C86 Show - Indie Pop

Author Will Birch discussing his new book 'Cruel to be Kind: The Life & Music of Nick Lowe

Cruel to Be Kind is the definitive account of Nick Lowe's uncompromising life as a songwriter and entertainer, from his days at Stiff Records, to becoming the driving force behind Rockpile, to the 1979 smash hit 'Cruel To Be Kind'.

Nick's original compositions have been recorded by the best in the business, from enfant terrible of the New-Wave, Elvis Costello, to 'The Godfather of Rhythm and Soul', Solomon Burke; from household names, including Engelbert Humperdink, Diana Ross, and Johnny Cash, to legendary vocalists such as Curtis Stigers, Tom Petty, and Rod Stewart.

His reputation as one of the most influential musicians to emerge from that most formative period for pop and rock music is cast in stone. He will forever be the man they call the 'Jesus of Cool'.

'Nick's poise as a singer, his maturity, and his use of tone is beautiful. I can't believe it's this guy I've been watching since I was a teenager' Elvis Costello, 2013

'The master of subversive pop' Nick Kent, NME, 1977

'Nick Lowe is such a f*cking good songwriter! Am I allowed to say that?' Curtis Stigers, 2016

Motorhead special with Fast Eddie Clarke in conversation

Motörhead were an English rock band formed in June 1975 by bassist, singer, and songwriter Ian "Lemmy" Kilmister, who was the sole constant member, guitarist Larry Wallis and drummer Lucas Fox. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motörhead, most of their best-selling albums and singles feature the work of Phil "Philthy Animal" Taylor on drums and "Fast" Eddie Clarke on guitars.

Motörhead released 22 studio albums, 10 live recordings, 12 compilation albums, and five EPs over a career spanning 40 years. Usually a power trio, they had particular success in the early 1980s with several successful singles in the UK Top 40 chart. The albums Overkill, Bomber, Ace of Spades, and particularly the live album No Sleep 'til Hammersmith cemented Motörhead's reputation as a top-tier rock band. The band are ranked number 26 on VH1's 100 Greatest Artists of Hard Rock. As of 2016, they have sold more than 15 million albums worldwide.

Motörhead are typically classified as heavy metal, and their fusion of punk rock into the genre helped to pioneer speed metal and thrash metal. Their lyrics typically covered such topics as war, good versus evil, abuse of power, promiscuous sex, substance abuse, and, most famously, gambling, the latter theme being the focus of their hit song "Ace of Spades".

Motörhead has been credited with being part of and influencing numerous musical scenes, thrash metal and speed metal especially. From the mid-1970s onward, however, Lemmy insisted that they were a rock and roll band. He has said that they had more in common with punk bands, but with their own unique sound, Motörhead is embraced in both punk and metal scenes.

 

The Pogues special with James Fearnley talking about life in music, and also new new musical adventure, the Walker Roaders.

The Pogues were a British Celtic punk band fronted by Shane MacGowan and others, founded in Kings Cross, London in 1982, as "Pogue Mahone" – the anglicisation of the Irish Gaelic póg mo thóin, meaning "kiss my arse". The band reached international prominence in the 1980s and early 1990s, recording several hit albums and singles. MacGowan left the band in 1991 due to drinking problems, but the band continued – first with Joe Strummer and then with Spider Stacy on vocals – before breaking up in 1996. The Pogues re-formed in late 2001, and played regularly across the UK and Ireland and on the US East Coast, until dissolving again in 2014. The group did not record any new material during this second incarnation.

Their politically-tinged music was informed by MacGowan and Stacy's punk backgrounds, yet used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin and accordion.

 

New Model Army with Justin Sullivan in conversation with David Eastaugh 

New Model Army are an English rock band formed in Bradford, West Yorkshire, in 1980 by lead singer, guitarist and main composer Justin Sullivan, bassist Stuart Morrow and drummer Phil Tompkins. Sullivan has been the only continuous member of the band, which has seen numerous line-up changes in its 39-year history. Their music draws on influences across the musical spectrum, from punk and folk to soul, metal and classical. Sullivan’s lyrics, which range from directly political through to spiritual and personal, have always been considered as a key part of the band’s appeal. By the time they began making their first records in 1983, Robert Heaton, a former drum technician for Hawkwind, had replaced Tompkins.

Whilst having their roots in punk rock, the band have always been difficult to categorise. In 1999, when asked about this, Sullivan said "We've been labelled as punks, post-punks, Goth, metal, folk – the lot, but we've always been beyond those style confines". Following a large turnover of personnel, both permanent and as touring members, as of August 2017 New Model Army comprise Sullivan, Dean White (keyboards and guitar), Michael Dean (drums), Marshall Gill (guitar) and Ceri Monger (bass).

The band were formed in Bradford, West Yorkshire in the autumn of 1980, taking their name from the army established by Parliament during the English Civil War, and played their first concert in Bradford in October, playing songs based on their shared love of punk rock and Northern soul.

Until the mid-1980s, Sullivan used the alter ego of "Slade the Leveller" (Levellers being a radical political movement of the 1640s), supposedly so that he would not lose his unemployment benefits if the authorities realized he was making money from music. They continued to gig around the United Kingdom with little recognition, but in 1983 released their first singles "Bittersweet" and "Great Expectations" on Abstract Records, and were given airplay by Radio 1's John Peel.

In February 1984, they were invited to play on popular music show The Tube, being introduced by presenter Muriel Gray as "the ugliest band in rock and roll". The producers of the show however were concerned about the lyrics of "Vengeance", which the band were due to perform ("I believe in justice / I believe in vengeance / I believe in getting the bastards") and so the band played "Christian Militia".

