Jun 11, 2019

Helen McCookerybook

Helen McCookerybook in conversation.

Helen McCookerybook (born Helen McCallum, now Dr Helen Reddington) is an English musician, best known for serving as the bass guitar player and lead singer with Brighton-based punk rock band The Chefs during the late 1970s and early 1980s. She later formed Helen and the Horns (with Dave Jago on trombone, Paul Davey on sax and Chris Smith on trumpet), before continuing her career as a solo artist, writer and lecturer. In 2010 she released Take One on the Barbaraville label. She plays live gigs as a solo act as well as occasional revivals of Helen and the Horns.

Her pseudonym derives from a 1979 photo shoot in Brighton, with other bands on the Attrix label. When the local news photographer asked McCallum her name, she told him, on the spur of the moment, that it was "McCookerybook" and the name stuck.

Her first book (as Helen Reddington) The Lost Women of Rock Music: Female Musicians of the Punk Erawas published in July 2007. The book featured interviews with The Slits, Gina Birch, The Mo-dettes, Enid Williams (Girlschool), Dolly Mixture, Gaye Black (The Adverts), Vi Subversa (Poison Girls), Rhoda Dakar, Lucy O'Brien, Attila the Stockbroker, Caroline Coon, Geoff Travis and the late John Peel.

She holds a doctorate from the University of Westminster and has been a lecturer at the University of East London since 2006. British songwriter and performer Katy Carr cites Reddington's lectures on the musical works of The Raincoats and the Riot grrrl underground feministpunk rock movement as a source of initial inspiration for her own 2001 debut album Screwing Lies.

Jun 4, 2019

The Passmore Sisters with Martin Sadofski

The Passmore Sisters with Martin Sadofski in conversation

Formed in Bradford, England, in 1983, the band were active until 1988. They released 4 singles and an LP before splitting. They also recorded 3 sessions for BBC Radio 1, two for the John Peel Show (1985 & 86) and one for the Janice Long Show (1987).


May 19, 2019

The Wolfhounds with David Callahan

The Wolfhounds special with David Callahan in conversation

The Wolfhounds began as a slightly askew indie pop/rock band, and signed to the Pink label in 1986. First EP Cut the Cake was well enough received for the NME to include them on their C86 compilation album. After three singles and debut album Unseen Ripples From A Pebble on Pink, they briefly moved to Idea Recordsfor the Me single, then rejoined Pink's boss at his new label September Records. September soon evolved into Midnight Music which was the Wolfhounds' home for all subsequent releases.

With original members Bolton and Clark replaced by David Oliver and Matt Deighton, the Wolfhounds' sound developed into a denser, less poppy sound.[citation needed] After a compilation of earlier material, second album proper Bright and Guilty was released in 1989, featuring the singles "Son of Nothing", "Rent Act" and "Happy Shopper". The sound progressed further with the albums Blown Away (also 1989) and Attitude(1990), which found them in Sonic Youth territory, interspersing raging guitars with elegant compositional exercises. This proved to be the final Wolfhounds release of the 80s, with the band splitting in early 1990.

Golding and Stebbing formed Crawl, while Callahan hooked up with former Ultra Vivid Scene member Margaret Fiedler in Moonshake. Matt Deighton formed Mother Earth.

May 18, 2019

Rocketship with Dusty Reske

Rocketship special with Dusty Reske in conversation.

Rocketship is an indie pop band formed in Sacramento, California in 1993. Led by singer-songwriter and guitarist Dustin Reske with bassist Verna Brock, keyboardist Heidi Barney and drummer Jim Rivas, the group released the single "Hey, Hey, Girl" in 1994 and the album A Certain Smile, a Certain Sadness in 1996. After the album's release, the original line-up dissolved and Reske continued Rocketship essentially as a solo project, releasing the singles "Honey, I Need You" and "Get on the Floor (And Move It)" in 1997 and the albums Garden of Delights in 1999 and Here Comes... Rocketship in 2006.

Rocketship's sound can be described as '60s-style twee pop, characterized by ringing guitars, droning organs and shoegazing influences; although, as a solo project, Reske has taken the sound in an ambient direction.

In May 2014, Rocketship performed for the first time in several years, during both SF Popfest and NYC Popfest festivals.

May 14, 2019

The Delgados with Emma Pollock

The Delgados special with Emma Pollock in conversation

Their first commercial release came with the inclusion of their track "Liquidation Girl" on the compilation album Skookum Chief Powered Teenage Zit Rock Angst from Nardwuar the Human Serviette. Instead of signing to a record label, the band started their own, Chemikal Underground, on which they released their own records and also some from other local bands, among them Mogwai and Arab Strap. Chemikal Underground's first release was the Delgados first single "Monica Webster / Brand New Car". The single caught the attention of BBC Radio 1 DJ John Peeland the band quickly became one of his favourites, going on to record seven sessions for his show.

The cost of Chemikal Underground's second release, the single "Disco Nation 45" by Bis, left the cash-strapped label unable to afford another release by the Delgados, so their next release "Lazarwalker" came from the London-based Radar Records. Tempted by Radar to a five-album deal, the band declined, instead poaching their A&R contact, Graeme Beattie, for work at Chemikal Underground.

Another single, "Cinecentre" followed in early 1996 as the band juggled work at the label with several tours, and recorded their debut album. The band released two more singles, this time taken from their album Domestiques released in November 1996. The song "Under Canvas, Under Wraps" being voted number three in John Peel's Festive Fifty that year.

The band released their second album in 1998. Peloton - also a cycling reference. The single "Pull the Wires From the Wall" gave the Delgados their first hit single in the UK Singles Chart, reaching number 69.[3] The band's close relationship with Peel continued, with "Pull the Wires From the Wall" voted to number one in the Festive Fifty (it would also make the all time chart made in 2000).

The Delgados' evolution continued with The Great Eastern in 2000. The record was produced by Dave Fridmann. Their next single, "American Trilogy", reached number 61 in the UK chart.

