Alan McGee in conversation with David Eastaugh

record label owner, musician, manager, and music blogger for The Guardian. He co-founded the independent Creation Records label, running it from 1983 until its closure in 1999. He subsequently founded the Poptones label, running it from 1999 to 2007. He has managed or championed acts such as The Jesus and Mary Chain, Primal Scream, My Bloody Valentine, Oasis, and The Libertines. He was also the lead singer and guitarist for the indie pop group Biff Bang Pow!, who were active from 1983 to 1991.

Peter Bonas special - in conversation with David Eastaugh

Played with the likes of Peter Murphy, Jim Capaldi, The Hundred Men, Zen Attack and now Fran Pegg & The Blu Band 

Global Village Trucking Co special with Jon Owen in conversation with David Eastaugh

James Lascelles was a co-founder of the Global Village Trucking Company, known to its fans as "The Glob's", in the early 1970s.
The band, the road crew and their families all lived together in a Norfolk (UK) commune, and undertook numerous benefit concerts and free festivals, playing extended free-form jams, making them a well known UK live act. The band shunned record companies, but played on the Greasy Truckers Live at Dingwalls Dance Hall benefit album at Dingwalls in 1973, and in November 1974 they recorded an eponymous album at Rockfield Studios, Monmouth, Wales.

In 1973 the BBC made a documentary about Global Village Trucking Company, their communal living and their aim to make it without a record company. The BBC updated the documentary for the What Happened Next series, shown in May 2008, which included their first gig in 30 years. This re-union led to other Global Village gigs at Glastonbury 2008 and other festivals.

David Bowie special with Woody Woodmansey in conversation with David Eastaugh

Woodmansey joined Bowie's backing group The Hype, which later became The Spiders from Mars. He played on Bowie's albums The Man Who Sold the World (1970), Hunky Dory (1971), The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972) and Aladdin Sane (1973).

Woodmansey was replaced in The Spiders from Mars by Aynsley Dunbar, who played on Bowie's next album, the 1973 covers album Pin Ups. Woodmansey re-formed The Spiders from Mars for one album, along with bass player Trevor Bolder. This necessitated a change of personnel, with Dave Black on lead guitar because Mick Ronson was unavailable and Pete McDonald supplying lead vocals. Guest keyboardist was Mike Garson, who had been a major part of Bowie's line-up from the Ziggy Stardust days. Bowie made no contribution to the album which was named The Spiders From Mars.

U.K. Subs special with Charlie Harper in conversation with David Eastaugh

The U.K. Subs were part of the original punk movement in England. The band formed in 1976, initially using the name the Subversives. The band's founder, Charlie Harper, selected guitarist Nicky Garratt, bassist Paul Slack, and various drummers (eventually with Pete Davies became fairly stable) under the initial name "U.K. Subversives".

The London-based band's early line-up changed frequently.

Their style combined the energy of punk and the rock and roll edge of the then-thriving pub rock scene. The band had hit singles such as "Stranglehold", "Warhead", "Teenage", and "Tomorrow's Girls", with several of their songs managing to enter the Top 40 

The band played several John Peel sessions in 1978 for BBC Radio 1, and played some opening gigs for The Police, and recorded a set at The Roxy (a punk club), which was issued in 1980 as Live Kicks. They signed a recording contract with GEM Records in May 1979.^[2] Under GEM, the U.K. Subs recorded their most successful studio albums, Another Kind of Blues and Brand New Age.Their biggest selling album came with 1980's Crash Course.^[5]Crash Course was recorded at the Rainbow Theatre in London on 30 May 1980 during the Brand New Age tour.

In 1979, Julien Temple wrote and directed a short film Punk Can Take It, a parody of wartime documentaries, that consisted mainly of the U.K.Subs playing live on stage. The film was released theatrically.

Holly Palmer talking about her life in music with David Eastaugh

Palmer started playing live gigs during the period she lived in Boston. She particularly enjoyed stripped-down shows at small clubs, and she still loves intimate engagements offering the opportunity for spontaneous chemistry with the audience. Also during her time in Boston, Palmer began to seriously delve into songwriting, and landed a demo deal with Island Records.

In 1999, David Bowie invited Palmer to sing background vocals on his album Hours; she was featured on the album-opening track "Thursday's Child." Palmer subsequently toured worldwide with Bowie and his band as a vocalist and percussionist throughout 1999–2000.

After completing the Bowie tour in 2000, Palmer settled in Los Angeles, where her music publisher Marla McNally introduced her to Grammy-winning, Emmy and Tony-nominated composer Allee Willis (whose songwriting credits include Earth Wind & Fire's "Boogie Wonderland" and "September", Broadway's "The Color Purple", "I'll Be There for You (Theme from Friends)", etc.). They began a songwriting collaboration, at the time primarily focused on songs for what would be Palmer's next solo album, I Confess. Palmer made a new deal with Tom Whalley and Jeff Ayeroff, the new heads of Warner Bros. for the album's release but, after completing the album, once again, she and the label saw things differently and went their separate ways. This time, Palmer was able to take the masters for both Tender Hooks and I Confess with her.