Following this performance, the band's first mini-album Vengeance reached Number 1 in the UK independent chart in early 1984, pushing The Smiths from that position. After a further single "The Price" also reached a high placing in the independent charts, the band were signed by major label EMI.

The Lotus Eaters special with Peter Coyle in conversation talking about his life in music.

The Lotus Eaters are an English new wave band formed in 1982 in Liverpool. Their debut single, "The First Picture of You", became a hit in the UK and in continental Europe, notably France, Italy, Belgium and Spain.

In September 1982, Peter Coyle and Jeremy "Jem" Kelly met for the first time. Kelly had been guitarist in the Dance Party with Michael Head and co-founded the Wild Swans in 1980. Coyle had previously been in the Jass Babies, who had recorded a session for John Peel's BBC Radio 1 show in 1981.

After an invitation to record a Peel session, a number of new songs were created. Joined on keyboards by Kelly's fellow ex-Wild Swans member Ged Quinn, drummer Alan Wills and bassist Phil Lucking, the session was recorded in October 1982 and included "The First Picture of You". This led to the band being signed by Arista Records.

Produced by Nigel Gray, "The First Picture of You" became an iconic song for the Lotus Eaters in 1983, giving them a UK hit single before the band had even played a live gig. The band recorded a second session for Peel in October 1983.

The band's debut studio album, No Sense of Sin, was released in 1984 on Arista subsidiary Sylvan Records, preceded by two further singles, "You Don't Need Someone New" and "Out on Your Own". Both of these songs hit the top 100 of the UK Singles Chart, but owing to difficulties with producers and marketing, the impact of "The First Picture of You" was not repeated in the UK.

Line-up changes and disbandment

After Quinn left, Coyle and Kelly recruited bassist Michael Dempsey (the Cure, Associates), keyboard player Stephen Emmer (formerly of Minny Pops and Associates) and drummer Steve Crease. The Lotus Eaters toured extensively in the UK, France and Italy before going on hiatus in 1985 after parting ways with Arista. "It Hurts", their final single, charted in the Italian Top 5 that year, but the band had already split up, leaving a promotional video featuring footage of Louise Brooks to represent them.

Aftermath

Coyle recorded as a solo artist, releasing the albums A Slap in the Face for Public Taste and I'd Sacrifice Eight Orgasms with Shirley MacLaine Just to Be There, and went on to found dance company 8 Productions and the G-Love nightclub. As a songwriter/producer, he had success with Marina Van-Rooy's 1990 single "Sly One", and worked with a host of emerging artists on Liverpool's dance scene. Coyle later pursued academic interests at the University of Edinburgh.

Meanwhile, Kelly reformed the Wild Swans, releasing the Bringing Home the Ashes album on Sire in 1988.^[2] He co-wrote an album, Soul Fire (released in 2001), with Tom Hingley (ex-Inspiral Carpets), before leaving to study for a PhD in memory-themed multimedia theatre at the University of Reading.^[11] Since 1989, Kelly has been writing, staging and performing in music-driven theatre, including Phantoms of the Aperture Part 1: Ted (2015) and Phantoms of the Aperture Part 2: Pictures of Me (2016) examining intersections of time, space, memory and music.

A compilation album of the Lotus Eaters' music, First Picture of You, was released in 1998 by Vinyl Japan/BBC Worldwide, consisting of sessions recorded at BBC Radio 1. No Sense of Sin was reissued that same year by Arista Japan.

In 2001, the Lotus Eaters, comprising the duo of Coyle and Kelly, reformed after almost two decades, recording and releasing a new album titled Silentspace on the Vinyl Japan label.

On 13 March 2009, the band announced a one-off concert to be held at the Liverpool Philharmonic Hall on 25 July.^[17] The gig, a performance of the album No Sense of Sin, featured Coyle, Kelly and Emmer accompanied by a string quartet from the University of Huddersfield.

In April 2009, Coyle and Kelly collaborated with Emmer, and announced that they were working with producer Steve Power on material for a new album called A Plug-in Called Nostalgia, which has yet to be released. A limited-edition acoustic album, Differance, was issued the following year as a limited release on Sylvan.

The Lotus Eaters played their first London show in 10 years at the Camden Barfly on 11 June 2010, followed by a string of shows in the UK. The band also toured in Japan in October 2010, with gigs in Tokyo and Osaka.

In 2015, the band announced on their Facebook page that they were still working to release A Plug-in Called Nostalgia.

In 2017, Coyle performed solo in a one-night-only show in Manila. 

Later in the year, 2019 Peter will be performing LET’S ROCK WINTER TOUR 2019

Mega City Four special with Danny Brown in conversation - talking about life in the band & much much more - with David Eastaugh 

Mega City Four were an English indie rock band formed in Farnborough, Hampshire, who obtained popularity throughout the late 1980s and 1990s. Mega City Four consisted of guitarist and vocalist Wiz, his brother and rhythm guitarist Danny Brown, bassist Gerry Bryant and drummer Chris Jones. According to Uncut magazine, the group "earned a reputation across the globe as an exciting live band".

Wiz and Bryant were in a band together at school called 'Stallion', who performed two shows together. One of the shows took place at Cove Secondary School (where "Stallion will come for you" stickers were handed out in an attempt to bolster the bands following) and the show was concluded when the school cut the power. Wiz, seeking more independence to write his own music, decided he wanted to form a new band with Bryant and Danny Brown, named 'Capricorn', after the brothers' shared the star sign.

Capricorn formed in June 1982. They consisted of drummer Martin Steib, vocalist and guitarist Wiz, rhythm guitarist Danny and bassist Gerry. The band had a personal fallout in regards to musical direction and dissolved in 1986. A four-track demo was recorded in 1982, and they released one demo, titled 'The Good News Tape' in 1985.