Their fourth album, Hate, was released on Mantra rather than the band's own label. The song "The Light Before We Land" was used as the opening theme for the anime Gunslinger Girl, while the song "Woke From Dreaming" is played at the beginning of episode 7.

The band returned to their own label for 2004's Universal Audio.

The band announced they were splitting up in April 2005 due to the departure of Henderson who found it difficult "to pour so much of my energy and time into something that never quite seemed to get the attention or respect [he] felt it deserved." The four will continue to run Chemikal Underground together. Songwriters Pollock and Woodward are pursuing individual projects, while Savage will continue production duties at the band's Chem19 in a new studio.

Since the band's separation, the track "I Fought the Angels" from Universal Audio has been used in the fourth episode in the second season of the Golden Globe-winning medical drama Grey's Anatomy in 2006, and in the opening scene in the series premiere of BBC Three's Lip Service in 2010.

A double disc containing 29 tracks, The Complete BBC Peel Sessions, was released on 12 June 2006 in Europe, and later in the year in the United States. Woodward released his debut solo album in June 2009 under the name Lord Cut-Glass. Savage also played on the album.

May 6, 2019

The Mission with Wayne Hussey

The Mission special with Wayne Hussey talking about life in music, Sisters of Mercy, The Mission and his new book, Salad Daze.

After an aborted recording session with Andrew Eldritch in the summer of 1985, Wayne Hussey and Craig Adams left the Sisters of Mercy. Based in Leeds, the duo continued to work on various musical ideas and recorded them over the autumn. Dismissing the use of a drum-machine, Adams and Hussey asked Mick Brown to help out with the sessions. By the end of the year, he had joined the band on a permanent basis. With Hussey as both the frontman and principal songwriter, the trio required a second guitarist to facilitate a live set-up. They eventually recruited Simon Hinkler who also contributed keyboards and thus completed the four-piece. The name 'The Sisterhood' was chosen with a nod to past and rehearsals for the first shows started in January 1986. The new name quickly became a point of discussion in the English music-press, giving the four-piece significant amount of publicity. As 'The Sisterhood' the band made their live-debut on 20 January 1986 at the Alice in Wonderland, London.

Hussey and Adams were released from their WEA contracts and the band signed a seven-album deal with Phonogram in July 1986. Their debut God's Own Medicine was then recorded in six weeks with novice producer Tim Palmer, an acquaintance from Hussey's Dead or Alive days.

In October the single III(Stay With Me) was released, preceding the album that appeared the next month. The band set out on a three-month World Crusade I UK/European tour, with their dedicated followers 'Eskimos' in tow. They also appeared on British television a number of times and recorded a session for BBC radio. The single IV (Wasteland) charted at No. 11 in January 1987.

The World Crusade II tour brought the band to North America, where they were known as 'The Mission UK'. The 41-date trek was characterised by substance abuse and led to the collapse of an inebriated Craig Adams in Los Angeles, resulting in him temporarily quitting the band. Sound man Pete Turner filled in for one show, before they enlisted the help of Chris Bocast to play bass with them for the remainder of the tour, which included an opening slot for The Psychedelic Furs. In March 1987, the single V (Severina) with a guest vocal from Julianne Regan was released.

Back in England, Adams returned to the band to play a handful of European festivals, and two support dates in Leeds and Edinburgh on U2's Joshua Tree Tour. A live video entitled Crusade was released, capturing the band and their noisy audience at the early stage of their career. It coincided with the release of The First Chapter in June 1987, a collection of the material from the first two EPs

Apr 29, 2019

The Chameleons with Mark Burgess

The Chameleons special with Mark Burgess in conversation.

The Chameleons released their debut album, Script of the Bridge, in 1983. They followed it with What Does Anything Mean? Basically and Strange Times in 1985 and 1986, respectively, before abruptly disbanding in 1987 due to the sudden death of the band's manager. After the split, Burgess and Lever formed the Sun and the Moon, while Fielding and Smithies formed the Reegs. Burgess also had a short solo career with backing band the Sons of God. The Chameleons reformed in 2000, releasing Strip (2000), Why Call It Anything (2001) and This Never Ending Now (2002) before separating again in 2003. Burgess alone continues to play Chameleons songs live under the name ChameleonsVox. Lever died in 2017.

Known for their atmospheric, guitar-based sound and passionate lyrics, the Chameleons are regarded as one of the most underrated Manchester bands of the 1980s. They did not attain the commercial success of other groups from the Manchester scene but developed a cult following.

Apr 22, 2019

The Wild Swans with Paul Simpson in conversation

The Wild Swans special with Paul Simpson in conversation

The Wild Swans formed in 1980 when Paul Simpson, who had left The Teardrop Explodes after the recording of their first single, teamed up (on vocals) with Jeremy Kelly (guitar), Ged Quinn(keyboards), James Weston (bass) and Justin Stavely (drums).

An opportunity arose when Pete de Freitas of Echo & the Bunnymen (an old friend and flatmate of Simpson's) agreed to fund their first single "The Revolutionary Spirit" (1982, Zoo Records). Stavely had dropped out of the band, so De Freitas ended up financier, drummer and producer for the single;  he was credited under his middle names, Louis Vincent. The single spent 9 weeks on the UK Independent Chart, peaking at no. 13.

Despite turning out to be Zoo's last ever release, the single received a measure of critical acclaim and in time, developed cult status. Subsequent to the release of "The Revolutionary Spirit", weekly rehearsals were given a degree of urgency when the band was offered a BBC Radio 1 John Peel session. Songs on this session, all written by the team of Simpson, Quinn and Kelly, include "No Bleeding", "Enchanted" and "Thirst". By this point, the band was rounded out by two new members: Baz Hughes (bass) and Joe McKechnie (drums).

The Wild Swans were sporadically active in the early 1980s; touring with Echo and The Bunnymen in 1981 following a residency with The Teardrop Explodes. A David Jensen session came in spring 1982, with the band penning and performing "The Iron Bed", "Flowers Of England" and "Now You're Perfect". The group split very soon after this BBC Radio 1 session was broadcast.

