C86 Show - Indie Pop

Benjamin Berton author of a new book on Daniel Treacy  in conversation with David Eastaugh

"Dreamworld: The Fabulous Life of Daniel Treacy and his Band Television Personalities"

Alan Rider - Stress, Dance Naked & Attrition - in conversation with David Eastaugh

Alan Rider is a musician and editor of iconic 1980s Coventry post-punk fanzine Adventures in Reality.  He also co-edited 1980s Coventry Agit-Zine Not The Jobhunter, produced one off Coventry fanzines Certain Substances, Sticky Fingers, and Negative Response as well as contributing regularly to national music publications including Spiral Scratch and NME.  Alan and Adventures in Reality were featured in the 1983 Channel 4 documentary ‘Enough is Enough’.  He also ran the 1980s Adventures in Reality Recordings independent record label, releasing albums by a wide range of underground acts internationally, including Coventry bands such as Attrition, Furious Apples, and his own electronic band Stress. Stress went on to record and release four albums and numerous compilation album appearances on labels across the world.  His other band Dance Naked, released albums in the UK and Germany.

Robert Courtney - Skin Patrol & One Million Fuzztone - in conversation with David Eastaugh

Skin Patrol became One Million Fuzztone Guitars in 1981 and released two singles “Heaven / Annuese” and “Men’s Hearts / Creepy Crawl” and an LP “26″ all now remastered and re-released on Cherry Red Records. Rock Section was remixed by Julian Cope And Andrew Weatherall in 2014 as Dayglo Maradona. One Million Fuzztone Guitars/Skin Patrol continue to record and release new material on TuneCore/BMI.

Lolly Hayes (Lorraine Hayward) - Johnny Boy & Sister Lover - in conversation with David Eastaugh 

Formed in 2002, Johnny Boy took their name from Robert De Niro’s character in Martin Scorsese's film, Mean Streets. Their debut single, "Johnny Boy Theme" featured Scorsese's opening voice-over from the film.

Their single "You Are The Generation That Bought More Shoes And You Get What You Deserve" was produced by James Dean Bradfield (of Manic Street Preachers) and achieved critical acclaim.

Bradfield also co-produced their debut album, Johnny Boy, which received mixed reviews.

Philip Drucker - 17 Pygmies, Savage Republic, Them Rhythm Ants - in conversation with David Eastaugh

John Buck  - The Polecats - in conversation with David Eastaugh

The band were first signed by the fledgling British rockabilly record label Nervous Records, and recorded their first single "Rockabilly Guy" at guitarist Alan Warner's "Lane Studios" in 1979. Formerly with the "Foundations" band, Warner toured and recorded with the Polecats for about a year.

In 1980, the band signed to Mercury Records, and released their most successful LP, Polecats Are Go! They had UK chart success with a David Bowie cover, "John, I'm Only Dancing", a reworking of "Rockabilly Guy", and another cover version of the T-Rex (Marc Bolan) song "Jeepster".^[2] In 1983, they hit the charts in the United States with their song, "Make a Circuit with Me".John Buck replaced Neil Rooney in 1982 playing drums.

Claire Hamill in conversation with David Eastaugh

www.clairehamill.co.uk

Active in the music business since age 17. In 1971, she was launched as one of Britain's first female singer-songwriters. Shortly following the release of her debut album, One House Left Standing, Hamill went on her first UK tour, supporting John Martyn. She performed at the Concert 10 festival in the United States July 1972 before a crowd of 200,000. By 1973, she had toured the United States with Procol Harum and Jethro Tull, and returned to Britain to record her next album, October, at Manor Studio in Oxfordshire. She next toured with King Crimson.

In 1973, she met Ray Davies of the Kinks, who signed her to his Konk label for her third album Stage Door Johnnies. She toured America for the second time that year and went on another UK tour supporting Gilbert O'Sullivan. In addition, she recorded what would be her final album of the '70s and the second one for Konk, Abracadabra.

In 1979, she provided vocals on the song "Look Over Your Shoulder" on The Steve Howe Album. In the early 1980s she worked with Wishbone Ash, appearing as a guest performer on their albums Just Testing (1980) and Number the Brave (1981) and joining the group for their 1981/82 tour. She returned as a guest on Bare Bones in 1999.

Tony Sales - Iggy Pop and David Bowie/Tin Machine - in conversation with David Eastaugh

Son of 1950s/'60s TV comedian Soupy Sales and younger brother, Hunt Sales 

Tony and Hunt went on to work with Chequered Past, David Bowie, Iggy Pop, Todd Rundgren, Bob Welch, Andy Fraser of Free, Harry Dean Stanton and The Cheap Dates, The Hunt Sales Memorial, Tin Machine (with Bowie), and others from 1989 to 1994.

Provided the rhythm section for Pop's album Lust for Life (1977), which was produced by David Bowie, who also played keyboards The brothers joined Pop on his subsequent tour, recorded as TV Eye Live 1977 and released in 1978.

Medicine - Brad Laner - in conversation with David Eastaugh

Medicine was formed by ex-Savage Republic drummer Brad Laner, based on some 4-track recordings Laner was working on in 1990. After playing the tapes for music industry representatives, he was told that if he formed a band that sounded like the tapes, he could get a record deal. Laner then assembled a band of musicians from the Los Angeles music scene. Medicine's early lineup included Laner, drummer Jim Goodall (Severed Head in a Bag, Jon Wayne, Lopez Beatles), guitarist Jim Putnam, bassist Eddie Ruscha and singer Annette Zilinskas (an original member of the Bangles). Zilinskas left before any official releases and was replaced by former Fourwaycross singer Beth Thompson. 

