C86 Show - Indie Pop

Dave Brock in conversation with David Eastaugh

Hawkwind are an English rock band and one of the earliest space rock groups. Formed in November 1969, Hawkwind have gone through many incarnations and they have incorporated different styles into their music, including hard rock, progressive rock and psychedelic rock. They are also regarded as an influential proto-punk band. Their lyrics favour urban and science fiction themes.

Dozens of musicians, dancers and writers have worked with the band since their inception. Notable musicians to have performed in the band include Lemmy, Ginger Baker, Robert Calvert, Nik Turner and Huw Lloyd-Langton, but the band are most closely associated with their founder, the singer, songwriter and guitarist Dave Brock, who is the only remaining original member. Hawkwind are best known for the song "Silver Machine", which became a number three UK hit single in 1972, but they scored further hit singles with "Urban Guerrilla" (another Top 40 hit) and "Shot Down in the Night." The band had a run of twenty-two of their albums charting in the UK from 1971 to 1993.

Arthur Brown in conversation with David Eastaugh 

Arthur Brown  is an English rock singer and songwriter best known for his flamboyant theatrical performances, eclectic (and sometimes experimental) work and his powerful, wide-ranging operatic voice.

Brown has been lead singer of various groups, most notably the Crazy World of Arthur Brown and Kingdom Come, followed by a varied solo career as well as associations with Hawkwind, the Who and Klaus Schulze. In the late 1960s, the Crazy World of Arthur Brown's popularity was such that the group shared bills with the Who, Jimi Hendrix, the Mothers of Invention, the Doors, the Small Faces, and Joe Cocker, among others.

He is best known for his 1968 single "Fire", reaching number one in the UK Singles Chart and Canada, and number two on the US Billboard Hot 100 as well as its parent album The Crazy World of Arthur Brown which reached number 2 in the UK and number 7 in the US. Following the success of the single "Fire", the press would often refer to Brown as "The God of Hellfire", in reference to the opening shouted line of the song, a moniker that exists to this day.

Although Brown has had limited commercial success and has never released another recording as commercially successful as "Fire", he has remained a significant influence on a wide range of musicians in numerous genres due to his operatic vocal style, wild stage persona, and often experimental concepts; he is considered to be a pioneer of shock rock and progressive rock and has had an influence on both electronic and heavy metal music. In 2005, Brown won the 'Showman of the Year' award from Classic Rock magazine, with Brown receiving the award at the Classic Rock Roll of Honour Awards ceremony held in London's Café de Paris.

Nicholas Pegg discussing his latest book The Complete David Bowie - with David Eastaugh

Critically acclaimed in its previous editions, The Complete David Bowie is recognized as the foremost source of analysis and information on every facet of Bowie’s work. The A-Z of songs and the day-by-day dateline are the most complete ever published. From his boyhood skiffle performance at the 18th Bromley Scouts’ Summer Camp, to the majesty of his final masterpiece Blackstar, every aspect of David Bowie’s extraordinary career is explored and dissected by Nicholas Pegg’s unrivalled combination of in-depth knowledge and penetrating insight.

Mike Garson in conversation with David Eastaugh - recorded 28th January 2016

Garson was David Bowie’s longest and most frequent band member. They performed together for both Bowie's first and last concerts in the United States as well as 1,000 concerts around the globe in between.

Garson provided the piano and keyboard backing on the later Ziggy Stardust tour of 1972-73 and his contribution to the song "Aladdin Sane" (1973) gave the song an avant-garde jazz feel with lengthy and sometimes atonal piano solos.

I had told Bowie about the avant-garde thing. When I was recording the "Aladdin Sane" track for Bowie, it was just two chords, an A and a G chord, and the band was playing very simple English rock and roll. And Bowie said: 'play a solo on this.' I had just met him, so I played a blues solo, but then he said: 'No, that's not what I want.' And then I played a Latin solo. Again, Bowie said: 'No no, that's not what I want.' He then continued: 'You told me you play that avant-garde music. Play that stuff!' And I said: 'Are you sure? 'Cause you might not be working anymore!'. So I did the solo that everybody knows today, in one take. And to this day, I still receive emails about it. Every day. I always tell people that Bowie is the best producer I ever met, because he lets me do my thing.