Post-split: Care and The Lotus Eaters (1982–1985)

Once the band split, Kelly and Quinn started up The Lotus Eaters with co-founder Peter Coyle. Simpson followed suit with the duo Care, teaming up with Ian BroudieStrangely, Arista Records, who had refused to sign The Wild Swans, then snapped up both of the offshoots.

Both groups issued several singles. The Lotus Eaters scoring a chart hit, and releasing an album in 1984. Care, meanwhile, reached number 48 in the UK charts with the single "Flaming Sword". Both bands had broken up by 1985, with Care having recorded an unreleased album.

Revival: The Wild Swans, Mark II (1986–1990)

In 1986, the session recorded for the Radio 1 John Peel Show, was finally released on Strange Fruit Records, containing the tracks "No Bleeding", "Enchanted", and "Thirst". It repeated the single's success, peaking at no. 13 on the independent chart. Shortly thereafter, Simpson, Kelly and Quinn got together and began playing once again as The Wild Swans.

By 1988, Quinn had dropped out, Simpson and Kelly were joined on bass by Joe Fearon, and a long-awaited debut album finally emerged. Titled Bringing Home The Ashes(1988, Sire/Reprise Records), and featuring session players on keyboards and drums, it was produced by Paul Hardiman and yielded two singles, "Young Manhood" and "Bible Dreams". Simpson is nowadays disparaging of the sound developed on the album and feels that some of the aura and magic surrounding the (Mark I) Wild Swans had been lost. "Major label thinking is like a virus, you forget why you started the band and fall into the 'hit' record mind-set". He went on to offer even more stark words of wisdom for those thinking of setting up a band: "Major labels suck the poetry from your bones and fill the gaps with a cement made from cocaine and crushed teenagers."

Bringing Home The Ashes was issued in the United States initially, followed by UK and German releases. A near-simultaneous promo-only release called Music and Talk From Liverpool included Wild Swans tracks interspersed with interviews with Jeremy Kelly.

A second album on Sire, Space Flower, was released in 1990, subsequent to the departure of Kelly. It was produced by Ian Broudie, and featured a line-up of Paul Simpson (vocals, mellotron, effects), Joe Fearon (bass), Ian Broudie (guitars, keyboards), Chris Sharrock (drums) and Ian McNabb (additional guitars, vocals).[12][10] Sharrock and McNabb were both of the Liverpool three piece The Icicle Works.[12] Much of the material written for the album had a food-flavoured theme, depicted by the tracks "Melting Blue Delicious", "Tangerine Temple", "Chocolate Bubble-Gum" and "Vanilla Melange". The album was released in the US, Germany and Japan, but not initially in the UK.

The Wild Swans split up again shortly after Space Flower and Simpson went on to form his own project 'Skyray', recording several singles, EPs and albums, and the spoken word project Dream Diaries.

Apr 15, 2019

The Lilac Time with Stephen Duffy

The Lilac Time special with Stephen Duffy in conversation

The Lilac Time is a British alternative folk-rock band that was originally formed in Herefordshire, England by Stephen Duffy, his brother Nick Duffy and their friend Michael Weston in 1986. The band's name was taken from a line in the Nick Drake song "River Man".

Since its formation, The Lilac Time has gone through various line-up changes, with the Duffy brothers as mainstays. The band's activity has intertwined with Stephen Duffy's solo and songwriting career.

The Duffy brothers and Michael Weston had recorded music that would become the band's self-titled debut, which was first released on Swordfish Records in 1987. Michael Giri and Fraser Kent joined when the band went on tour. The group signed to Fontana, which reissued the band's first album in remixed form in 1988. The group went on to release the albums Paradise Circus in 1989, and & Love For All in 1990, the latter of which was produced by Andy Partridge and John Leckie.

The Lilac Time was dropped by Fontana then briefly signed to Creation Records, where the band was subsequently managed by label head Alan McGee. The band's sole release on Creation was Astronauts, in 1990. The Duffy brothers' cousin, noted-session musician Cara Tivey, contributed organ and piano to the album.

The band later regrouped with Claire Worrall and Melvin Duffy (no relation to the brothers) and recorded Looking For A Day In The Night with producer Stephen Street for spinART Records in 1999. They then released Lilac 6 on Cooking Vinyl in 2001, followed by Keep Going, which was released in 2003 under the name "Stephen Duffy and the Lilac Time" on Folk Modern.

Runout Groove was released on 22 October 2007 on Bogus Frontage. The band played the 2007 Green Man Festival and the Queen Elizabeth Hall as a six-piece. The band's gig at the Green Man Festival serves as the backdrop to the film "Memory & Desire — 30 Years in the Wilderness With Stephen Duffy & The Lilac Time." The documentary was filmed over six years by Douglas Arrowsmith, who included new and vintage Lilac footage. The film is accompanied by a Universal Records album of the same name, which compiles songs from Duffy's thirty years of music making. The Queen Elizabeth Hall concert is to be released as a live recording.

No Sad Songs was released on Tapete Records in April 2015.

A new Lilac Time album, Return to Us is planned for release in late 2017.

Apr 9, 2019

Catherine wheel with David Hawes in conversation

Catherine wheel special with David Hawes talking about life in the band.

Catherine Wheel formed in 1990, comprising singer-guitarist Rob Dickinson (cousin of Iron Maiden's Bruce Dickinson), guitarist Brian Futter, bassist Dave Hawes, and drummer Neil Sims. Hawes had previously played in a Joy Division-influenced band called Eternal.[citation needed] They took their moniker from the firework known as the Catherine wheel,[citation needed] which in turn had taken its name from the medieval torture device of the same name. The band was sometimes included in the shoegazing scene, characterized by bands that made extensive use of guitar feedback and droning washes of noise, as well as their continuous interaction with extensive numbers of effects pedals on the stage floor.