The trio of Gerry, Danny and Wiz maintained closeness and enlisted Chris Jones (who drummed in local band Exit East) to join their new group. The new name, initially suggested by Steib in the Capricorn era, was decided as Mega City Four. The group were officially formed in 1987 and the band's career started with performing gigs around their local town of Farnborough before making their vinyl debut in September 1987 with "Miles Apart"/"Running In Darkness"^[2]. The single led to a round of gigs with fellow punk-influenced bands like Senseless Things and Snuff.

"Miles Apart" and "Running" were reissued (separately) in 1988 on the independent label Decoy, along with the more melodic "Distant Relatives" and "Less Than Senseless". A healthy following latched on to them quickly, and by 1988 the group were performing to packed audiences on a regular basis. Continuing on their local success, the band would eventually release their 1989 debut album, Tranzophobia.

The band continued to tour extensively in the UK, Europe and North America, working with bands including Les Thugs, Ned's Atomic Dustbin, Carter The Unstoppable Sex Machineand Doughboys, amongst many others. The band's second studio album, Who Cares Wins, was released in 1990. Extensive touring across Europe began again, with the band performing in the Reading Festival that year. Who Cares Wins was followed by a compilation album of their early 7" singles, called Terribly Sorry Bob (1991). The band subsequently moved to a major record label to record two further studio albums, Sebastopol Rd. (1992) (recorded by Jessica Corcoran at London's Greenhouse Recording Studios) and Magic Bullets (1993).

This album produced the singles Wallflower and Iron Sky, which both placed 69 and 48 in the music charts respectively. After falling out with their record label, they moved to Fire Records to record their final studio album, Soulscraper (1996). In addition to their studio albums, the band also released a live album, a Peel Sessions disc, and a number of singles. The British music journalist, Martin Roach, wrote a biography of the band, "Mega City Four: Tall Stories and Creepy Crawlies", published in 1993.

The Red Guitars special with Lou Duffy-Howard in conversation.

 

The Red Guitars were an English indie rock band active from 1982 to 1986. Based in Hull, the Red Guitars' first single "Good Technology" was a minor hit, selling 60,000 copies. Their singles "Marimba Jive" and "Be With Me" both reached number one on the UK Indie Chart.

Jerry Kidd (born Jeremy Kidd, vocals) and Hallam Lewis (guitarist) met in 1979 at a Community Arts programme in Hull. The two formed the short-lived project, Carnage in Poland. After several line-up changes, including the addition of Mark Douglas, the band changed their name to the Czechs, billing themselves as 'eastern European reggae'. After more line-up changes, including the departure of Douglas, the Czechs abandoned their name and reggae sound, becoming the Red Guitars.

Playing a mixture of punk, blues, electrified folk and African rhythms, the Red Guitars built a small but loyal national following, playing mostly benefit shows for left-wing causes.^{[citation needed]}

In 1982, the band recorded their first single "Good Technology". In keeping with the band's anti-corporate ideology, the Red Guitars released the single on their own record label, Self Drive Records, selling 60,000 copies.^{[citation needed]} The video to "Good Technology" was broadcast on the cult 1980s Channel 4 music TV show The Tube, as part of the show's Hull music special.

Constant touring to support follow-up singles "Fact", "Steeltown" (The John Peel Session version of which also featured on the Four Your Ears Only EP – an aural collection which included Luddites, Red Lorry, Yellow Lorry and Party Day) and "Marimba Jive",^[3] added to the daily pressures of running a record label resulted in internal pressures in the Red Guitars, culminating in the departure of Kidd in 1984, two months after the release of debut album Slow to Fade. The band continued on without Kidd for a further two years, bringing on Robert Holmes for vocals, but failed to achieve the previous critical or commercial success, although "Be With Me" also reached the top spot on the UK Indie Chart in May 1985.

The Red Guitars disbanded in 1986 after their appearance at the Pukkelpop festival near Hasselt, Belgium. Two of the ex-band members, Hallam Lewis and Lou Howard, formed another group, The Planet Wilson. They were joined by Grant Ardis (drums and ancillaries). Howard was still on bass and Lewis on guitar and vocals. In 1988 they released the album In the Best of All Possible Worlds (on Virgin Records) and in 1989 they released the album Not Drowning but Waving (on Records of Achievement). Jerry Kidd released a solo single "Petals and Ashes (a song for Emma Goldman)" in 1985 (on Self Drive Records), after leaving the Red Guitars: it had a mix of "Crocodile Tears" on the b-side. Lewis went on to run a recording studio in Hull. Holmes released a solo album in 1989, entitled Age of Swing, and has released a series of recordings since 2015 on YouTube under the title "Robert Holmes Channel Two"

The Black Watch special with John Andrew Fredrick in conversation with David Eastaugh

The Black Watch is an American independent rock band from Santa Barbara, California, United States, whose only constant member has been singer, guitarist, and primary songwriter, John Andrew Fredrick. Through their twenty years in the recording industry, the group has affiliated with at least eight different record labels.

Fredrick formed the band in 1987 after earning his Ph.D. in English from University of California, Santa Barbara. After recording St. Valentine and releasing it on eskimo, Fredrick's own label, violinist J'Anna Jacoby joined the group and the two of them formed the nucleus of the band until she left the group in 2003.

The Black Watch has recorded and toured consistently throughout its history except for a brief period in 1997 when the band broke up. During this hiatus, Fredrick wrote The King of Good Intentions, a semi-autobiographical novel about an indie rock band. The band recorded a CD of the same title intended as a companion piece to the novel.

In 2008, guitarist and singer Steven Schayer (formerly of the New Zealand band The Chills) joined, and Fredrick published another book of fiction, The Knucklehead Chronicles.