Garson played also for Bowie's guitarist bandmate Mick Ronson on his first and last solo tour, and his first Slaughter on Tenth Avenue (1974) and second solo album Play Don't Worry (1975). Garson came to replace Ronson as Bowie's musical lieutenant on several occasions, notably on "We Are the Dead" from the 1974 Diamond Dogs album, where Garson's metronome-like keyboard provides a dramatic setting for Bowie's vocals, and on the title track to Young Americans (1975) where his jaunty piano leads the band. Garson played with Bowie on and off over the years, resurfacing on The Buddha of Suburbia (1993) and 1 Outside (1995).

Jethro Tull special with Ian Anderson in conversation with David Eastaugh

Jethro Tull are a British rock band formed in Blackpool, Lancashire, in 1967. Initially playing blues rock and jazz fusion, the band later developed their sound to incorporate elements of hard rock and folk rock to forge a progressive rock signature. The band is led by vocalist/flautist/guitarist Ian Anderson, and has featured a revolving door of lineups through the years including significant members such as guitarists Mick Abrahams and Martin Barre, keyboardist John Evan, drummers Clive Bunker, Barriemore Barlow, and Doane Perry, and bassists Glenn Cornick, Jeffrey Hammond, John Glascock, and Dave Pegg.

The group first achieved commercial success in 1969, with the folk-tinged blues album Stand Up, which reached No. 1 in the UK, and they toured regularly in the UK and the US. Their musical style shifted in the direction of progressive rock with the albums Aqualung (1971), Thick as a Brick (1972) and A Passion Play (1973), and shifted again to hard rock mixed with folk rock with Songs from the Wood (1977) and Heavy Horses (1978). After an excursion into electronic rock in the early-to-mid 1980s, the band won its first and only Grammy Award with the 1987 album Crest of a Knave. Jethro Tull have sold an estimated 60 million albums worldwide, with 11 gold and five platinum albums among them. They have been described by Rolling Stoneas "one of the most commercially successful and eccentric progressive rock bands".

The last works as a group to contain new material were released in 2003, though the band continued to tour until 2011. Anderson said Jethro Tull were finished in 2014; however, in September 2017 Anderson announced plans for a tour to commemorate the fiftieth anniversary of the band's first album This Was, and then record a new studio album in 2018. The current band line-up includes musicians who have been members of Anderson's solo band since 2012. The band began a world tour on 1 March 2018.

Paul Hanley was the drummer in Manchester legends The Fall from 1980-85 and now plays with Brix & The Extricated. He's studying for an English degree with the Open University and occasionally writes for Louder Than War. He's married with three children and once got 21 on Ken Bruce's 'PopMaster'.

When British bands took the world by storm in the mid-sixties, the world turned and looked at London. Despite the fact that the most successful of these bands hailed from the North West corner of England, for the USA, London was the source of these thrilling new sounds. And in many ways it was - The Beatles, The Hollies and Herman's Hermits recorded all their hits with London-based producers, for London-based companies in London studios. And that's how it remained, until four Mancunian musicians became alive to the possibility of recording away from the capital.

Against the prevailing wisdom, they opted to plough their hard-earned cash back into the city they loved in the form of proper recording facilities. Eric Stewart of The Mindbenders and songwriter extraordinaire Graham Gouldman created Strawberry Studios; Keith Hopwood and Derek Leckenby of Herman's Hermits crafted Pluto. Between them they gave Manchester a voice, and facilitated a musical revolution that would be defined by its rejection of the capital.

This book tells the story of Manchester music through the prism of the two studio's key recordings. Of course that story inevitably takes in The Smiths, Joy Division, The Fall and The Stone Roses. But it's equally the story of 'Bus Stop' and 'East West' and 'I'm Not in Love'. It's the story of the Manchester attitude of L.S. Lowry, by way of Brian and Michael, and how that attitude rubbed off on The Clash and Neil Sedaka. Above all, it's the story of music that couldn't have been made anywhere else but Manchester.

Author Richard King special - discussing his book How Soon Is Now?

'If you look at all the people involved - Ivo, Tony Wilson, McGee, Geoff Travis, myself - nobody had a clue about running a record company, and that was the best thing about it.' Daniel Miller, Mute Records

One of the most tangible aftershocks of punk was its prompt to individuals: do it yourself. A generation was inspired, and often with no planning or business sense, in bedrooms, record-shop back offices and sheds, labels such as Factory, Rough Trade, Mute, Beggars Banquet, 4AD, Creation, Warp and Domino began. From humble beginnings, some of the most influential artists were allowed to thrive: Orange Juice, New Order, Depeche Mode, Happy Mondays, The Smiths, Primal Scream, My Bloody Valentine, Aphex Twin, Teenage Fanclub, The Arctic Monkeys. How Soon Is Now? is a landmark survey of the artists, the labels, and the mavericks behind them who had the vision and bloody-mindedness to turn the music world on its head.