The band performed a Peel session in early 1991 while still unsigned; two 12" vinyl EPs were released on the Norwich-based Wilde Club Records, named after the regular weekly Wilde Club gigs run by Barry Newman at Norwich Arts Centre. They signed to major-label Fontana Records after being courted by both Creation Records and the Brian Eno-run label Opal Records. The band's debut album, 1991/92's Ferment, made an immediate impression on the music press and introduced Catherine Wheel's second-biggest U.S. hit, "Black Metallic", as well as the moderate hit "I Want to Touch You". The album features re-recorded versions of some of the Wilde Club-issued EPs. "Black Metallic" was later featured in the film S. Darko.

The more aggressive Chrome followed in 1993, produced by Gil Norton. With this album, the band began to shed its original shoegazing tag, while still making skillful use of atmospherics, such as on the song "Fripp". In a 2007 interview, Rob Dickinson said that members of Death Cab for Cutie and Interpol told him that without this album, their bands "wouldn't exist."

1995's Happy Days saw the band delving further into metallic hard rock, which alienated a portion of their fanbase, even as it increased their exposure in the United States during the post-grunge era.[4][5] The single "Waydown", and especially its plane-crash themed video, received heavy play in the U.S. A more sedate strain of rock known as Britpop was taking over in the UK, causing Catherine Wheel to continue to have greater success abroad than at home.

The B-sides and outtakes collection, Like Cats and Dogs, came out the following year, revealing a quieter, more contemplative side of the band, spanning the previous five years. This carried over into Adam and Eve in 1997, wherein the band scaled back the sonic force of their sound from its Happy Days levels, with clean playing on some songs that featured extensive use of keyboards and acoustic guitars. Alternately, songs like "Satellite" and "Here Comes the Fat Controller" were lush and orchestral in scope.

In 2000, Catherine Wheel re-emerged with a new record label, a new bassist (Ben Ellis); a modified name (The Catherine Wheel); and a new album, Wishville. After mixed reviews, record company turmoil and lacklustre sales, the band went on a still-continuing hiatus.

In March 2010, Ferment was re-released, containing bonus tracks and extensive sleeve notes.

Apr 1, 2019

Rip Rig & Panic

Mark Springer - founder member of the group and came up with the name RIP RIG AND PANIC -in conversation talking about life in music & art with David Eastaugh

Rip Rig + Panic was formed in 1980 naming their newly founded project after the 1965 Roland Kirk album of the same name, the duo preferred to explore their free jazz and reggae roots in contrast to their former band's avant-garde and political leanings.

Pianist Mark Springer, who had performed live with The Pop Group, began collaborating with the duo by playing keyboards and occasionally providing vocals during live shows. Eventually, vocalist Neneh Cherry joined followed by bassist Sean Oliver. This line-up released the single "Go! Go! Go! This Is It"/"The Ultimate in Fun (Is Going to the Disco with My Baby)" on 13 August 1981, with Gavin Martin of NME saying "Rip Rig and Panic tread a fine line between undisciplined wasted and ingenious commercial aplomb."

The band's debut album, God, was released on 3 September 1981 by Virgin Records. It fused free jazz and free improvisation with post-punk, funk and reggae music. The music received high marks from NME for their viruoso playing and esoteric sense of humor, with the review calling it "an act of faith in tumult."[6] The single "Bob Hope Takes Risks" followed on 27 November.

For their second album, I Am Cold, the band adopted a more commercial approach in their sound while further embracing jazz and world music influences. The album was recorded with the help of vocalist Andi Oliver and jazz trumpeter Don Cherry. The band made a guest appearance in an episode of the British sitcom The Young Ones performing their 1982 single "You're My Kind of Climate". 1983's Attitude was the band's final and most accessible album, supported by the singles "Beat the Beast" and "Do the Tightrope".

Mar 25, 2019

Section 25 with Vin Cassidy

Vin Cassidy from Section 25 in conversation

Section 25 formed in Poulton-le-Fylde near Blackpool, Lancashire, in November 1977. Initially the band was a duo, consisting of brothers Larry Cassidy (bass, vocals) and Vincent Cassidy (drums). In June 1978 they made their live debut with Phil Denton on guitar. Denton was replaced in November by Paul Wiggin. June 1979 saw the Cassidy brothers promote a charity gig in aid of International Year of the Child at Blackpool Imperial Hotel, featuring Section 25 and other local bands as well as Joy Division and Orchestral Manoeuvres in the Dark. As a result, Section 25 were invited to play at the Russell Club in Manchester, and joined Factory Records.

Their debut 7", "Girls Don't Count", was released in July 1980 on Factory Records, produced by Ian Curtis and Rob Gretton of Joy Division. All Section 25 releases would be released through either Factory Records (until the demise of that label), or sister imprint Factory Benelux. Their debut LP, Always Now, appeared in 1981 and was produced by Martin Hannett at Britannia Row studio. The pochette sleeve was among the most expensive and elaborate in the label's history (designed by Peter Saville) utilising an exclusive 'marble' effect design printed on the inner jacket and a fold-out cover that resembled a match-book similar to the cover used by Cabaret Voltaire for their 2x45 album.

The three-piece group played many gigs in Britain and Northern Europe between 1979 and 1981, both as a headline act and with other Factory Records artists, such as Joy Division, A Certain Ratio, Blurt, The Durutti Column, Crispy Ambulance and New Order. The group also released a self-produced second album, The Key of Dreams. However the original line-up split in September 1981 shortly after Paul Wiggin declined to fly to a concert in Helsinki supporting New Order, swallowing up most of their fee by travelling overland. With a North American tour already planned, his fear of flying made his departure inevitable. Factory label boss Tony Wilson then tried and failed to recruit then-unknown guitarist Johnny Marr as a replacement.

Abandoning much of the existing live set, the Cassidy brothers prepared for an upcoming European tour with backing tapes and an extra percussionist John Grice. Following a warm-up date in London, the group visited Belgium, Holland and Germany in January 1982 in tandem with Factory labelmates Crispy Ambulance. The band then undertook their first North American tour, albeit restricted to the East Coast.