I Confess album highlights included the single "Just So You Know", a Don Was-produced cover of the Holland-Dozier-Holland classic "You Keep Me Hangin' On" and Dr. Dre's mix of "Jumping Jack". Late, great keyboardist Billy Preston was spotlighted on the track "Down So Low", also featuring Joachim Cooder on drums. Holly launched her own label imprint, Bombshell Records, and independently released both I Confess and Tender Hooks on it in 2004.

Showaddywaddy special with Dave Bartram in conversation with David Eastaugh

Their first single, "Hey Rock and Roll" (written by the band), was released in April 1974. It reached number two in the UK Singles Chart. Showaddywaddy then went on to have a further 22 UK hits until late summer 1982. They had most of their biggest hits with covers of songs from the 1950s and the early 1960s. These cover versions included "Three Steps to Heaven" (originally by Eddie Cochran in 1960), "Heartbeat" (originally written and recorded by Buddy Holly), "Under the Moon of Love" (originally a US hit for Curtis Lee in 1961 and co-written by Tommy Boyce), "When" (originally by the Kalin Twins), "You Got What It Takes" (originally by Marv Johnson) and "Dancin' Party" (originally by Chubby Checker). These six singles were all produced by Mike Hurst (a former member of the Springfields).

Pentagram special with Bobby Liebling in conversation with David Eastaugh

In 1971, Bobby Liebling and Geof O'Keefe decided to leave their previous bands (Shades of Darkness and Space Meat, respectively) to form a new band that reflected their interest in emerging metal and hard rock acts such as UFO, Black Sabbath, Uriah Heep, and Sir Lord Baltimore. At Liebling's suggestion, the group was named Pentagram, a name that reflected the gloomy subject matter of their material. Although the band would change its name several times during 1971 and 1972 (Virgin Death, Macabre, and Wicked Angel were all considered during this period), they would eventually (and permanently) return to Pentagram. Contrary to popular belief, they were never called Stonebunny; this was the name given to Space Meat when Liebling joined them briefly.

Hank Wangford in conversation with David Eastaugh

His first writing credit (as Sam Hutt) was on a Sarah Miles 1965 single "Where Am I". His first recording was credited as Boeing Duveen & The Beautiful Soup with "Jabberwock"/"Which Dreamed It" issued on UK Parlophone R 5696 in May 1968. He is co-credited as the writer as "Sam Hutt" on both sides together with Lewis Carroll, the songs are adapted. Hutt's family background is radical: his father Allen (a journalist and expert on the history of printing) was a lifelong Communist. During the NUM miners strike in 1984/85, the Hank Wangford Band toured extensively with Billy Bragg and the Frank Chickens as "Hank, Frank and Billy" performing at trade-union benefit and anti-racist gigs. It was during such a benefit for the Greater London Council (GLC) in 1984 that Hank and the band were attacked on stage by a group of right-wing skinheads, an event that has been immortalised in the song "On The Line".

Gary Lucas (born June 20, 1952) is an American guitarist who was a member of Captain Beefheart and worked with the likes of Jeff Buckley, John Cale, Nick Cave and Lou Redd - plus writing Touched by Grace: My Time with Jeff Buckley published in English by Jawbone Press - in conversation with David Eastaugh 

MC5 special with Wayne Kramer talking about life in music, creativity and much much more with David Eastaugh 

Thin Lizzy special with Eric Bell in conversation with David Eastaugh 

Belouis Some in conversation with David Eastaugh 

Shirley Collins in conversation with David Eastaugh 

Martin Newell in conversation with David Eastaugh

Martin Newell is an English singer-songwriter, poet, columnist, and author who leads the Cleaners from Venus, a guitar popband with jangly, upbeat arrangements. He is also regarded as a significant figure in the history of cassette culture and DIY music. His most popular work is The Greatest Living Englishman (1993), produced by Andy Partridge of XTC.

Jethro Tull special with Martin Barre in conversation with David Eastaugh

Mediæval Bæbes with Katherine Blake in conversation with David Eastaugh

The Bæbes' first album, Salva Nos (1997), reached number two on the UK specialist classical charts, and was certified silver 15 May 1998. Subsequent albums include Worldes Blysse (which went to No. 1^{[citation needed]}), Undrentide, (co-produced by John Cale), The Rose, (produced by Toby Wood), and the Christmas-themed album Mistletoe and Wine.

Mirabilis (2005), was launched at a concert and party in London, August 2005. A self-titled DVD was released in July 2006. The first 300 preorders were autographed by the band and received a special mention in the DVD credits.

A live album was released on 25 November 2006 and features two new studio tracks.

Each album features traditional medieval songs and poetry set to music, mostly arranged by Blake specifically for the ensemble, alongside varying numbers of original compositions. They sing in a variety of languages, including Latin, Middle English, French, Italian, Russian, Swedish, Scottish English, German, Manx Gaelic, Spanish, Welsh, Bavarian, Provençal, Irish, modern English and Cornish. Their vocals are backed by medieval instruments, including the recorder and cittern, played by the singers or fellow musicians.