In 2013, The band released The End of When on Pop Culture Press Records.

Blyth Power special with Joseph Porter in conversation

Blyth Power are a British rock band formed in 1983 by singer and drummer Joseph Porter, formerly of Zounds and The Mob. Blyth Power's music shows strong influences from punk rock and folk music, and the band members have described their sound as a cross between The Clash, Steeleye Span and The Rubettes.

Established in 1983 and named after a railway locomotive, the one constant in an ever-shifting lineup has been drummer, vocalist, and songwriter Joseph Porter (real name Gary James Hatcher, born 21 February 1962 in Templecombe, Somerset). The band's lyrics often deal with episodes from history, ranging from the Trojan War to the Cod War — as well as aspects of English culture such as cricket, village life and trains. Porter is an avowed trainspotter, and in August 1998 the band appeared on the LWT television programme Holy Smoke! in a slot in which musicians discussed their individual religions — with trainspotting cited as his religion.

Since 1993, Blyth Power recordings have been released on their own label, Downwarde Spiral. Since 2000 they have cut back on their touring schedule due to various personal commitments, but they have organised an annual mini-festival, the Blyth Power Ashes. The festival takes place in August of each year, and combines live music with a cricket match featuring band members and their associates. From 2011 the event moved to The Plough, in Farcet Fen near Peterborough due to its ever-increasing popularity. From 2015 The Ashes takes place at The Hunters Inn in Longdon, near Tewkesbury.

Joseph Porter has also been involved with various side-projects, such as doing solo guitarist/vocalist performances and collaborating in two other bands, Red Wedding and Mad Dogs & Englishmen.

Holly Lerski talking about her life in music

Holly Lerski formed Angelou with guitarist Jo Baker in 1996. They recorded their first demo in the winter of that year, which included a cover of the Leonard Cohen song "Hallelujah". Inspired by Jeff Buckley's version, Lerski had been a fan of Buckley's, corresponding with the artist. Local Norwich label Haven Records heard the demo and signed Angelou in the beginning of 1997, scheduling the release of the Hallelujah EP to coincide with a UK summer tour supporting Eddi Reader and Boo Hewerdine. 'Hallelujah' came out a week after Jeff Buckley's untimely death, ending the year on novelist Nick Hornby's 'Best of 97' compilation.

In 1998 Angelou released their first album 'Automiracles'. Now including drummer Phil Di Palma, the album was written by Lerski, and recorded in 10 days by producer Calum MacColl. The album featured guest vocals from Eddi Reader and Boo Hewerdine and received comparisons to The Sundays' debut 'Reading, Writing and Arithmetic'.

Their second album 'While You Were Sleeping', released in 2000, received further acclaim and established Lerski as one of the new crop of up and coming female folk artists. Written and produced by Lerski, and recorded in studio down-time, the album finished with a moving tribute to Jeff Buckley. Lerski went on to contribute this to the Buckley documentary 'Amazing Grace'.

In 2001 Spanish label El Diablo released an Angelou compilation called Midnight Witcheries. Now joined by new drummer Cath Evans and bassist Anne Richardson, this record allowed the band to be heard for the first time throughout Europe. They completed 2 extensive tours of Spain, appearing on national TV and radio. They also went on to release a further EP and 2 videos.

On hearing of their success abroad, UK music independent giant Sanctuary Records offered Lerski a recording and publishing agreement and at the end of 2001 Lerski finally signed a major deal. Angelou were soon off on the road again, this time as a duo touring Scandinavia and Europe with blues legend John Hiatt & The Goners.

On their return from Europe the band went into rehearsals for the third album, staying in a wooden hunting lodge in Derbyshire. Recorded both in Denmark and Manchester throughout 2002, 'Life Is Beautiful' was a much poppier record. It was finally released in 2003 under Lerski's own name. With the launch of the album came lives dates with The Cranberries, Jason Mraz and Josh Rouse, and support from BBC Radio 2 and most notably Wake Up To Wogan producer Paul Walters. There was also news that Lerski's song 'My Love' would be featured in a Hollywood film. It looked like the bands hard work had finally paid off, however it was not to be. In 2004 after disagreements with Sanctuary over lack of promotion for the record, Lerski was forced to leave the label and her songs behind.

In the summer of 2004, tired of the music industry and following a break up, Lerski relocated to Manchester where she began to write new material with the intention of releasing on her own imprint Laundry Label. 'Greetings From N.Y.' was Laundry's first release. Featuring on the cover a hand written postcard to Lerski from Jeff Buckley, 'Greetings' was a 'best of' CD showcasing Lerski and the band's music to date. BBC Radio 2's Wake Up To Wogan once again championed the record and 'More Than A Storm' featured weekly on his show. Starbucks at the time was also featuring tracks from 'Life Is Beautiful' on their in-store compilation.

By 2006, following the news that Sanctuary had been bought out by Universal Music Group, Lerski returned to Norwich to begin a new chapter.

The Stupids special with Tommy Stupids or Tom Withers in conversation 

 

Formed in Ipswich, England in the mid 1980s, The Stupids released four albums and six EPs, and recorded three sessions for John Peel's BBC Radio 1 show in the 1980s, and toured the United States (with Ludichrist) and Australia (the Hard-Ons) as well as Europe, the United Kingdom, and, most recently, Japan.

The band have featured on various CD re-issues, compilation albums (e.g. Sounds and the U.S. skate magazine, Thrasher), collector singles, and BBC session releases released by Strange Fruit.

A live video tape, Drive-In Hit Movie, was released shortly after the band broke up in 1989.