1983 – 2006 (From The Hip to Love & Hate)

Joined by percussionist Lee Shallcross, Section 25 gradually evolved with a more electronic-dance direction, a process which culminated in the album From the Hip and remix single "Looking From A Hilltop", both released in 1984 and produced by Bernard Sumner of New Order. This second iteration of the band also featured the Cassidy brothers' sister Angela Flowers (vocals, keyboards) and Larry Cassidy's wife Jenny Ross (vocals, keyboards). The five-piece completed a lengthy second tour of North America in January 1985, where the single "Looking From A Hilltop" achieved a measure of club success.

Later in 1985 the single "Crazy Wisdom" emerged on Factory Benelux as a 12", but the group again splintered, leaving husband-and-wife team Larry Cassidy and Jenny Ross to complete a fourth album, Love & Hate, finally released by Factory in 1988. Bad News Week was also released as a 12" single, remixed by Bernard Sumner. Section 25 then fell silent for more than a decade, although their entire back catalogue was reissued on CD on LTM as well as an archive DVD, So Far. There have also been several live and rarity CDs released by the same label.

In 2001 the band regrouped and started composing new material. It was originally expected that this would form the basis for a new album, but these plans were derailed when Jenny Ross, after a long fight with cancer, died on 20 November 2004 at age 42. The LTM DVD So Far, an audio-visual history of the band released in January 2005, was dedicated to her memory.

2006 – 2009 (Part-Primitiv to Nature and Degree)

Now with Ian Butterworth (formerly of fellow Factory act Tunnelvison) on guitar and Roger Wikeley on bass and keyboards, the Cassidy brothers performed their first live show in nearly two decades at their hometown Poulton-Le-Fylde in May 2006 followed by dates in Blackpool, Paris, Brussels, Leicester, London and Athens.

A new studio album by the quartet, Part-Primitiv, was released by LTM in April 2007, together with Communicants, a DVD assembled from live performances in 2006. Larry and Vin Cassidy also featured in the 2006 Factory documentary film Shadowplayers, and a BBC television documentary on the label. The group performed at the Plan K venue in Brussels in December 2007 as part of the Factory Night (Once Again) event, being joined onstage by Peter Hook of New Order for a cover of "Temptation". It was then proposed that Hook and Section 25 play further shows together, performing a mixture of Section 25, Joy Division and New Order songs.

Roger Wikeley left Section 25 in 2008 and was replaced by Stephen Stringer. In November this revised line-up played with Peter Hook in Paris, Brussels, Oss in the southern Netherlands and Krefeld in North Rhine-Westphalia, Germany.[citation needed] Ian Butterworth parted company with the Section 25 at the end of the year. Stephen Stringer moved on to guitar and Section 25's sound engineer and programmer Stuart Hill moved on to bass guitar. Both were no strangers to Larry and Vin, who had helped them record demos in 1983 and 1985.

The band released a new album in 2009 called Nature + Degree through LTM Recordings. Several tracks featured vocals by Bethany Cassidy, daughter of Larry and Jenny, who joined the group as co-vocalist and keyboards player. Section 25 appeared at the "Factory Night (And Then Again)" event at Plan K on 12 December 2009, with Beth and Larry sharing vocals. The group also returned to the States for festival dates in Los Angeles and San Francisco.

On 27 February 2010, it was announced that founding member, singer, and bass player for the group, Larry Cassidy, had died at the age of 56.

2010 – present (Retrofit to Elektra)

Prior to Larry Cassidy's death, the band had completed work on a new album, Retrofit, which was released on 14 September 2010. The album features electro reworkings and updates of previously issued Section 25 tracks, as well as one new song "Über Hymn". The album closes with a new version of Looking From A Hilltop, produced and arranged by Stephen Morris of New Order.

Limited copies came with an extra CD of a 16-minute recording of Larry Cassidy reading selected lyrics of Joy Division's Ian Curtis. This was recorded in January 2010 and would be Larry's last visit to a recording studio.

The band opted to continue to perform with their current line up. Section 25 played the FAC251 club in Manchester on 20 November 2010, and in 2011 issued their first new release without Larry Cassidy, a download-only EP titled "Invicta" EP, via Hacienda Records. June 2012 saw a deluxe vinyl reissue of From the Hip (Fact 90), issued as a special edition on Factory Records with 'remixed' artwork by Peter Saville, as well as a split coloured-vinyl 12" with Stereograph featuring two dub versions of "Colour Movement Sex and Violence" and "Inner Drive".

Saville also provided the cover image and title for their eighth studio album, Dark Light, issued on the Factory Benelux imprint in February 2013. "My Outrage" was also released as a 7" single. Also released during the same period were the 10" single "Invicta Max" (an expansion of the 2011 EP of the same name) and the official remix album "Eigengrau", featuring numerous remixes of earlier Section 25 recordings by Zoviet France, Absolute Body Control, Portion Control and Renaldo and the Loaf among others.

In May 2014 the group issued an expanded 30th anniversary CD edition of From the Hip via Factory Benelux, with a bonus disc featuring original demos as well as a BBC radio session from 1984 plus a new recording of "Reflection". Both Bernard Sumner and Jon Savage contributed liner notes. The new version of Reflection (subtitled 'Younger Image') was also issued as a limited edition orange vinyl 7" single to mark Record Store Day in April 2014. On Record Store Day the band performed in Manchester with Factory peers Crispy Ambulance and Minny Pops. A review of the show in The Guardian newspaper described Section 25 as "a revelation" and "the best new/old band in Britain."

In April 2015 Section 25 released "Mirror", another limited edition 7" single for Record Store Day, with guest vocals by Simon Topping, formerly of A Certain Ratio. The song dated from 1980 but had never before been recorded in the studio. Both the song and the packaging complemented a new CD edition of Always Now, re-mastered and featuring a bonus disc with their 1981 John Peel radio session as well as a complete live concert from 1980. The packaging replicated the original wraparound cover designed by Peter Saville.