Author Simon Reynolds discussing Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century with David Eastaugh

A Guardian, Sunday Times, Mojo, Daily Telegraph and Observer Book of the Year
Longlisted for the Penderyn Music Book Prize 2017

As the sixties dream faded, a new flamboyant movement electrified the world: GLAM! In Shock and Awe, Simon Reynolds explores this most decadent of genres on both sides of the Atlantic. Bolan, Bowie, Suzi Quatro, Alice Cooper, New York Dolls, Slade, Roxy Music, Iggy, Lou Reed, Be Bop Deluxe, David Essex -- all are represented here. Reynolds charts the retro future sounds, outrageous styles and gender-fluid sexual politics that came to define the first half of the seventies and brings it right up to date with a final chapter on glam in hip hop, Lady Gaga, and the aftershocks of David Bowie's death.

Shock and Awe is a defining work and another classic in the Faber Social rock n roll canon to stand alongside Rip it Up, Electric Eden and Yeah Yeah Yeah.

Author Will Birch discussing his new book 'Cruel to be Kind: The Life & Music of Nick Lowe

Cruel to Be Kind is the definitive account of Nick Lowe's uncompromising life as a songwriter and entertainer, from his days at Stiff Records, to becoming the driving force behind Rockpile, to the 1979 smash hit 'Cruel To Be Kind'.

Nick's original compositions have been recorded by the best in the business, from enfant terrible of the New-Wave, Elvis Costello, to 'The Godfather of Rhythm and Soul', Solomon Burke; from household names, including Engelbert Humperdink, Diana Ross, and Johnny Cash, to legendary vocalists such as Curtis Stigers, Tom Petty, and Rod Stewart.

His reputation as one of the most influential musicians to emerge from that most formative period for pop and rock music is cast in stone. He will forever be the man they call the 'Jesus of Cool'.

'Nick's poise as a singer, his maturity, and his use of tone is beautiful. I can't believe it's this guy I've been watching since I was a teenager' Elvis Costello, 2013

'The master of subversive pop' Nick Kent, NME, 1977

'Nick Lowe is such a f*cking good songwriter! Am I allowed to say that?' Curtis Stigers, 2016

Motorhead special with Fast Eddie Clarke in conversation

Motörhead were an English rock band formed in June 1975 by bassist, singer, and songwriter Ian "Lemmy" Kilmister, who was the sole constant member, guitarist Larry Wallis and drummer Lucas Fox. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motörhead, most of their best-selling albums and singles feature the work of Phil "Philthy Animal" Taylor on drums and "Fast" Eddie Clarke on guitars.

Motörhead released 22 studio albums, 10 live recordings, 12 compilation albums, and five EPs over a career spanning 40 years. Usually a power trio, they had particular success in the early 1980s with several successful singles in the UK Top 40 chart. The albums Overkill, Bomber, Ace of Spades, and particularly the live album No Sleep 'til Hammersmith cemented Motörhead's reputation as a top-tier rock band. The band are ranked number 26 on VH1's 100 Greatest Artists of Hard Rock. As of 2016, they have sold more than 15 million albums worldwide.

Motörhead are typically classified as heavy metal, and their fusion of punk rock into the genre helped to pioneer speed metal and thrash metal. Their lyrics typically covered such topics as war, good versus evil, abuse of power, promiscuous sex, substance abuse, and, most famously, gambling, the latter theme being the focus of their hit song "Ace of Spades".

Motörhead has been credited with being part of and influencing numerous musical scenes, thrash metal and speed metal especially. From the mid-1970s onward, however, Lemmy insisted that they were a rock and roll band. He has said that they had more in common with punk bands, but with their own unique sound, Motörhead is embraced in both punk and metal scenes.

 

The Pogues special with James Fearnley talking about life in music, and also new new musical adventure, the Walker Roaders.

The Pogues were a British Celtic punk band fronted by Shane MacGowan and others, founded in Kings Cross, London in 1982, as "Pogue Mahone" – the anglicisation of the Irish Gaelic póg mo thóin, meaning "kiss my arse". The band reached international prominence in the 1980s and early 1990s, recording several hit albums and singles. MacGowan left the band in 1991 due to drinking problems, but the band continued – first with Joe Strummer and then with Spider Stacy on vocals – before breaking up in 1996. The Pogues re-formed in late 2001, and played regularly across the UK and Ireland and on the US East Coast, until dissolving again in 2014. The group did not record any new material during this second incarnation.

