C86 Show - Indie Pop

The Pop Group are an English band formed in Bristol in 1977 by vocalist Mark Stewart, guitarist John Waddington, bassist Simon Underwood, guitarist/saxophonist Gareth Sager, and drummer Bruce Smith.^[5] Their work in the late 1970s crossed diverse musical influences including dub, funk, and free jazz with radical politics, helping to pioneer post-punk music.

The Pop Group and dub maestro Dennis ‘Blackbeard’ Bovell MBE have shared a new track from their forthcoming dub version of The Pop Group’s debut album, Y, one of the era-defining releases of the post-punk period. This new track gives another taste of what to expect from this clash of the titan’s forthcoming release, Y in Dub, out on 29 October 2021 on Mute.

Dub Sex with Mark Hoyle  in conversation with David Eastaugh 

Dub Sex are often cited as one of Manchester’s greatest ‘lost’ bands. Formed in the concrete landscape of 1980s Hulme, their music is appropriately raw and intense, bass-led with wiry guitar patterns swirling around the impassioned vocal style and presence of frontman Mark Hoyle. 

They came to prominence over the release of five critically acclaimed EPs and mini-albums in the late 80s. John Peel picked up on them from the outset playing a demo recording of ‘Tripwire!’ later describing the band on-air as “one of my very favourites”. Dub Sex went on to record 4 sessions for his BBC Radio show, the first of which incredibly aired 3 times in just 6 weeks during Feb/Mar 1987.

Magic Roundabout with Linda Jennings in conversation with David Eastaugh 

Manchester band 1986-88, releases forthcoming on Third Man Records

From Dangerous Minds -

Cody with Chris Tighe in conversation with David Eastaugh

Oxford’s lost electro-gaze hopefuls from the turn of the 21st century. Cody whipped electronica, art pop, shoegaze and post- rock into a stubbornly indefinable but compelling whole. Cody’s unconventional and sinuous songs mixed the emotional ache of Sarah Records with sardonic dissections of globalization, the ambiguities of personal responsibility, and wandering around when it was windy outside.

William Ritchie - 1-2-3 and Clouds - in conversation with David Eastaugh

William Ritchie  is a British keyboard player and composer. Formerly a member of The Satellites, The Premiers, 1-2-3, and Clouds. He is generally acknowledged as being the first keyboard player in rock music to stand and take a leading role, thereby providing a model for others such as Keith Emerson and Rick Wakeman. He is also credited as being responsible for rewriting standard songs and arranging music in a style that later became fashionable as progressive rock. During a Saville Theatre concert in 1967, he introduced a then-unknown David Bowie to Jimi Hendrix.

Whiteout with Eric Lindsay in conversation with David Eastaugh

Whiteout were a British rock group from Scotland, who were most famous for their hit "Jackie's Racing". Although they had existed in a different incarnation since the very early 1990s, the band's classic line-up consisted of Andrew Caldwell (vocals), Paul Carroll (bass), Eric Lindsay (guitar) and Stuart Smith (drums). The name came from a slang term for the disorientating effects of alcohol. They were the first guitar band to sign to the Silvertone label after their enormous success with the Stone Roses. Whiteout's principal recordings were the albums Bite It (1995) and Big Wow (1998). Their music was influenced by the country rock and glam rock of the early 1970s, as well as the aforementioned Stone Roses.

Duncan Hannah in conversation with David Eastaugh

Celebrated painter Duncan Hannah arrived in New York City from Minneapolis in the early 1970s as an art student hungry for experience, game for almost anything, and with a prodigious taste for drugs, girls, alcohol, movies, rock and roll, books, parties, and everything else the city had to offer.

Taken directly from the notebooks Hannah kept throughout the decade, Twentieth-Century Boy is a fascinating, sometimes lurid, and incredibly entertaining report from a now almost mythical time and place. Full of outrageously bad behavior, naked ambition, fantastically good music, and evaporating barriers of taste and decorum, and featuring cameos from David Bowie, Andy Warhol, Patti Smith, and many more, it is a rollicking account of an artist's coming of age.

Party Day with Carl Firth in conversation with David Eastaugh

Party Day were an English goth/indie rock band formed in 1981 in Wombwell near Barnsley, South Yorkshire, England, originally a four-piece consisting of guitarists Martin Steele, Greg Firth, bassist Carl Firth and drummer, Mick Baker. Their sound was described as being "hard knuckleduster goth with post-punk overtones".