Heather Nova in conversation

After graduating from RISD, Nova moved to London, a place she called home for twelve years (she already had British citizenship due to her Bermudian origins). In 1990, she released her first recording, Heather Frith, an EP; she had not yet changed her name. The new name debuted in 1993 with her second EP entitled Spirit In You and her first full album, the critically acclaimed Glow Stars, produced by Felix Tod, after being discovered by Big Cat label manager Steven Abbott. The success of the album led her to record and release her first live album Blow the same year.

In 1994, she released Oyster, her breakout album that was produced by Youth and Felix Tod and began almost two years of touring. Another live album, Live From The Milky Way, was released in 1995. Siren, the follow-up to Oyster because of the hit single "London Rain", was released in 1998, after which she joined Sarah McLachlan and others on the North American Lilith Fair, a music festival with only female performers.^{[citation needed]} After the release of Siren and a world tour to promote the record, Nova took a break while various television show and film soundtracks licensed some of her songs and her record company (Sony Records/The WORK Group) released various singles from the album, which received only moderate play on America's MTV2, Europe's MTV and Canada's MuchMusic and on mainstream radio, although she was popular on college radio. Also during this time, she recorded a version of the often covered traditional song "Gloomy Sunday", for the German WWII feature film drama Ein Lied Von Liebe Und Tod (released under the international title, Gloomy Sunday). In 2000, Nova released yet another live album entitled Wonderlust.

Over the years, Nova has written and recorded over 120 songs. With the release of South (2001), she returned to the international spotlight with an appearance on the soundtrack of the John Cusack movie Serendipity. She also appeared on the soundtrack to the Sean Penn film, I Am Sam and sung on The Crow: City of Angels. A collaboration with Swedish indiepop band Eskobar, for a song called "Someone New", led to its music video being played primarily on America's MTV. Storm, Nova's fifth studio album, recorded with Mercury Rev as her backing band, was released in late 2003 on her own Saltwater label, went top 5 in Germany, followed by a tour during which Nova became pregnant. She quickly followed the birth of her son with her next record Redbird, released in 2005, again Top 10 in Germany.

In December 2005, Nova released Together As One, an EP supporting the Bermuda Sloop Foundation which operates the Bermuda sloop Spirit of Bermuda. In 2002, she self-published The Sorrowjoy, a 72-page book of her poetry and drawings. An album of the same name was unofficially released in March 2006, which featured Nova reading the poems from her book set to ambient music. She also collaborated with the German trance artist ATB on tracks like "Love Will Find You", "Feel You Like A River" and the international hit "Renegade". In 2008, she released an album called The Jasmine Flower, a solar powered acoustic album recorded in Bermuda, before touring as an acoustic tour.

In late 2010 she embarked on another European tour promoting her The Jasmine Flower album. On this tour, she played four unreleased songs ("Save A Little Piece Of Tomorrow", "Everything Changes", "Burning To Love", and "Turn The Compass Round") that are included on her most recent album, 300 Days At SeaProduced by Felix Tod.. This full-band album was released on May 27, 2011. In late 2014, she began work on her most recent project, a new studio album called "The Way it Feels" which was released to critical acclaim in May 2015. Her new album, Pearl, will be released in Spring 2019.

Mick Houghton talking about his life in music & new publication - Fried & Justified

The list of bands and artists Mick Houghton worked with in an illustrious career in the music business reads like a Who’s Who of some of the greatest, most influential and downright dysfunctional cult groups of the post-punk era and beyond – Ramones, Talking Heads, The Undertones, The Jesus and Mary Chain, Felt, Sonic Youth, The Wedding Present, Spiritualized and Elastica among them. Often judiciously (or unintentionally) sidestepping the major trends in music – baggy, grunge and Britpop – his reputation for attracting outsiders led to him working with artists as disparate as Sun Ra, Andrew Oldham, Ken Kesey, Bert Jansch, Stereolab, Mercury Rev and Gorky’s Zygotic Mynci.

But the three acts Mick is most closely identified with are Echo & the Bunnymen, Julian Cope (and the Teardrop Explodes) and the Justified Ancients of Mu Mu/KLF in all their guises. Between them, these three played a significant role in shaping the musical landscape of the eighties and nineties, and – as confidant and co-conspirator – Mick was with their chorus along the way, carefully navigating the minefield of rivalries and contrasting fortunes. It is Mick’s indefatigable belief that it was always the music that came first, and it is his knack of attracting so-called difficult and troubled artists that makes Fried & Justified such an amusing, honest and insightful tale.

Collapsed Lung with Anthony Chapman talking about his life in music

Collapsed Lung was originally formed as a bedroom studio collaboration between Anthony Chapman and Steve Harcourt. The pair had met at Harlow music venue The Square, and despite coming from contrasting musical backgrounds (Harcourt had previously played guitar in metal band Bomberz, whereas Chapman had previously played bass in pseudo-C86 outfit Pregnant Neck) found they had a shared love of funk and the Amiga tracker software Med/Octamed. Eventually, the duo decided to perform a live show, using an Amiga computer on stage as well as live guitar from Harcourt.

After their debut performance they were invited to play an all-day music festival in Harlow at which Harcourt first met Nihal Arthanayake, a school friend of Chapman. Nihal was a rapper of Sri Lankan descent who was studying law in Twickenham, Middlesex. He was consequently invited to record some of his raps over the duo's existing tracks. Chapman later took up co-rapping duties alongside Arthanayake, with the line-up completed by bass player Johnny Dawe (previously of Hull band Death By Milkfloat). However, Arthanayake left the band in 1994 after signing a deal for his own group Muddie Funksters with Go! Discs.