In 2016 the group released a new live album, "Alfresco", as a vinyl and CD package to mark Record Store Day in April. That same year the track "Hit" from their 1981 album Always Now was sampled by Kanye West on a new song, "FML", featured on his seventh studio album, The Life of Pablo.[6]

In December 2017 the band announced on their Facebook page that they were working on a new album, to be released during the spring 2018. Vincent Cassidy also announced that their original guitarist, Paul Wiggin, will contribute on the new album.

June 2018 saw the release of an eleven-track album Elektra, recorded at West Orange Studios during the early part of the same year. The album featured appearances by original guitarist Paul Wiggin and newest family member Michael Cassidy on bass. One of the tracks (FML) is an acoustic cover of the Kanye West track that sampled the band's Hit from their 1981 set Always Now.

Mar 21, 2019

Ted Chippington special

Ted Chippington special.

Chippington started performing in 1981 under the name "Eddie Chippington" before changing to Ted "due to maturity and baldness". He first came to national prominence when a gig he had performed in Birmingham in 1984 supporting the Fall was released by local record label Vindaloo on a 7" EP entitled Non Stop Party Hits of the '50s, '60s and '70s. The EP title refers to his penchant for performing his own versions of classic hits, including on this occasion his rendering of Ottawan's "D.I.S.C.O.". The record was played by John Peel on his BBC Radio Oneprogramme - a rare occurrence for a comedian.

In 1986 he released an album, Man in a Suitcase - a collection of live recordings plus some more songs, including his versions of "She Loves You" and Alvin Stardust's "I Feel Like Buddy Holly" - which reached the Top 10 indie album chart. "She Loves You" received wider exposure after Steve Wright repeatedly played it on his Radio 1 show, which in turn led to the track being released as a single by Warner Brothers. It narrowly failed to make the Top 75 but Chippington claims that the deal with Warners' earned him "£1,000 and a nice curry".

Despite its failure to crack the charts, "She Loves You" raised Chippington's profile considerably and led to numerous media appearances, including a turn on the BBC's lunchtime magazine show Pebble Mill at One, the latter fulfilling a lifelong ambition.

Chippington also fielded interviews with the New Musical Express, Birmingham's BRMB and the colour supplement of the Mail on Sunday. He also performed at the Glastonbury and Readingfestivals.

Chippington once again came close to mainstream UK singles chart success with a recording of his theme tune "Rockin' with Rita (Head to Toe)" which he performed with his fellow Vindaloo artists the Nightingales and We've Got a Fuzzbox and We're Gonna Use It. A further single followed with his reading of Dion's "The Wanderer", in which the boastfulness of the original lyrics was turned on its head: "I'm not the wanderer, I'm not the wanderer...not too keen on roaming around and around and around".

Mar 18, 2019

The Wolfhounds with Andrew Golding

The Wolfhounds special with Andrew Golding talking about life in music, indie pop and his new solo album Dragon Welding'.

The Wolfhounds began as a slightly askew indie pop/rock band, and signed to the Pink label in 1986. First EP Cut the Cake was well enough received for the NME to include them on their C86 compilation album. After three singles and debut album Unseen Ripples From A Pebble on Pink,[1] they briefly moved to Idea Records for the Me single, then rejoined Pink's boss at his new label September Records. September soon evolved into Midnight Music which was the Wolfhounds' home for all subsequent releases.

With original members Bolton and Clark replaced by David Oliver and Matt Deighton, the Wolfhounds' sound developed into a denser, less poppy sound.[citation needed] After a compilation of earlier material, second album proper Bright and Guilty was released in 1989, featuring the singles "Son of Nothing", "Rent Act" and "Happy Shopper". The sound progressed further with the albums Blown Away (also 1989) and Attitude (1990), which found them in Sonic Youth territory, interspersing raging guitars with elegant compositional exercises. This proved to be the final Wolfhounds release of the 80s, with the band splitting in early 1990.

Golding and Stebbing formed Crawl, while Callahan hooked up with former Ultra Vivid Scene member Margaret Fiedler in Moonshake. Matt Deighton formed Mother Earth.

The current line-up is David Callahan (guitar/vocals), Andy Golding (guitar/vocals), Peter Wilkins (drums) and Richard Golding (bass). The Wolfhounds reformed in 2005 for a gig to mark the 20th anniversary of the release of their first single "Cut the Cake" in 1985.

In 2006, they were asked by Bob Stanley of St Etienne to play at the ICA in London, alongside Roddy Frame and Phil Wilson, to celebrate the 20th Anniversary of the NME cassette C86. They have continued to play live, re-energised when The Membranes asked them to be special guests at The Lexington in London, and in March 2012 played with Laetitia Sadier from Stereolab in support at a benefit to raise funds for the Timperley Frank Sidebottom memorial statue.

An EP called EP001 was released on Vollwert-Records Berlin in April 2012 containing three songs that pre-date the band's first single but that were never recorded satisfactorily at the time. Of these songs, 'Skullface' has picked up a lot of radio play.

The band released several 7" singles in 2013, included on new album Middle Age Freaks, released on Odd Box Records in 2014. Also in 2014 an anniversary limited-edition issue of Unseen Ripples from a Pebble (plus bonus tracks) was released by Optic Nerve Recordings.

In October 2016, the Wolfhounds released their sixth album Untied Kingdom (...Or How to Come to Terms with Your Culture). Louder Than War rated it 9/10.



Mar 15, 2019

Finitribe with David Miller

Finitribe special with David Miller in conversation

The band formed in Edinburgh in 1984 by Chris Connelly, John Vick, Andy McGregor, Philip Pinsky, David Miller and Simon McGlynn.

Initially a post-punk guitar outfit, the band released a debut E.P. Curling and Stretching on their own Finiflex label in the summer of 1984, graduating to their first John Peel Session in 1985 before rethinking their whole approach in the mid 80s.

