C86 Show - Indie Pop

Larry Stabbins in conversation with David Eastaugh

https://www.larrystabbins.com

Played in the cult pop group Weekend and started writing with its guitarist Simon Booth. This later evolved into Working Week, a band that took a mix of Latin, soul, jazz and funk into the pop charts. From the Latin Jazz Dance scene in London clubs, the band mixed jazz with Latin dance rhythms and vocals by singers such as Juliet Roberts, Julie Tippetts, Robert Wyatt and Tracy Thorn. The band toured extensively in Europe and Japan, performing at most of Europe's major Jazz Festivals and recording five albums for Virgin Records.

Charlie Beddoes in conversation with David Eastaugh

https://www.amazon.co.uk/OVERDRIVEN-story-dirty-sound-ambition-ebook/dp/B0BRNT417C

https://nastylittlelonely.bandcamp.com

Charlie Beddoes is a bass player and vocalist with over 20 years experience in the Music Industry. She was a founder member, songwriter and bass player for 90's rock band Rub Ultra, signed to Virgin Records and Sony Music Publishing.

Julia Gorton in conversation with David Eastaugh

http://www.juliagorton.com/coming-new-products/nowhere-new-york

With a synthesis of imagery, metaphor and feeling, in a space located between attraction and angst, Julia Gorton's photos of New York's No Wave scene, 1976-1980, capture a fleeting time with unique style. 192 pages and 170 photos.

Her beautiful vision of downtown Manhattan, in the moments before AIDS, crack, Disney and condos changed everything forever, focus on subjects including musicians and friends; Debbie Harry, Patti Smith, Tom Verlaine, David Byrne, Lydia Lunch, Iggy Pop, James Chance, Richard Hell, Anya Phillips and many others less well known, but certainly just as memorable. 

Scrote in conversation with David Eastaugh 

https://scrotemusic.com

A press release states [via Rolling Stone] that the 2023 edition will “interpret Bowie’s greatest hits with a special emphasis on Bowie’s Ziggy Stardust proto punk era, his Berlin trilogy records (‘Low’, ‘Heroes’, and ‘Lodger’) and his later Trent Reznor infused years”.

Doug Martsch in conversation with David Eastaugh

https://www.builttospill.com

Martsch's first band was Farm Days, with Andy Capps and Brett Nelson in the early 1980s. His second band was Treepeople, with whom he released three albums and two EPs. He has been the lead singer and guitarist of Built to Spill since 1992

The band signed to Sub Pop in October 2021. On September 9, 2022, the band released their first album of new material since 2015, When the Wind Forgets Your Name.

Thalia Zedek in conversation with David Eastaugh

American singer and guitarist. Active since the early 1980s, she has been a member of several notable alternative rock groups, including Live Skull and Uzi both of which, according to Spin magazine, "made big noise in the underground", and Come. Critic Heather Phares writes that Zedek's music can be defined by "the permanent, aching rasp in her voice, her guitar's bluesy bite, the startlingly clear-eyed lyrics about life and loss."

Andy Blade in conversation with David Eastaugh

Andy Blade relaunched Eater in 2022, playing shows across The UK - an album is planned for release in 2023.

In October 2001, the band's second single, "Thinking of the USA" (originally released in June 1977), was included in Mojo magazine's list of the best punk rock singles of all time. In 1999, the track also appeared on the five-CD box set 1-2-3-4 Punk & New Wave 1976-1979.

Paul Clark in conversation with David Eastaugh

https://www.thebolshoibrothers.com

The original lineup consisted of singer/guitarist Trevor Tanner, drummer Jan Kalicki, and bassist Graham Cox. Tanner and Kalicki had previously played together in the short-lived punk band Moskow. Early gigs supported the likes of the Cult, the March Violets and the Lords of the New Church. After eight gigs bass player Graham Cox was replaced by Nick Chown. In 1985, the band released their debut single, "Sob Story", followed by the mini-album, Giants, and their hit song "Happy Boy". Word of mouth was such that the Bolshoi were able to sell out many of their early headlining performances.