Their politically-tinged music was informed by MacGowan and Stacy's punk backgrounds, yet used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin and accordion.

 

New Model Army with Justin Sullivan in conversation with David Eastaugh 

New Model Army are an English rock band formed in Bradford, West Yorkshire, in 1980 by lead singer, guitarist and main composer Justin Sullivan, bassist Stuart Morrow and drummer Phil Tompkins. Sullivan has been the only continuous member of the band, which has seen numerous line-up changes in its 39-year history. Their music draws on influences across the musical spectrum, from punk and folk to soul, metal and classical. Sullivan’s lyrics, which range from directly political through to spiritual and personal, have always been considered as a key part of the band’s appeal. By the time they began making their first records in 1983, Robert Heaton, a former drum technician for Hawkwind, had replaced Tompkins.

Whilst having their roots in punk rock, the band have always been difficult to categorise. In 1999, when asked about this, Sullivan said "We've been labelled as punks, post-punks, Goth, metal, folk – the lot, but we've always been beyond those style confines". Following a large turnover of personnel, both permanent and as touring members, as of August 2017 New Model Army comprise Sullivan, Dean White (keyboards and guitar), Michael Dean (drums), Marshall Gill (guitar) and Ceri Monger (bass).

The band were formed in Bradford, West Yorkshire in the autumn of 1980, taking their name from the army established by Parliament during the English Civil War, and played their first concert in Bradford in October, playing songs based on their shared love of punk rock and Northern soul.

Until the mid-1980s, Sullivan used the alter ego of "Slade the Leveller" (Levellers being a radical political movement of the 1640s), supposedly so that he would not lose his unemployment benefits if the authorities realized he was making money from music. They continued to gig around the United Kingdom with little recognition, but in 1983 released their first singles "Bittersweet" and "Great Expectations" on Abstract Records, and were given airplay by Radio 1's John Peel.

In February 1984, they were invited to play on popular music show The Tube, being introduced by presenter Muriel Gray as "the ugliest band in rock and roll". The producers of the show however were concerned about the lyrics of "Vengeance", which the band were due to perform ("I believe in justice / I believe in vengeance / I believe in getting the bastards") and so the band played "Christian Militia".

Following this performance, the band's first mini-album Vengeance reached Number 1 in the UK independent chart in early 1984, pushing The Smiths from that position. After a further single "The Price" also reached a high placing in the independent charts, the band were signed by major label EMI.

The Lotus Eaters special with Peter Coyle in conversation talking about his life in music.

The Lotus Eaters are an English new wave band formed in 1982 in Liverpool. Their debut single, "The First Picture of You", became a hit in the UK and in continental Europe, notably France, Italy, Belgium and Spain.

In September 1982, Peter Coyle and Jeremy "Jem" Kelly met for the first time. Kelly had been guitarist in the Dance Party with Michael Head and co-founded the Wild Swans in 1980. Coyle had previously been in the Jass Babies, who had recorded a session for John Peel's BBC Radio 1 show in 1981.

After an invitation to record a Peel session, a number of new songs were created. Joined on keyboards by Kelly's fellow ex-Wild Swans member Ged Quinn, drummer Alan Wills and bassist Phil Lucking, the session was recorded in October 1982 and included "The First Picture of You". This led to the band being signed by Arista Records.

Produced by Nigel Gray, "The First Picture of You" became an iconic song for the Lotus Eaters in 1983, giving them a UK hit single before the band had even played a live gig. The band recorded a second session for Peel in October 1983.

The band's debut studio album, No Sense of Sin, was released in 1984 on Arista subsidiary Sylvan Records, preceded by two further singles, "You Don't Need Someone New" and "Out on Your Own". Both of these songs hit the top 100 of the UK Singles Chart, but owing to difficulties with producers and marketing, the impact of "The First Picture of You" was not repeated in the UK.

Line-up changes and disbandment

After Quinn left, Coyle and Kelly recruited bassist Michael Dempsey (the Cure, Associates), keyboard player Stephen Emmer (formerly of Minny Pops and Associates) and drummer Steve Crease. The Lotus Eaters toured extensively in the UK, France and Italy before going on hiatus in 1985 after parting ways with Arista. "It Hurts", their final single, charted in the Italian Top 5 that year, but the band had already split up, leaving a promotional video featuring footage of Louise Brooks to represent them.