Tired of the conventional drums, bass and guitar set up, they acquired a sampler and began experimenting with electronic music. The result was Let The Tribe Grow, an EP released on the Glasgow label Cathexis and featuring 'De Testimony', a seminal dance floor anthem for the original Balearic/Acid House generation. Subsequently, they signed to Chicago label Wax Trax and released two singles, "I Want More" (a cover of the Can song) and "Make it Internal", raising their profile in the States and resulting in extensive radio and club success.

A long and arduous "toilet" tour of the UK in 1988 led to the departure of three members – including Connelly who relocated to the States and joined the Revolting Cocks and Ministry – and a parting of the ways with Wax Trax Records.

This in turn resulted in a resurrection of the Finiflex label and a distribution deal with Fast Forward for a long-awaited debut album, Noise Lust and Fun. The band was now made up of Pinsky, Vick and Miller along with various contributions from Little Annie, Rosanne Erskine and Wilf Plum. A series of remix EP's proved their electronic and dance floor credentials and brought indie chart success.

The band met and signed a long-term publishing deal with Andy Heath (director of Beggars Banquet and Momentum Publishing), allowing the band to grow and develop without the constant need for advances from record companies.

After signing a new deal with One Little Indian the band with encouragement from label boss Derek Birkett ran into controversy almost immediately with the 'Animal Farm' EP. Subverting the nursery rhyme "Old MacDonald" for the purposes of berating the similarly titled hamburger outlet, Finitribe (as they were now known) offered up a flavour of the anti-consumerist stance prevalent on new album Grossing 10k (1989). The subsequent threat of legal action was not exactly helped by a "Fuck off McDonald's" poster and T-shirt campaign.

The band continued to develop stronger links with the electronic music world for their next single and album. Andrew Weatherall produced and remixed the single "101" (1991) along with Graham Massey from 808 State. Justin Robertson then worked with the band to remix and produce the singles "Ace Love Deuce" and "Forevergreen" (1992). These singles all featured on the band's most critically and commercially successful album, An Unexpected Groovy Treat (1992), the last album they were to record for One Little Indian.

The success of this album allowed the band to re launch their 'Finiflex' label and the in-house production team recorded and released many singles including those by Justin Robertson, State of Flux, Ege Bam Yasi and Sparks. A Finiflex Compilation album And Away They Go was released to critical acclaim in 1993. The band was redeveloping their studio complex in Leith during this period and coordinated all management, recording, press and merchandise from there.

After leaving One Little Indian the band further developed their studio complex and looked for a new recording deal. With the assistance of Tom Watkins (Pet Shop Boys, East 17) the band negotiated a deal with Pete Tong at London/FFRR. This deal allowed for the completion of the state of the art recording studio in Leith and facilitated complete independence for the recording of their next album.

For the writing and pre-production of the band's fourth album they relocated to a small crofting settlement called Sheigra. near Kinlochbervie in the north west of Scotland. In 1994 the band released the single "Brand New" and although a minor hit the relationship with London/FFRR was cooling. A further single "Love Above" and the album Sheigra were released in 1995. The band followed this with a tour with Sparks and then their own headlining tour of the UK.

By early 1996 David Miller and Philip Pinsky split from John Vick, the former continuing with Finitribe and John Vick successfully continuing with the studio complex Finiflex.

The slimmed down Finitribe, now operating from house built on the side of a volcano, started a new label U.G.T and released an LP by Acid House maverick Ege Bam Yasi. While looking for a new label and a new singer Finitribe went to Essex to work with former Prodigy collaborator Jason Byrne. The result was the EP Squelch and the meeting up with future producer Witchman(John Roome).

For a short while the band hooked up with Chas Smash (Madness) as manager, this indirectly led to a meeting with Korda Marshall and a deal was struck with Infectious/ Mushroom Records(home of Garbage and Ash). Philip and David recruited a band and picked up some guitars and drums.

The band's fifth album 'Sleazy Listening' was recorded in Edinburgh with John Roome (Witchman) producing. It featured Paul Haig, Little Annie, Niroshini Thambar, Chris Ross, John Roome and Katie Morrison. The album mixed electronica and live instrumentation and received critical acclaim. Melody Maker stating that, " If Finitribe had lived and worked in Bristol they would have won the Mercury Music prize by now".

The album was launched with a sell out gig at The Shooting Gallery, Edinburgh with Davy Henderson's Nectarine No. 9. The band toured the UK with their most successful gigs for several years, headlining the ICA in London. They recorded the first ever John Peel live session and released three further singles for Infectious.

This was the band's last album and tour. Their last gig was at a sell out Bath Moles Club in the summer of 1998.

Other interests and priorities meant that Philip and David put Finitribe to one side . One more single was released 'Bored' (2000).

In January 2014 the band reissued "De Testimony" on limited 12" vinyl and have plans to reissue further classics from their catalogue.


Mar 11, 2019

The Claim with David Arnold in conversation

The Claim special with David Arnold in conversation.

They formed around 1980, as part of the independent Medway scene around the nearby towns of Rochester, Chatham and Gillingham and influenced by classic acts such as The Kinks, The Jam, The Clash and The Smiths. Stylistically, they shared much in common with fellow Kent band The Dentists and early Creation Records acts such as The Jasmine Minks.

Between 1985 and 1992, The Claim released two albums and various singles and EPs, first on their own record label, and then via Kevin Pearce's Esurient Communications imprint, Bob Stanley's Caff label and the German-based label A Turntable Friend. Their first outing, Armstrong’s Revenge & Eleven Other Short Stories (1985) was followed by the 12" EP This Pencil Was Obviously Sharpened By a Left-Handed Indian Knife Thrower (again on Trick Bag Records). By the time of 1988's Boomy Tella LP, the quality of their politically fused, bittersweet songs had matured considerably, and it is now regarded as their high-water mark. Meanwhile, their single "Wait And See" was recorded at ex-Jam drummer Rick Buckler's studio with ex-Jam producer Vic Coppersmith-Heaven.