The band were formerly called 'Further Experiments' (1979–81)^[2] but refocussed as Party Day. They released their first single, "Row the Boat Ashore" c/w "Poison" on their own label, Party Day Records in 1983, and was well reviewed - "their simpering and delightful sound is a thing of beauty".

Their second single, "The Spider" was described as "Excellent punk junk howl" and was played on John Peel's BBC Radio 1. We shall hopefully continue to see them rip up the roots of this bland desolate music industry.

Gerry Leonard is an Irish lead guitarist and solo artist, known for his harmonic and ambient guitar style and for his work with David Bowie featuring on the Heathen, Reality and The Next Day albums. 

He works a lot with Suzanne Vega, touring with her effectively as a duo; he produced and is given writing credits on all the songs on her album, Tales from the Realm of the Queen of Pentacles (Amanuensis Productions, 2014).

Carmen with David Clark Allen in conversation with David Eastaugh

The group was founded by David Clark Allen, a Mexican/American Californian trained in flamenco guitar. Originally a seven-member band in Los Angeles, the band relocated to London, England, in January 1973, where the personnel soon stabilized as a quintet.

In London, they became friendly with several rock stars of the time, including David Bowie - who introduced them internationally by including them on his Midnight Special '1984 Floor Show', Marc Bolan (Paul Fentonbecame his studio and tour drummer), and Bryan Ferry. Obtaining the services of producer Tony Visconti, Carmen released three albums: Fandangos in Space (1973), Dancing on a Cold Wind (1974), and The Gypsies (1975). By early 1975, the band was enjoying its greatest success, playing as an opening act at concerts by Santana, Blue Öyster Cult, and Electric Light Orchestra, and touring for three months as the opener for Jethro Tull.

Bitch Magnet with Jon Fine in conversation with David Eastaugh Bitch Magnet was an American post-hardcore band who formed in 1986 at Oberlin College in Ohio and later moved to North Carolina, United States. They released their first record in 1988. All of the band's albums were released on Communion Records in the US; they were also signed to the European labels Shigaku/What Goes On and Glitterhouse. The band disbanded in 1991.

The band's first single, "I Think I Need Help", was released in April 1982.^[2] In January 1983, "More Than a Dream" was re-issued as their first single for EMI.

Several more singles and two albums, Get Out and Walk and With These Handswere released before the band split in 1985, citing the enigmatical reason of "electrical differences".

They also recorded notable BBC Sessions at Maida Vale Studios for John Peel, the last of which featured early versions of "Sport for All" and "Heartache" [BBC, John Peel, 1984]. Their work became very influential upon the Norwich scene, as previously mentioned with The Higsons, and other offshoot outfits such as Ronnie Can You Hear Me. Baz and Mark went on to form The Avons in 1985.^[1] Mark later joined The Nivens.

Echobelly with Glenn Johansson & Sonya Madan in conversation with David Eastaugh

Madan and Johansson first met in a pub, with Sonya expressing her desire to sing in a band "I used to sing to myself as a child. I suppose I had a secret desire to sing", They soon teamed up with bass guitarist Alex Keyser and drummer Andy Henderson, who had previously played with PJ Harvey's band. Guitarist Debbie Smith, formerly of Curve, came on board in 1994.

According to the Epic Records' website, the group came up with the name Echobelly from the notion of "being hungry for something". With Madan and Johansson as the band's songwriters, they recorded their debut EP, Bellyache, on the independent Pandemonium label in late 1993.

Bruce Thomas - Elvis Costello & The Attractions & Suzanne Vega - in conversation with David Eastaugh

English rock bass guitarist, best known as bassist for the Attractions; the band formed in 1977 to back Elvis Costello in concert and on record. In addition to his work with the Attractions, Thomas has recorded with Billy Bragg, John Wesley Harding, Suzanne Vega, and Tasmin Archer.

Played with the bands Bitter Sweet and Bodast in the late 1960s and recording with Quiver, the Sutherland Brothers, Moonrider and Al Stewart in the early 1970s.

His inventive and highly melodic bass work with Costello brought Thomas his greatest fame. Between 1977 and 1987, Elvis Costello & The Attractions released nine record albums, including This Year's Model (1978), Punch the Clock (1983), and Blood & Chocolate (1986), and toured extensively.