Aftermath

Coyle recorded as a solo artist, releasing the albums A Slap in the Face for Public Taste and I'd Sacrifice Eight Orgasms with Shirley MacLaine Just to Be There, and went on to found dance company 8 Productions and the G-Love nightclub. As a songwriter/producer, he had success with Marina Van-Rooy's 1990 single "Sly One", and worked with a host of emerging artists on Liverpool's dance scene. Coyle later pursued academic interests at the University of Edinburgh.

Meanwhile, Kelly reformed the Wild Swans, releasing the Bringing Home the Ashes album on Sire in 1988.^[2] He co-wrote an album, Soul Fire (released in 2001), with Tom Hingley (ex-Inspiral Carpets), before leaving to study for a PhD in memory-themed multimedia theatre at the University of Reading.^[11] Since 1989, Kelly has been writing, staging and performing in music-driven theatre, including Phantoms of the Aperture Part 1: Ted (2015) and Phantoms of the Aperture Part 2: Pictures of Me (2016) examining intersections of time, space, memory and music.

A compilation album of the Lotus Eaters' music, First Picture of You, was released in 1998 by Vinyl Japan/BBC Worldwide, consisting of sessions recorded at BBC Radio 1. No Sense of Sin was reissued that same year by Arista Japan.

In 2001, the Lotus Eaters, comprising the duo of Coyle and Kelly, reformed after almost two decades, recording and releasing a new album titled Silentspace on the Vinyl Japan label.

On 13 March 2009, the band announced a one-off concert to be held at the Liverpool Philharmonic Hall on 25 July.^[17] The gig, a performance of the album No Sense of Sin, featured Coyle, Kelly and Emmer accompanied by a string quartet from the University of Huddersfield.

In April 2009, Coyle and Kelly collaborated with Emmer, and announced that they were working with producer Steve Power on material for a new album called A Plug-in Called Nostalgia, which has yet to be released. A limited-edition acoustic album, Differance, was issued the following year as a limited release on Sylvan.

The Lotus Eaters played their first London show in 10 years at the Camden Barfly on 11 June 2010, followed by a string of shows in the UK. The band also toured in Japan in October 2010, with gigs in Tokyo and Osaka.

In 2015, the band announced on their Facebook page that they were still working to release A Plug-in Called Nostalgia.

In 2017, Coyle performed solo in a one-night-only show in Manila. 

Later in the year, 2019 Peter will be performing LET’S ROCK WINTER TOUR 2019

Mega City Four special with Danny Brown in conversation - talking about life in the band & much much more - with David Eastaugh 

Mega City Four were an English indie rock band formed in Farnborough, Hampshire, who obtained popularity throughout the late 1980s and 1990s. Mega City Four consisted of guitarist and vocalist Wiz, his brother and rhythm guitarist Danny Brown, bassist Gerry Bryant and drummer Chris Jones. According to Uncut magazine, the group "earned a reputation across the globe as an exciting live band".

Wiz and Bryant were in a band together at school called 'Stallion', who performed two shows together. One of the shows took place at Cove Secondary School (where "Stallion will come for you" stickers were handed out in an attempt to bolster the bands following) and the show was concluded when the school cut the power. Wiz, seeking more independence to write his own music, decided he wanted to form a new band with Bryant and Danny Brown, named 'Capricorn', after the brothers' shared the star sign.

Capricorn formed in June 1982. They consisted of drummer Martin Steib, vocalist and guitarist Wiz, rhythm guitarist Danny and bassist Gerry. The band had a personal fallout in regards to musical direction and dissolved in 1986. A four-track demo was recorded in 1982, and they released one demo, titled 'The Good News Tape' in 1985.

The trio of Gerry, Danny and Wiz maintained closeness and enlisted Chris Jones (who drummed in local band Exit East) to join their new group. The new name, initially suggested by Steib in the Capricorn era, was decided as Mega City Four. The group were officially formed in 1987 and the band's career started with performing gigs around their local town of Farnborough before making their vinyl debut in September 1987 with "Miles Apart"/"Running In Darkness"^[2]. The single led to a round of gigs with fellow punk-influenced bands like Senseless Things and Snuff.

"Miles Apart" and "Running" were reissued (separately) in 1988 on the independent label Decoy, along with the more melodic "Distant Relatives" and "Less Than Senseless". A healthy following latched on to them quickly, and by 1988 the group were performing to packed audiences on a regular basis. Continuing on their local success, the band would eventually release their 1989 debut album, Tranzophobia.