Martha Johnson & Mark Gane in conversation with David Eastaugh

After another long layoff from being an active performing entity, Martha and the Muffins released a video and downloadable song in May 2020 called "Stay Home and Dance". A reworking of the 1984 M+M track "Come Out and Dance", the new song and video was released in response to the stay-at-home orders surrounding the COVID-19 pandemic.

In 2021 they released the compilation Marthology: In and Outtakes, collecting rarities and demo versions of past songs. At the same time they indicated that they were working on a new album, tentatively slated for release in 2022.

John Butler in conversation with David Eastaugh

https://www.dieselparkwest.com/

The tenth Diesel Park West album, ‘Not Quite The American Dream’ was released on July 29, 2022. The album was recorded during the COVID lockdowns of 2020. It was preceded by a couple of singles, 'One Shot of Happiness' and 'Secondary Modern Man'. Both of which have charted on the British Heritage Chart.

Rob Morris and Ian Michie have both left the band. A new band has been put together featuring John Butler, Rich Barton, Daryl Hopper (bass) and Dave Bryant (drums).

Pat Irwin in conversation with David Eastaugh

https://patirwinmusic.com

American composer and musician who was a founding member of two bands that grew out of New York City's No Wave scene in the late 1970s, the Raybeats and 8-Eyed Spy. He joined The B-52s from 1989 through 2008. He currently performs and records with SUSS who have released several records on the indie label Northern Spy.

Matthew Edwards in conversation with David Eastaugh 

https://matthewedwardsandtheunfortunates.bandcamp.com

Hugh Birdsall in conversation with David Eastaugh

The Reducers’ history is a powerful testament to rock ‘n’ roll’s power to transcend and inspire, for those who create it as well as for those who consume it. These four working-class underdogs—Detmold and fellow singer-guitarist-songwriter Hugh Birdsall, drummer Tom Trombley and bassist/vocalist Kaika—spent most of their adult lives building a potent body of recordings and a far-reaching reputation as a scrappy, riveting live act that affirmed rock ‘n’ roll’s vibrant promise on a regular basis.

Rebecca Pidgeon in conversation with David Eastaugh

http://rebeccapidgeonmusic.com

From 1986 to 1990, Pidgeon was the lead singer of the British folk/pop band Ruby Blue. She left the group shortly after they signed to a major record label.

On her tenth full-length album of sensuous Art Pop, Parts of Speech Pieces of Sound, storyteller, singer, multi-instrumentalist, and actress Rebecca Pidgeon taps into the ongoing communication between body, mind and spirit through vibrations and energy.  Recorded in Los Angeles with co-producer Fernando Perdomo, the ten tracks here illuminate the connection between her art and her explorations of the sacred science behind yoga practice. Parts of Speech Pieces of Sound is being released on (give formats) on (give label) on September 24.

Simon Charterton - The Higsons - in conversation with David Eastaugh 

Founded in 1980 at the University of East Anglia in Norwich, Norfolk, England, The Higsons' first recordingwas on the Norwich - A Fine City compilation album. The Higsons' first single, "I Don't Want to Live with Monkeys", was released in 1981.^[1] The band signed to the 2 Tone Records label, along with bands such as The Specials, The Beat and Madness.

The band's blend of high-energy funk and groove brought them some chart success: their most remembered track was "Conspiracy", released in 1982, with the refrain "Who stole my bongos?; Did you steal my bongos?". The band played their last gig in March 1986, disbanding by mutual consent.

Hugh Vivian - Omega Tribe - in conversation with David Eastaugh

https://omegatribe.bandcamp.com

Omega Tribe are an anarcho-punk band,  in 1981. With the roles of Hugh Vivian on guitar and vocals, Daryl Hardcastle on bass, Pete Fender on guitar and Pete Shepherd on drums, their first EP, Angry Songs, was produced by Penny Rimbaud and Pete Fender for Crass Records in 1982.