Neil Oram in conversation with David Eastaugh

In 1956 Oram traveled to Africa where he met musician Mike Gibbs in Salisbury, (now Harare). He played double bass in the Mike Gibbs Quintet with Gibbs on piano, vibes and trombone. A post-concert epiphany where a voice repeatedly told him "Je suis un poet!" led him to take up writing. Oram returned to Britain in 1958 where he ran a jazz café called The House of Sam Widges at 8 D'Arblay Street in Soho, London.The café was known for its jukebox which only had modern jazz records. It attracted many of the top London musicians. Ronnie Scott, Tubby Hayes, Graham Bond, Dave Tomlin and Bobby Wellins were frequent customers, occasionally enjoying a bowl of spaghetti bolognese crafted by Oram. Downstairs was a club/performance space called 'The Pad'.

Oram was now writing poetry, giving readings and painting large abstract jazz inspired paintings. In 1960 he opened The Mingus art gallery in Marshall Street, Soho where abstract paintings by O. G. Bradbury, George Popperwell, Jaime Manzano, Tony Shiels and William Morris the American beat poet/action painter could be seen. Morris's huge, jazz paintings were executed in The Pad to the vibrant sounds of the Graham Bond Quartet, then carried round the corner and hung up wet in The Mingus.

Adrian Shaw or Ade Shaw - bass player with Hawkwind, Bevis Frond, Arthur Brown - in conversation with David Eastaugh

Ade Shaw, is a musician primarily working in the psychedelic field. He has a long history dating back to the 1960s working with such acts as Hawkwind,Country Joe McDonald, Arthur Brown, and the Deviants. Shaw played bass for former Tyrannosaurus Rex percussionist Steve Peregrin Took's band in 1974 and three years later, while appearing with Hawkwind on the former other half of Tyrannosaurus Rex Marc Bolan's TV show, was himself invited to join T.Rex; however Bolan's death very shortly thereafter prevented this.

Shaw co-founded Magic Muscle, and since 1990 has been a member of British psychedelic outfit the Bevis Frond. He has also recorded many albums as a solo artist and co-run the independent record label Woronzow Records with Bevis Frond's Nick Saloman. Since 2011 Shaw has also been a member of the band Hawklords.

Michael Visceglia talking about his life in music with David Eastaugh

"Native New Yorker Michael Visceglia got his professional start as a bassist touring with Welsh rocker, and Velvet Underground alumnus, John Cale. Since then he has recorded and/or performed with artists as diverse as: Jackson Browne, Bruce Springsteen, Avril Lavigne, Jorma Kaukonen, Phoebe Snow, Cyndi Lauper, Bette Midler, and Christopher Cross.

Since 1985, Mr. Visceglia has been, and continues to be the primary bassist for the iconic songstress Suzanne Vega, and played on her breakthrough album “Solitude Standing”, which featured the Grammy-nominated song “Luka”.

John Porter special - The Smiths, Roxy Music & much more - talking about his life in music with David Eastaugh

Porter met singer Bryan Ferry, and was part of his fledgling band The Gas Board. Ferry's later band Roxy Music had achieved success in the early 1970s, but having had some troubles with bass players, Ferry invited Porter on board to record the 1973 album For Your Pleasure. Porter went on to serve as a record producer for many later albums for Roxy Music and Bryan Ferry. Porter is credited with the production of Liverpool's Watt 4 album at Matrix Studios in 1979.

He has since produced for The Smiths, Billy Bragg, The Blades, Microdisney, School of Fish, B. B. King, Los Lonely Boys, Buddy Guy, Ryan Adams, Missy Higgins and numerous other bands. 

The Nivens from Northumberland special with Peter Martin with David Eastaugh 

The Nivens from Northumberland existed between 1987 to 1990. Recording for the excellent Woosh label, Their debut 'Yesterday' hit the indie top ten in January 1989.

Indie pop band from Cramlington, Northumberland, UK. Not to be confused with The Nivens from Norwich, UK who recorded at the same time for the French Danceteria label.

Basti & Globo special with Steve Appleton in conversation with David Eastaugh

Basti was formed in the late 1980s by members of The Herman Herd and Eva Valve. The two bands used to share a rehearsal space and were both very active in the Norwich Venue Campaign at around that time. Most of the members were also involved in The Waterfront. When Basti split up in 1993, four of the members went on to form Globo.