The Claim also teamed up with the poet and ex-Dentists drummer Vic Templar (an alias for Ian Smith) for various evenings which combined a play, featuring members of The Claim, with a musical performance by the band. Templar also collaborated with The Claim for the song "Mike The Bike", issued as the B-side to perhaps The Claim's most impressive outing, "Birth Of A Teenager", issued as a limited edition single housed in a sleeve designed by the Medway scene's most multi-faceted talent, Billy Childish. For another gig, Welsh band The Manic Street Preachers played their debut London show supporting The Claim. The Claim played their final show in January 1993.

None of The Claim's music appeared on CD at the time. Recently, the band themselves compiled a retrospective, Black Path, which was released on Rev-Ola Records in September 2009.[2][3] The band played a reunion gig in Rochester, Kent on 19 September 2009 to coincide with the project's release. On Thursday 25 March 2010, they played at a second reunion show with fellow Medway band The Dentists at Dingwalls in Camden Town, London.


Mar 6, 2019

Inca Babies special with Harry Stafford

Inca Babies special with Harry Stafford in conversation.

Still retaining their original Manchester post-punk roots, the Inca Babies have appeared since 2008 at festivals and concerts across Europe, performing at 'Drop Dead' festival in Vilnius, Lithuania and 'Deathcave 2014' festival in Saint-Petersburg and Moscow, as well as playing live in Warsaw, Milan, Rome, Athens, Amsterdam, Los Angeles, London and many other cities across Europe. They are booked to appear for the first time in India, at the Saarang 2015 festival in Chennai (Madras).

The band was formed in Hulme, Manchester by Bill Bonney (bass guitar), Harry Stafford(guitar) Julian Woropay (vocals) and Alan Brown (drums), taking influences from Link Wray, The Cramps, The Gun Club and The Birthday Party[1] Debut single "The Interior" was released in November 1983 on their own Black Lagoon label. Over the next five years they released a further six singles and four albums with a few changes of line-up, 1988's Evil Hour featuring Clint Boon of Inspiral Carpets on keyboards. Alan Brown of bIG fLAME and The Great Leap Forward was also drummer for a time.

The band recorded four sessions for John Peel's BBC Radio 1 programme between 1984 and 1987.

However the band folded in the late 1980s, reforming for a concert in Munich marking the 20th anniversary of the booking agency IBD. The Inca Babies had been the agency's first overseas act. The Munich performance stimulated interest in the band and founder member Harry Stafford recruited Goldblade drummer Rob Haynes to remain part of the band. The death of original bass player Bill Marten came as Stafford was writing material for the band's first new release in two decades. Former A Witness bassist and longstanding friend Vince Hunt stood in to complete the album and for dates across Europe in late 2009 and 2010 and continues to play live and record with the band.

A double A-side blue vinyl 7" limited edition single "My Sick Suburb/Tower of Babel" was released by Black Lagoon Records to mark Record Store Day on 21 April 2012. The songs comment on the notorious Hulme Crescent flats in Manchester which were a centre of the city's counterculture in the 1980s and home to the band's early line-up. An accompanying video was uploaded to YouTube filmed and edited by film-maker and musician Boz Hayward.

Throughout 2012, the band made live appearances across the UK and Europe, performing in Italy, Poland and The Netherlands and also flying to Los Angeles for a one-off show.

In October 2012, the band released a CD titled Re-Peeled to mark their inclusion in a musical tribute night in Manchester to BBC DJ John Peel. This featured re-recordings of four songs originally recorded for sessions for John Peel's BBC Radio One show in the early 1980s.

The second album from the reformed line-up, Deep Dark Blue, was released in November 2012 and the band toured widely in 2013 to promote it, performing live across the UK and in Greece and Belgium.

In 2014, the vinyl only 12" EP Scatter was released to mark the resurgence of interest in vinyl records on Record Store Day and the band released their third album since reforming, The Stereo Plan. Following a launch party in Manchester with the reformed line-up of A Witness featuring Vince Hunt and Rob Haynes, the Inca Babies performed for the first time in Russia, headlining the Deathcave 2014 festival in Saint-Petersburg and Moscow, and also India, appearing at the Saarang global culture festival at IIT Madras in Chennai in January 2015.

Following The Stereo Plan, Harry Stafford started work on a solo album while Rob Haynes toured extensively with The Membranes and Vince Hunt joined Martin Bramah's Blue Orchids. A series of UK live appearances were booked for 2017 including at Blackpool's Rebellion festival on 6 August and also in Naples, Italy in July.


Mar 4, 2019

Jo Bartlett - It’s Jo & Danny

Jo Bartlett in conversation - talking about life in music, The Buzz Club, It's Jo & Danny, Ultimate Records, The Green Man Festival and much much more


Quote from her website

"I was in my first band at 14. I promoted my first gig at 17. I went on to promote loads of gigs at The Buzz Club in Aldershot, which I started with Danny Haganin 1985. I booked bands including The Stone Roses, Blur, The Manic Street Preachers, Suede, The Happy Mondays, Primal Scream, The Charlatans and lots more. Soon you’ll be able to see all the fliers, posters, live recordings and memories I’ve collected on this site.

Danny and I were always in bands while we promoted those gigs. We were part of the C-86 movement, releasing a couple of 12″s on Dan Treacy’s Dreamworld Records.

I worked in London as a press officer and plugger for independent label, Ultimate Records from 1991 – 96. Organising press trips to Japan, TV appearances, radio sessions and live reviews for lots of fantastic bands. Including this live tv appearance for Senser on ‘The Word’ – i’m in the crowd somewhere!"


Mar 3, 2019

The Rosebuds with Jim Rivas in conversation

The Rosebuds special with Jim Rivas in conversation


The Rosebuds are a Sacramento, CA band that originated in 1988! Indie pop, shoe gaze, psychedelic rock.


Dustin Reske: vocals, guitar
Josh Berkeley: bass
Ben Berkeley: guitar
Jim Rivas: drums

Feb 28, 2019

John Peel Show

John Peel Show - late 80s

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