Collapsed Lung replaced him with rapper Jim Burke and drummer Chris Gutch. Chapman also bolstered his reputation with DJ work at a variety of London venues. He was keen to reinstate Collapsed Lung's rap credentials, stating "at the end of the day, it's just hip-hop", while promoting the release of 1995's Jackpot Goalie. In late 1995, drummer Chris Gutch left the group to join a band called Rehab. Gutch was replaced by Jerry Hawkins, previously of Atom Seed and The Fuzz.

In 1996 they released their second album 'Cooler' (written as 'C**ler' - the type on the album artwork reflecting the use of stars to denote the refrigeration level of a domestic freezer). In June 1996 a double A-side "London Tonight" / "Eat My Goal" was released which reached number 31 in the UK Singles Chart. "Eat My Goal" was used as the soundtrack to Coca-Cola's "Eat Football, Sleep Football, Drink Coca-Cola" advertising campaign that tied in with the Euro 96 football championships in England.

"Eat My Goal" was re-released in May 1998 and reached number 18 on the same chart, and was subsequently used on many TV programmes, most notably SMTV Live in which the song was used for a segment of the same name. It also featured in the video game LMA Manager 2001.

They reformed again in 2014 to support Senser on 26 June at the Dome in London, and have since been playing shows around the UK, including gigs with Jesus Jones.

"Eat My Goal" continues to be used extensively on TV and radio, including as the theme music for Mark Steel's 2009 BBC Radio 4 series "Mark Steel's In Town".

Momus special talking about life in music, art & much much more with David Eastaugh

For over thirty years he has been releasing albums on labels in the United Kingdom, the United States, and Japan. In his lyrics and his other writing he makes seemingly random use of decontextualized pieces of continental (mostly French) philosophy, and has built up a personal world he says is "dominated by values like diversity, orientalism, and a respect for otherness."

 

The Janitors special with Tim Stirland in conversation

The Janitors were Andrew Denton (vocals), Craig Hope (slide guitar, keyboards), Pete Crowe (bass guitar), and Tim Stirland (drums). Denton, Hope and friend Phil Storey recorded demos in Leicester's Highfields which Yeah Yeah Noh's John Grayland brought to the attention of some indie labels. Described as "a mixture of Membranes meeting Captain Beefheart", they signed to Marc Riley's In-Tape label, releasing their debut single, "Chicken Stew" in July 1985 (on which Hope played all of the instruments). It went on to reach the top 10 of the UK Independent Chart. In anticipation of the single's release, Denton and Hope moved to Newcastle to recruit bassist Simon Warnes, however Crowe took his place bringing along fellow art student Tim Stirland as drummer (replacing the drum machine of the first single).

Second single "Good to be King" was also an indie hit, reaching number 14, and debut album Thunderhead, produced by Jon Langford of The Mekons, peaked at number 6 on the indie albums chart. The band recorded three sessions for John Peel's BBC Radio 1 show, one each year between 1985 and 1987. Pete Crowe was ejected over a dispute with Denton and replaced by Jeff Murray. The band then moved to the Abstract label. In 1988 Phil Storey joined on rhythm guitar. After two further singles, their second album, Deafhead, was released in June 1988. The band released one more single and in late 1988, Dentover left the band. American Bobo Nando picked up the mike, contributing to one new song "Billy Psycho". The band dissolved in August 1989.

Stirland went on to perform with The Mekons. Hope (Hoppy) is currently guitar technician for Chris Martin of Coldplay. Denton is now an incredible history teacher and top class lad. Jeff Murray formed G.R.O.W.T.H. with Kev of Gaye Bykers on Acid and Tommo of The Bomb party, but they split after one album. Crowe moved to New Zealand. Nando (Paul Touche) sang briefly with Birthmark. Phil Storey died in July 2014.

David Balfe special talking about his life in music, the Teardrops, Zoo & Food records and much much more.

Balfe and Drummond, having met while playing together in Big in Japan, founded the Zoo record label in 1978 in order to release Big in Japan's posthumous EP From Y to Z and Never Again. The label went on to sign and release the early work of The Teardrop Explodes and Echo & the Bunnymen.

Balfe and Drummond did their production work under the name of The Chameleons, and also released the singles "Touch" and "The Lonely Spy" – credited to Lori and The Chameleons – on the Zoo label, later licensing them to Sire/Korova.

Although they released a few other artists, The Teardrop Explodes and Echo & the Bunnymen grew to take up most of their time. Eventually, due to lack of finance, they signed both bands to major London Record Companies and continued to manage them, while letting the label fade into inactivity.

Balfe and Drummond's publishing company, Zoo Music, signed many of the above and below artists, as well as multi-million selling acts The Proclaimers in 1987 and Drummond's later band The KLF.

Balfe began as The Teardrop Explodes' label head, manager and producer, but after their first single, on the departure of their original keyboard player, Paul Simpson, Balfe stepped in for what turned into four years in and out of the band, having a famously tempestuous relationship with their singer, Julian Cope. He played keyboards on their Top 10 single, "Reward", and their two gold albums, Kilimanjaro (1980) & Wilder (1981).

After The Teardrop Explodes disbanded in 1983, Balfe moved to London where, after managing Strawberry Switchblade (UK top 5 Hit, "Since Yesterday") and Brilliant (the post-Killing Joke band of subsequently famous producer, Youth), he then founded the Food record label in 1984.

Food, initially funded by Balfe alone, signed Voice of the Beehive, Zodiac Mindwarp (both of whom moved on to major labels, while Balfe continued to manage them for many years), Crazyhead, and Diesel Park West, before signing a deal with EMI to fund and distribute the label worldwide while retaining creative independence.

They then signed Jesus Jones who went on to have a number one album in the UK and multi-million sales internationally with their second album, 'Doubt', and a number one single in the USA with 'Right Here Right Now'. A year after signing Jesus Jones they signed Blur.