The band continued to tour extensively in the UK, Europe and North America, working with bands including Les Thugs, Ned's Atomic Dustbin, Carter The Unstoppable Sex Machineand Doughboys, amongst many others. The band's second studio album, Who Cares Wins, was released in 1990. Extensive touring across Europe began again, with the band performing in the Reading Festival that year. Who Cares Wins was followed by a compilation album of their early 7" singles, called Terribly Sorry Bob (1991). The band subsequently moved to a major record label to record two further studio albums, Sebastopol Rd. (1992) (recorded by Jessica Corcoran at London's Greenhouse Recording Studios) and Magic Bullets (1993).

This album produced the singles Wallflower and Iron Sky, which both placed 69 and 48 in the music charts respectively. After falling out with their record label, they moved to Fire Records to record their final studio album, Soulscraper (1996). In addition to their studio albums, the band also released a live album, a Peel Sessions disc, and a number of singles. The British music journalist, Martin Roach, wrote a biography of the band, "Mega City Four: Tall Stories and Creepy Crawlies", published in 1993.

The Red Guitars special with Lou Duffy-Howard in conversation.

 

The Red Guitars were an English indie rock band active from 1982 to 1986. Based in Hull, the Red Guitars' first single "Good Technology" was a minor hit, selling 60,000 copies. Their singles "Marimba Jive" and "Be With Me" both reached number one on the UK Indie Chart.

Jerry Kidd (born Jeremy Kidd, vocals) and Hallam Lewis (guitarist) met in 1979 at a Community Arts programme in Hull. The two formed the short-lived project, Carnage in Poland. After several line-up changes, including the addition of Mark Douglas, the band changed their name to the Czechs, billing themselves as 'eastern European reggae'. After more line-up changes, including the departure of Douglas, the Czechs abandoned their name and reggae sound, becoming the Red Guitars.

Playing a mixture of punk, blues, electrified folk and African rhythms, the Red Guitars built a small but loyal national following, playing mostly benefit shows for left-wing causes.^{[citation needed]}

In 1982, the band recorded their first single "Good Technology". In keeping with the band's anti-corporate ideology, the Red Guitars released the single on their own record label, Self Drive Records, selling 60,000 copies.^{[citation needed]} The video to "Good Technology" was broadcast on the cult 1980s Channel 4 music TV show The Tube, as part of the show's Hull music special.

Constant touring to support follow-up singles "Fact", "Steeltown" (The John Peel Session version of which also featured on the Four Your Ears Only EP – an aural collection which included Luddites, Red Lorry, Yellow Lorry and Party Day) and "Marimba Jive",^[3] added to the daily pressures of running a record label resulted in internal pressures in the Red Guitars, culminating in the departure of Kidd in 1984, two months after the release of debut album Slow to Fade. The band continued on without Kidd for a further two years, bringing on Robert Holmes for vocals, but failed to achieve the previous critical or commercial success, although "Be With Me" also reached the top spot on the UK Indie Chart in May 1985.

The Red Guitars disbanded in 1986 after their appearance at the Pukkelpop festival near Hasselt, Belgium. Two of the ex-band members, Hallam Lewis and Lou Howard, formed another group, The Planet Wilson. They were joined by Grant Ardis (drums and ancillaries). Howard was still on bass and Lewis on guitar and vocals. In 1988 they released the album In the Best of All Possible Worlds (on Virgin Records) and in 1989 they released the album Not Drowning but Waving (on Records of Achievement). Jerry Kidd released a solo single "Petals and Ashes (a song for Emma Goldman)" in 1985 (on Self Drive Records), after leaving the Red Guitars: it had a mix of "Crocodile Tears" on the b-side. Lewis went on to run a recording studio in Hull. Holmes released a solo album in 1989, entitled Age of Swing, and has released a series of recordings since 2015 on YouTube under the title "Robert Holmes Channel Two"

The Black Watch special with John Andrew Fredrick in conversation with David Eastaugh

The Black Watch is an American independent rock band from Santa Barbara, California, United States, whose only constant member has been singer, guitarist, and primary songwriter, John Andrew Fredrick. Through their twenty years in the recording industry, the group has affiliated with at least eight different record labels.

Fredrick formed the band in 1987 after earning his Ph.D. in English from University of California, Santa Barbara. After recording St. Valentine and releasing it on eskimo, Fredrick's own label, violinist J'Anna Jacoby joined the group and the two of them formed the nucleus of the band until she left the group in 2003.

The Black Watch has recorded and toured consistently throughout its history except for a brief period in 1997 when the band broke up. During this hiatus, Fredrick wrote The King of Good Intentions, a semi-autobiographical novel about an indie rock band. The band recorded a CD of the same title intended as a companion piece to the novel.