Their subsequent LP, No Love Lost,  won the hearts of many hardened anarchos and secured their place in anarcho-punk history. A far more melodic style, encouraged by producer and new guitarist Pete Fender created a highly influential template that many other bands were to build on.

Peppy Castro - Blues Magoos - in conversation with David Eastaugh 

https://www.peppycastro.com/about.html

The Blues Magoos are an American rock group from The Bronx, a borough of New York City, United States. They were at the forefront of the psychedelic music trend, beginning in 1966. They are best known for the hit song "(We Ain't Got) Nothin' Yet".

The band was formed in 1964 as The Trenchcoats. The original members were Emil "Peppy" Thielhelm a.k.a. "Peppy" Castro (vocals and guitar), Dennis LePore (lead guitar), Ralph Scala (organ and vocals), Ron Gilbert (bass) and Jon Finnegan (drums). The band made a name for itself in various clubs in Greenwich Village. The band changed its name first to the Bloos Magoos and by 1966 to the Blues Magoos. Mike Esposito joined as lead guitarist and Geoff Daking as drummer.

Jeff Drake - The Joneses - in conversation with David Eastaugh

https://hozacrecords.com/product/guilty/

The Joneses were a punk band from Anaheim, Southern California. In 1981 guitarist and singer Jeff Drake and professional skateboarder, Steve Olson, formed its nucleus but over the years the Joneses included numerous players with Drake being the only constant member. 

The Joneses' first seven-inch, 45 rpm single was "Criminals in My Car" b/w "Jonestown". They next released a pair of songs, "Graveyard Rock" and "Pillbox", on the 1982 BYO Records compilation, Someone Got Their Head Kicked In. The EP, Criminals, was the Joneses next released recording. Hell Comes to Your House Volume 2, included the two Joneses tracks: "I'm Bad" and "She's So Filthy".

Paul Roessler in conversation with David Eastaugh

https://paulroessler1.bandcamp.com

American musician and record producer. Roessler was a prominent member of the L.A. punk scene during the late 1970s and 1980s. He played keyboards in bands such as The Screamers, Twisted Roots, 45 Grave, Nervous Gender, SAUPG, Geza X and the Mommymen, Mike Watt and the Secondmen, Nina Hagen and The Deadbeats. Roessler has also released solo recordings such as "Abominable," "Curator," "The Arc," "6/12" and a rock opera entitled "Burnt Church" with Jeff Parker. He currently works as a record producer at Kitten Robot Studios in Los Angeles, California.

Vashti Bunyan in conversation with David Eastaugh

https://www.whiterabbitbooks.co.uk/titles/vashti-bunyan/wayward/9781474621939/

In 1968, Vashti Bunyan gave up everything and everybody she knew in London to take to the road with a horse, wagon, dog, guitar and her then partner.

They made the long journey up to the Outer Hebrides in an odyssey of discovery and heartbreak, full of the joy of freedom and the trudge of everyday reality, sleeping in the woods, fighting freezing winters and homelessness.

Along the way, Vashti wrote the songs that would lead to the recording of her 1970's album Just Another Diamond Day, the lilting lyrics and guitar conveying innocent wonder at the world around her, whilst disguising a deeper turmoil under the surface.

From an unconventional childhood in post-war London, to a fledgling career in mid-sixties pop - recording a single written by Mick Jagger and Keith Richards - to the despair and failure to make any headway with her own songs, she rejected the music world altogether and left it all behind. After retreating to a musical wilderness for thirty years, the rediscovery of her recordings in 2000 brought Vashti a second chance to write, record and perform once more.

One of the great hippie myths of the 1960s, Wayward, Just Another Life to Live, rewrites the narrative of a barefoot girl on the road to describe a life lived at full tilt from the first, revealing what it means to change course and her emotional struggle, learning to take back control of her own life.