Andi Sex Gang in conversation with David Eastaugh

Sex Gang Children are an early gothic rock and post-punk band that formed in early 1982 in Brixton in London, England. Although the original group only released one official studio album, their singles and various other tracks have been packaged into numerous collections, and they remain one of the more well-known bands of the early Batcave scene and have reformed for new albums and touring at various times since the early 1990s.

Martin Carr - The Boo Radleys - in conversation with David Eastaugh

In 1990, the band's first album Ichabod and I was released on a small British indie label, Action Records. Although not a commercial success, this release brought the band to the attention of Rough Trade Records, to whom they signed. 

Almost immediately after the release of the Every Heaven EP in 1991, Rough Trade collapsed and the Boo Radleys were signed by Alan McGee's Creation Records.

Rob Miller - Amebix & Tau Cross - in conversation with David Eastaugh

https://www.castlekeep.co.uk

English musician and swordsmith. Beginning his musical career in 1978, he is primarily known as the lead vocalist and bass player of pioneering crust punkband Amebix. He also plays in the international supergroup Tau Cross.

David Conway  - My Bloody Valentine - in conversation with David Eastaugh 

Irish author and former musician. He was the original vocalist of the alternative rock band My Bloody Valentine, which he formed in 1983 with guitarist Kevin Shields and drummer Colm Ó Cíosóig. In 1987, during their minor underground success, Conway left the band and was replaced by Bilinda Butcher.

Since 1991, Conway has written four novels, including 2009's Tokyo Gothic and 2010's Celebrity Bedlam, published numerous short stories and contributed his writing to a selection of comic books. His writings are published by Radical Robot Books—his own publishing company—and Double Dragon Publishing. Conway lives in London.

Alex Novak Venus Fly Trap, Religious Overdose, Attrition, and The Tempest - in conversation with David Eastaugh

The band was formed by Alex Novak (vocals, formerly of Religious Overdose, Attrition, and The Tempest) and John Novak (guitar, vocals, formerly Where's Lisse?), and Tony Booker on bass guitar prior to their debut twelve-inch single "Morphine" in March 1988.

A further single followed later that year - the three-track Desolation Railway 12 inch EP -  released their debut mini album Mars in 1988, collecting tracks from the earlier singles alongside several new numbers.

Edsel Auctioneer - Ashley Horner Park 3 - in conversation with David Eastaugh 

Aubrey Powell - Hipgnosis - in conversation with David Eastaugh - promoting his new book Through the Prism: Untold Rock Stories from the Hipgnosis

British graphic designer. He co-founded the album cover design company Hipgnosis with Storm Thorgerson in 1967. The company ran for 15 years until 1982, and created some of the most acclaimed record cover art of the 1960s, 1970s and 1980s for many of the most famous rock bands of the era including Pink Floyd, Led Zeppelin, Paul McCartney, Yes, Genesis, 10cc, Peter Gabriel, Bad Company, Emerson, Lake & Palmer, Scorpions, Styx, Syd Barrett, and Black Sabbath. The company was nominated five times for Grammy Awards.

Terry Reid in conversation with David Eastaugh 

Reid came to the attention of producer Mickie Most, who became his manager and who was in partnership with Peter Grant at the time. His first single with Most, "Better By Far", became a radio favourite, but the album

Reid was signed by Ahmet Ertegun to Atlantic Records with his band of David Lindley, Lee Miles and Alan White; they began recording in the UK and later switched to the US. White left to join Yes and Lindley left to tour with Jackson Browne. However, Lee Miles remained and was Reid's trusty sidekick for many years to come. Other musicians on the album, titled River, included Conrad Isodore on drums and Willie Bobo on percussion. Produced by Reid, engineered by Tom Dowd, and mixed by Eddie Offord this third album was released in 1973 and received favourable reviews

Stuart Moxham - Young Marble Giants - in conversation with David Eastaugh 

Young Marble Giants formed from the ashes of the band True Wheel which also included friends Matthew Davis and Louise Porter who later signed to EMI. Stuart Moxham wrote the majority of the band's songs. Their sound was characterised by Phil's prominent bass lines, Stuart's rhythm guitar and Galanti electric organ lines and Statton's vocals. Stuart Moxham's girlfriend, Wendy Smith, lent him the money to buy the Rickenbacker. Smith, an art student in Cardiff at the time Young Marble Giants formed, photographed the band's US tour, and also designed cover art for several singles and albums by Weekend.

Moira Lambert - Faith Over Reason & Saint Etienne (Only Love Can Break Your Heart) in conversation with David Eastaugh 

Lambert began singing, playing acoustic guitar and song-writing as a child in Africa, largely influenced by the Celtic folk songs her parents taught her. While at school in the UK she became a fan of the British indie scene, enjoying acts like The Smiths and The Cure, later exploring vintage records by artists like Sandy Denny, Neil Young and Joni Mitchell. She is also a fan of avant-garde cinema.

Lambert studied at the Conservatory of Music, played in coffee bars, and worked with Spanish cellist, pianist and composer Dan Anies, who co-wrote two of the songs on her first solo album 'Coming Up Roses' (released October 2006).

Cass Browne - Senseless Things, Deadcuts Circle & Loup GarouX in conversation with David Eastaugh

He was a member of the band The Psychotics who became Senseless Things in 1986. Senseless Things had a couple of top 20 hits and many other singles in their nine years together, they split up in 1995. Jamie Hewlett was a big fan of the band and designed many of their sleeves. When the Senseless Things split up, Browne formed a new band Delakota, which he toured with for a couple of years. Cass Browne also worked with Damon Albarn as his drummer on 2002's Mali Music