In 2008, guitarist and singer Steven Schayer (formerly of the New Zealand band The Chills) joined, and Fredrick published another book of fiction, The Knucklehead Chronicles.

In 2013, The band released The End of When on Pop Culture Press Records.

Blyth Power special with Joseph Porter in conversation

Blyth Power are a British rock band formed in 1983 by singer and drummer Joseph Porter, formerly of Zounds and The Mob. Blyth Power's music shows strong influences from punk rock and folk music, and the band members have described their sound as a cross between The Clash, Steeleye Span and The Rubettes.

Established in 1983 and named after a railway locomotive, the one constant in an ever-shifting lineup has been drummer, vocalist, and songwriter Joseph Porter (real name Gary James Hatcher, born 21 February 1962 in Templecombe, Somerset). The band's lyrics often deal with episodes from history, ranging from the Trojan War to the Cod War — as well as aspects of English culture such as cricket, village life and trains. Porter is an avowed trainspotter, and in August 1998 the band appeared on the LWT television programme Holy Smoke! in a slot in which musicians discussed their individual religions — with trainspotting cited as his religion.

Since 1993, Blyth Power recordings have been released on their own label, Downwarde Spiral. Since 2000 they have cut back on their touring schedule due to various personal commitments, but they have organised an annual mini-festival, the Blyth Power Ashes. The festival takes place in August of each year, and combines live music with a cricket match featuring band members and their associates. From 2011 the event moved to The Plough, in Farcet Fen near Peterborough due to its ever-increasing popularity. From 2015 The Ashes takes place at The Hunters Inn in Longdon, near Tewkesbury.

Joseph Porter has also been involved with various side-projects, such as doing solo guitarist/vocalist performances and collaborating in two other bands, Red Wedding and Mad Dogs & Englishmen.

Holly Lerski talking about her life in music

Holly Lerski formed Angelou with guitarist Jo Baker in 1996. They recorded their first demo in the winter of that year, which included a cover of the Leonard Cohen song "Hallelujah". Inspired by Jeff Buckley's version, Lerski had been a fan of Buckley's, corresponding with the artist. Local Norwich label Haven Records heard the demo and signed Angelou in the beginning of 1997, scheduling the release of the Hallelujah EP to coincide with a UK summer tour supporting Eddi Reader and Boo Hewerdine. 'Hallelujah' came out a week after Jeff Buckley's untimely death, ending the year on novelist Nick Hornby's 'Best of 97' compilation.

In 1998 Angelou released their first album 'Automiracles'. Now including drummer Phil Di Palma, the album was written by Lerski, and recorded in 10 days by producer Calum MacColl. The album featured guest vocals from Eddi Reader and Boo Hewerdine and received comparisons to The Sundays' debut 'Reading, Writing and Arithmetic'.

Their second album 'While You Were Sleeping', released in 2000, received further acclaim and established Lerski as one of the new crop of up and coming female folk artists. Written and produced by Lerski, and recorded in studio down-time, the album finished with a moving tribute to Jeff Buckley. Lerski went on to contribute this to the Buckley documentary 'Amazing Grace'.

In 2001 Spanish label El Diablo released an Angelou compilation called Midnight Witcheries. Now joined by new drummer Cath Evans and bassist Anne Richardson, this record allowed the band to be heard for the first time throughout Europe. They completed 2 extensive tours of Spain, appearing on national TV and radio. They also went on to release a further EP and 2 videos.

On hearing of their success abroad, UK music independent giant Sanctuary Records offered Lerski a recording and publishing agreement and at the end of 2001 Lerski finally signed a major deal. Angelou were soon off on the road again, this time as a duo touring Scandinavia and Europe with blues legend John Hiatt & The Goners.

On their return from Europe the band went into rehearsals for the third album, staying in a wooden hunting lodge in Derbyshire. Recorded both in Denmark and Manchester throughout 2002, 'Life Is Beautiful' was a much poppier record. It was finally released in 2003 under Lerski's own name. With the launch of the album came lives dates with The Cranberries, Jason Mraz and Josh Rouse, and support from BBC Radio 2 and most notably Wake Up To Wogan producer Paul Walters. There was also news that Lerski's song 'My Love' would be featured in a Hollywood film. It looked like the bands hard work had finally paid off, however it was not to be. In 2004 after disagreements with Sanctuary over lack of promotion for the record, Lerski was forced to leave the label and her songs behind.