The Bæbes' musical pieces run the gamut from extremely traditional, such as their version of the "Coventry Carol" on Salva Nos, to songs that feel traditional but are much more modern, such as their rendition of "Summerisle", a song written for Robin Hardy's 1973 cult film, The Wicker Man. John Cale added non-medieval instruments, including saxophone and electric guitar, to some of the arrangements on Undrentide, although with subsequent albums the band returned to more traditional instruments. Even with these instruments, however, the band's current style is quite different from medieval authentic performance groups, as it displays significant modern influence - this juxtaposition is apparent in the album Illumination (2009) produced by KK (Kevin Kerrigan).

Tav Falco in conversation with David Eastaugh

Impressed by a 1978 performance of Falco's at The Orpheum in Memphis that culminated in the chainsawing of a guitar, Alex Chiltonteamed with him. They developed the self-styled "art damage" band, Tav Falco's Panther Burns. The group recorded a first album for Rough Trade at Ardent Studios in Memphis. Their previous 1980 session for the label at Phillips Recording was temporarily shelved (it was later re-released in 1992 on Marilyn Records as The Unreleased Sessions).

Falco devoted some of his musical career highlighting great traditional artists who had not gained media attention. He introduced their work to his audiences and to writers following his work by performing Panther Burns shows on billings with these artists, recording interpretations of their songs, and occasionally collaborating with some of them on projects for small record labels he's been associated with, such as Au Go Go and New Rose. Among these artists were blueswoman Jessie Mae Hemphill and rockabilly pioneer Charlie Feathers. Falco and Lux Interior of The Cramps worked on the photography and liner notes, respectively, for the 1982 Honky Tonk Man album by Feathers. Both younger vocalists had been influenced by Feathers' energetic, hiccup-styled vocals of the 1950s. Falco has invited such musicians as Cordell Jackson, R. L. Burnside, Mose Vinson, and Van Zula Hunt to perform at this Panther Burns concerts. Falco has released numerous Panther Burns albums on small international indie labels. He also has co-released some recordings by his band and other Memphis-area artists on his own Frenzi label.

Falco has appeared as an actor with small parts in films such as Great Balls of Fire! (1989 - USA), The Big Post Office Robbery (1992 - Hungary), Highway 61 (1991 - Canada), Downtown 81 (2001 - USA), and Wayne County Rambling (2002 - USA). Long a student of the tango under European and Argentine instructors, he appeared in Dans Le Rouge du Couchant (2003 - France) as a tango dancer, and choreographed his part in the film. He has appeared in several short films, most of which he produced and in some cases served as the filmmaker. These have been shown in underground arts venues such as The Horse Hospital in London.

In 2003 six of Falco's short films were accepted and archived into the permanent collection of the Cinémathèque Française in Paris. The short films archived are Love's Last Warning(1996), Born Too Late (1993), Helene of Memphis (1991), Memphis Beat (1989), Shadetree Mechanic (1986), and 71 Salvage (1971). A selection of Falco's short films were shown in a retrospective at the Cinémathèque Française in 2006. His first feature film, Urania Descending, was announced in 2014, having been completed the prior year.

Tav Falco has collaborated with Erik Morse, an American underground author, rock writer and journalist, on a two volume encyclopedic history and psychogeography of the city of Memphis, Tennessee, entitled MONDO MEMPHIS. Falco's book, Ghosts Behind The Sun/Mondo Memphis: Volume 1, is a study of Memphis beginning with the Civil War up to more recent autobiographical accounts set in the city. Morse's Bluff City Underground/Mondo Memphis: Volume 2 roman noir follows a West Coast graduate student and his encounters with a Memphis secret society. They were published by Creation Books; a paperback edition of Falco's volume was published in November 2011.

Falco has said his main artistic purpose is "to stir up the dark waters of the unconscious."

Falco has released more than nine album recordings.Conjurations was released in 2011 on a German label, Stag-O-Lee, and a French label, Bang! Records, followed by an American CD release on the Cosmodelic label in October 2011. A live album, Live In London, was released on Stag-O-Lee in 2012. In 2014, Falco compiled a double album of some of his favorite tracks from his music collection, Tav Falco's Wild & Exotic World of Musical Obscurities, released on Stag-o-Lee Records. The album set included a Panther Burns song, "Real Cool Trash", and liner notes by Falco.

In 2015, Falco's first book of photography, a collection of images of the gothic South called Iconography of Chance: 99 Photographs of the Evanescent South, was published by Elsinore and distributed by University of Chicago Press. The same year, he toured with Panther Burns and released another album, Command Performance.

Tav's most recent studio album is Cabaret of Daggers, released by ORG Music in November 2018.

David Bowie special with Woody Woodmansey in conversation with David Eastaugh

Barclay James Harvest special with John Lees talking to David Eastaugh