Balfe, along with later label partner Andy Ross, convinced the band to change their name from 'Seymour' to Blur on signing in 1989.

Balfe also directed Blur's first two music videos, "She's So High" and "There's No Other Way".

Disenchanted with the alternative scene in the years of "Grunge", Balfe decided to sell the Food label to EMI in 1994, and semi-retire with his young family to the country – inspiring Damon Albarn to pen Blur's first No.1 hit, "Country House"

 

Datblygu special with David R. Edwards in conversation with David Eastaugh

The band was formed in by vocalist David R. Edwards and instrumentalist T. Wyn Davies in 1982 while they were at Ysgol Uwchradd in Aberteifi, with instrumentalist Patricia Morgan joining in 1984. Edwards' lyrics were almost entirely in the Welsh language, the subject matter reflecting his "extreme disillusionment" with life in Wales in the early 1980s era under Margaret Thatcher. After four cassette-only releases on Casetiau Neon, the band had their first vinyl release in 1987 on Anhrefn Records, with the Hwgr-Grawth-Og EP featuring just Edwards and Morgan, which was picked up by John Peel and led to a session being recorded for his BBC Radio 1 show (the first of five such sessions).

While Welsh radio gave the band little airplay, they also found an outlet through Geraint Jarman's Fideo 9 television show on S4C.

The band's first album, Wyau (Eggs), was released in 1988, and was followed two years later with Pyst (Posts) on the Ofn label. Davies left in 1990 and the group continued as a duo for a while, before being augmented by a series of musicians, notably drummer Al Edwards. Moving to Ankst Records, the Christmas-themed Blwch Tymer Tymor cassette was issued in 1991. Edwards collaborated with Tŷ Gwydr and Llwybr Llaethog on the 1992 album LL.LL v T.G. MC DRE, before releasing a final Datblygu album in 1993 with Libertino.^[1] After a single, "Alcohol"/"Amnesia" in 1995, the band split up.

In August 2008 a new 7" single "Can y Mynach Modern" (The Song of the Modern Monk) was released. The song recounts (over its brief ninety seconds) the turmoil and madness that engulfed Edwards as the band fell apart in the mid nineties and the long road to recovery that resulted from the fallout. The track is intended as a full stop on their legacy rather than a brand new start.

Datblygu have been cited as a major influence on the generation of Welsh bands that followed, including Gorky's Zygotic Mynci and Super Furry Animals (who covered Datblygu's "Y Teimlad" on their Mwng album).

In a rare TV appearance, David featured on S4C documentary programme O Flaen dy Lygaid in 2009, presented by Cardiff-based broadcaster and friend of David's, Ali Yassine, which followed David and his battle to recover from mental illness. The programme also featured Datblygu bandmember and former Pobol y Cwm actress Ree Davies and her own battle against mental illness.

In 2012 an exhibition celebrating the band's history was held in a Cardiff coffee shop. Edwards and Morgan reunited in 2012 for the EP Darluniau'r Ogof Unfed Ganrif ar Hugain. A new mini-album, Erbyn Hyn, was released in June 2014.

The Hard Ons special with Peter Black in conversation with David Eastaugh

The Hard-Ons are an Australian punk rock band which formed in 1981. Founding members included Keish de Silva on guitar, vocals and Peter "Blackie" Black on guitar, Ray Ahn soon joined on bass guitar with de Silva switching to drums. The group issued eight studio albums before disbanding in 1994. They reformed in 1997 to release further material. In 2002 de Silva was replaced on drums by Peter Kostic, who was replaced in turn by Murray Ruse in 2011. De Silva returned as a guest vocalist in 2014 and permanently rejoined the band in 2016. During their first 12 years, the group issued 17 consecutive number-one hits on the Australian alternative charts. During that time they became Australia's most commercially successful independent band, with over 250,000 total record sales.

The Hard-Ons' origins are traced to Western Sydney's Punchbowl Boys High School, where three founding members were students.^[1][2] In 1981 the first version of the band, then-known as Dead Rats, included Peter "Blackie" Black on guitar, Brendan Creighton on drums and Shane Keish de Silva on guitar and vocals.^[1][3][4] In 1982 Creighton left to form Thrust and Raymond Dongwan Ahn joined on bass guitar with de Silva taking over on drums, the group began playing as The Plebs before being renamed as The Hard-Ons by the end of the year.^[1][3][4] Initially being too young to play in pubs, the band featured at birthday parties and school dances.^[2] On 20 June 1984, The Hard-Ons played their first official show at the Vulcan Hotel in Ultimo.^[2]Black later recalled "We wanted to be punk rockers ... We didn't want Keish's parents to see so we had bags full of these jackets and chains and stuff and went around the corner of the street and put all these clothes on. Keish's dad busted us".^[2] Quickly gaining a considerable following, in August 1985 the band released its debut extended play, Surfin' on My Face, on ViNil Records.^[1][3] This was the beginning of a series of releases for the band that netted them a run of 17 consecutive No. 1 listings on the Australian alternative music charts.^[1]

The band demonstrated an independent punk spirit, with the members deliberately controlling their own careers: recording, booking and promoting themselves, creating their own artwork (mostly by Ahn), choosing support bands and even managing the merchandise stand whilst on tour.^[1][4] During 1987 the group were promoted as part of the Australian skate boarding scene.^[5] While maintaining a solid if underground following in Australia, The Hard-Ons were popular in Europe, scoring a Top 10 hit in Spain and a Top 5 slot in Greece with their 1989 album, Love is a Battlefield of Wounded Hearts. It also reached the Top 5 on the NMEchart; this made The Hard-Ons the third Australian band after Nick Cave and the Bad Seeds and the Go Betweens to do so.