In the summer of 2004, tired of the music industry and following a break up, Lerski relocated to Manchester where she began to write new material with the intention of releasing on her own imprint Laundry Label. 'Greetings From N.Y.' was Laundry's first release. Featuring on the cover a hand written postcard to Lerski from Jeff Buckley, 'Greetings' was a 'best of' CD showcasing Lerski and the band's music to date. BBC Radio 2's Wake Up To Wogan once again championed the record and 'More Than A Storm' featured weekly on his show. Starbucks at the time was also featuring tracks from 'Life Is Beautiful' on their in-store compilation.

By 2006, following the news that Sanctuary had been bought out by Universal Music Group, Lerski returned to Norwich to begin a new chapter.

The Stupids special with Tommy Stupids or Tom Withers in conversation 

 

Formed in Ipswich, England in the mid 1980s, The Stupids released four albums and six EPs, and recorded three sessions for John Peel's BBC Radio 1 show in the 1980s, and toured the United States (with Ludichrist) and Australia (the Hard-Ons) as well as Europe, the United Kingdom, and, most recently, Japan.

The band have featured on various CD re-issues, compilation albums (e.g. Sounds and the U.S. skate magazine, Thrasher), collector singles, and BBC session releases released by Strange Fruit.

A live video tape, Drive-In Hit Movie, was released shortly after the band broke up in 1989.

Heather Nova in conversation

After graduating from RISD, Nova moved to London, a place she called home for twelve years (she already had British citizenship due to her Bermudian origins). In 1990, she released her first recording, Heather Frith, an EP; she had not yet changed her name. The new name debuted in 1993 with her second EP entitled Spirit In You and her first full album, the critically acclaimed Glow Stars, produced by Felix Tod, after being discovered by Big Cat label manager Steven Abbott. The success of the album led her to record and release her first live album Blow the same year.

In 1994, she released Oyster, her breakout album that was produced by Youth and Felix Tod and began almost two years of touring. Another live album, Live From The Milky Way, was released in 1995. Siren, the follow-up to Oyster because of the hit single "London Rain", was released in 1998, after which she joined Sarah McLachlan and others on the North American Lilith Fair, a music festival with only female performers.^{[citation needed]} After the release of Siren and a world tour to promote the record, Nova took a break while various television show and film soundtracks licensed some of her songs and her record company (Sony Records/The WORK Group) released various singles from the album, which received only moderate play on America's MTV2, Europe's MTV and Canada's MuchMusic and on mainstream radio, although she was popular on college radio. Also during this time, she recorded a version of the often covered traditional song "Gloomy Sunday", for the German WWII feature film drama Ein Lied Von Liebe Und Tod (released under the international title, Gloomy Sunday). In 2000, Nova released yet another live album entitled Wonderlust.

Over the years, Nova has written and recorded over 120 songs. With the release of South (2001), she returned to the international spotlight with an appearance on the soundtrack of the John Cusack movie Serendipity. She also appeared on the soundtrack to the Sean Penn film, I Am Sam and sung on The Crow: City of Angels. A collaboration with Swedish indiepop band Eskobar, for a song called "Someone New", led to its music video being played primarily on America's MTV. Storm, Nova's fifth studio album, recorded with Mercury Rev as her backing band, was released in late 2003 on her own Saltwater label, went top 5 in Germany, followed by a tour during which Nova became pregnant. She quickly followed the birth of her son with her next record Redbird, released in 2005, again Top 10 in Germany.

In December 2005, Nova released Together As One, an EP supporting the Bermuda Sloop Foundation which operates the Bermuda sloop Spirit of Bermuda. In 2002, she self-published The Sorrowjoy, a 72-page book of her poetry and drawings. An album of the same name was unofficially released in March 2006, which featured Nova reading the poems from her book set to ambient music. She also collaborated with the German trance artist ATB on tracks like "Love Will Find You", "Feel You Like A River" and the international hit "Renegade". In 2008, she released an album called The Jasmine Flower, a solar powered acoustic album recorded in Bermuda, before touring as an acoustic tour.

In late 2010 she embarked on another European tour promoting her The Jasmine Flower album. On this tour, she played four unreleased songs ("Save A Little Piece Of Tomorrow", "Everything Changes", "Burning To Love", and "Turn The Compass Round") that are included on her most recent album, 300 Days At SeaProduced by Felix Tod.. This full-band album was released on May 27, 2011. In late 2014, she began work on her most recent project, a new studio album called "The Way it Feels" which was released to critical acclaim in May 2015. Her new album, Pearl, will be released in Spring 2019.