (drums), who both saw the fine art world they were embedded in as too economically exclusive. “I wanted to do something in a more populist way,” Springfield says. “Fine art as I was doing it – you know, making paintings – you spend so much time on them that you can’t just sell them cheaply, and so at the end of the day I felt like if I continued to pursue [an] art career, I would only be able to sell it to rich people, because I would have to get enough money to support myself. Music, on the other hand – you can make that available – it was more immediate, and at that time the shows were, like, two bucks.” Fire calls their philosophy as a band “the dematerialization of art in the extreme.”

Global Village Trucking Company with James Lascelles in conversation with David Eastaugh

Lascelles was a co-founder of the Global Village Trucking Company, known to its fans as "The Globs", in the early 1970s. The band, the road crew and their families all lived together in a commune in an old farmhouse in Sotherton, Suffolk,^[2][3] and undertook numerous benefit concerts and free festivals, playing extended free-form jams,^[4] making them a well known UK live act. The band shunned record companies, but played on the Greasy Truckers Live at Dingwalls Dance Hall benefit album at Dingwalls in 1973, and in November 1974 they recorded an eponymous album at Rockfield Studios, Monmouth, Wales.

In 1973 the BBC made a documentary about Global Village Trucking Company, their communal living and their aim to make it without a record company. The BBC updated the documentary for the What Happened Next series, shown in May 2008, which included their first gig in 30 years.^[5] This re-union led to other Global Village gigs at Glastonbury 2008 and other festivals.

Keith Christmas  in conversation with David Eastaugh

English singer and songwriter. In 1969, his first album, Stimulus, was released. Christmas played acoustic guitar on David Bowie's Space Oddity album, and appeared at the first Glastonbury Festival in 1970.

Through the 1970s he released four more albums, Fable Of The Wings, Pigmy, Brighter Day and Stories From The Human Zoo, while touring with and supporting bands such as The Who, King Crimson, Ten Years After, Frank Zappa, Roxy Music, Hawkwind, Captain Beefheart and The Kinks.