In 1989 the group recorded a split EP with British band The Stupids. Two years later they teamed up with Henry Rollins and released a cover version of AC/DC's hit, "Let There Be Rock", which was released in a limited edition on 10" vinyl. In January 1992 the group performed at the inaugural Big Day Out and were joined on-stage by Rollins on four songs. Following the release of 1993's album, Too Far Gone, and after recording a live album for Your Choice Records, the band announced their break up, to pursue projects outside The Hard-Ons' style of music: "after more than ten years of playing the same songs, they were just not interested in doing so any more".

 

In 2012, the band began re-issuing their early catalogue as bonus re-packagings featuring unreleased songs and live tracks. The first to be released was a new 60-track version of Smell My Finger and The Hard-Ons promoted it with a national tour. While working a shift as a taxi driver between legs of that tour on 18 May 2012, Black suffered a severely fractured skull when he was assaulted with a skateboard. Several fund-raising shows were held to raise money for his care and recovery, including special Hard-Ons shows in Sydney and Newcastle on 1 and 2 June that featured the line-up of Ahn, Kostic and de Silva on vocals and guitar. Within three months, Black had recovered sufficiently to perform a short tour in support of his solo album No Dangerous Goods in Tunnel that was followed by a Hard-Ons tour of Europe and Japan. Another Australian tour to wrap up the previously cancelled shows was completed in October, with a 51-track re-release of Dickcheese coming out around the same time.

The Lucy Show special with Mark Bandola in conversation.

 

The band was formed by Mark Bandola (vocals, guitar, keyboards) and Rob Vandeven (vocals, bass), with Paul Rigby on drums, under the name "Midnite Movie". Rigby quickly quit, and Pete Barraclough (guitars, keyboards) and Bryan Hudspeth (drums) were added to the line-up, and the band changed name to "The Lucy Show". Bandola and Vandeven, two Canadian-born friends who had moved to England in the late 1970s, shared song writing and lead vocals equally, although the bulk of the early (pre-album) material had been written by Vandeven.

In 1983, they released their first single, "Leonardo da Vinci," on independent record label Shout Records, which managed to receive some airplay by John Peel.^[1]Guitarist Barraclough provided lead vocals on the B-side of the single for his song "Kill The Beast". In 1984, A&M Records signed the band, releasing two singles and an EP during that year (on an offshoot label imprint called Piggy Bank Records). After providing a cassette recording of their material to R.E.M., The Lucy Show was invited by the Athens band to support them on their 1984 UK tour.

In 1985, the band's debut album, ...undone, was released. With a guitar-heavy, lushly atmospheric, brooding sound reminiscent of The Cure and Comsat Angels, it received generally favorable critical notices and, even more importantly, eventually went to the No. 1 spot on the CMJ album charts in the United States. The band's momentum had been steady up to that point and they naturally assumed continuing chart success would be in their future. However, they were shocked when they learned that A&M UK decided to abruptly drop the band at the end of the year.

In 1986, the band signed to indie label Big Time Records, who released their second album, Mania. Produced by the now-legendary John Leckie, the band's songs were much more upbeat and bouncy this time around, with added acoustic guitar and piano, harmonica, synthesizer - and most noticeably, brass , making the group sound very different from their previous incarnation as a "jangly" guitar and new wave group. The change in direction initially promised to be effective, as the album once again topped the all important CMJ charts, and MTV began playing their music video for the first single off the album, "A Million Things". Both this song, and subsequent single "New Message", were substantial college radio hits.

Bad luck would strike the band again, this time when Big Time Records went bankrupt, leaving The Lucy Show adrift. Barraclough and Hudspeth were asked to leave and Bandola and Vandeven stuck together, releasing one final single, "Wherever Your Heart Will Go", in 1988 on Redhead Records. When that single went nowhere, both Bandola and Vandeven realized it was time to quit, and they permanently disbanded The Lucy Show.

Vandeven and Barraclough have continued to work within the music industry under a variety of differing names and projects.

Following the breakup of The Lucy Show, Bandola released an EP under his own name in 1993 entitled 'Til Tuesday, a collaboration with Let's Active producer Mitch Easter, and, for a short while, was a member of London post-rock group Ausgang. From 2003 until 2010 Bandola released experimental pop CDs under the name Typewriter ( mostly a solo effort but with contributions from various guest musicians ), with debut album Skeleton Key in 2003, a second, Birdsnest in 2006, and finally, Pictures from the Antique Skip in early 2010.^[1] After the third Typewriter album all seemed quiet until 2013, when Bandola formed psychedelic instrumental vehicle The Ramsgate Hovercraft - a duo with saxophone and synthesizer player Kit Jolly - in his recently adopted hometown of Ramsgate. Their first album ( January 2014 ) is the double vinyl LP, Arcane Empire on local indie label Galleon Records, which Record Collector magazine granted four stars and described as "... an ambience that’s both worldly and cosmic" and "a delicately layered, sumptuous odyssey". In March 2015 the duo released their 2nd album "Cinema Verite'" which also gained positive reviews. Since then, The Ramsgate Hovercraft has expanded to a quartet, adding drummer Paula Frost, as well as synthesist & pianist Paul Naudin to their ranks. The group have also played occasionally flamboyant & theatrical shows in their native East Kent. And, their new Album (third in total) will be released early in 2017 alongside a launch concert at the Ramsgate Musichall in early February 2017.

In 2005, Mania was reissued on CD by the Words on Music label, with numerous bonus tracks. In 2009, ...undone was released on CD for the first time by Words on Music. In 2011, Words on Music released Remembrances, a compilation album of rare and previously unreleased songs recorded by the band during the mid-1980s.