C86 Show - Indie Pop

David J Haskins in conversation with David Eastaugh

https://davidjhaskins.com/music

Both album & book are being released 6th June 2025

The Mother Tree is a poignant five-track album featuring David reciting his poetry to the accompaniment of lush, dramatic, atmospheric music, showcasing his multidimensional musical artistry. The bulk of the title piece was composed over the course of 3 days, in a remote part of Massachusetts where he was living in 1997, this following the passing of his mother, Joan Nancy.

Rhapsody, Threnody & Prayer is a book of his poetry collected over the course of many years. The poems encompass a large array of experiences, places, relationships, infatuations and obsessions. Love found and love lost. They include tributes to departed cultural icons like Ian Curtis, Kurt Cobain, Mark Linkous, Jeff Buckley, and Jack Kerouac.

David J Haskins Live Dates:

June 10 - HQ (Record release event), Denver CO

June 12 - Electron Gardens, Atlanta, GA

June 14 - Fleetwoods, Asheville, NC

June 18 - The Slipper Room, NYC, NY

June 24 - Zebulon, Los Angeles, CA

Richard Bellia  in conversation with David Eastaugh

https://richardbellia.com/

Photographer Richard Bellia was there when it mattered carrying his trusted camera to capture moments in music’s vast cannon of historical importance, some which now forms his own tapestry of work in Un œil sur la musique 1980-2016 i.e. An eye on music 1980-2016.

The intro to the book says ‘’a thousand photos: breathe the same air as the musicians, feel the bass, the riffs and the silences, sixtieth of a second per sixtieth of a second.’’ With this in mind its hard not to get stuck straight in with the mammoth heavyweight volume of photos infront of you. The first striking images come from prime Punk era via Denmark Street, John Lydon looking grimacingly at the camera in the studio and on stage with PiL, Joe Strummer looking cool as holding his guitar towards the camera, Topper Headon, Mick Jones and leather clad Paul Simonon all looking equally stunning in separate shots.

Tom Ashton & Mat Thorpe in conversation with David Eastaugh

https://www.marchvioletsband.com/

https://marchvioletsband.bandcamp.com/album/crocodile-promises

Crocodile Promises, the all new album from legendary post-punk/goth rock act The March Violets builds upon the band's 40 year legacy. Founding members Rosie Garland and Tom Ashton are now joined by bassist Mat Thorpe. Crocodile Promises finds the March Violets in top form, creating a reinvigorated take on it's trademark boundary-shredding goth-tinged post punk.

Frank Deserto in conversation with David Eastaugh

https://www.cherryred.co.uk/no-songs-tomorrow-darkwave-ethereal-rock-and-coldwave-1981-1990-4cd-box-set

•    FEATURING THE CURE, DEAD CAN DANCE, CLAN OF XYMOX, COCTEAU TWINS, SOFT CELL, TONES ON TAIL, IN THE NURSERY, ATTRITION, IRON CURTAIN, ALIEN SEX FIEND, CRANES, KIRLIAN CAMERA, NEON AND MANY MORE.

•    4CD SET EXPLORING THE 1980s’ DARKWAVE/COLDWAVE SCENE THROUGHOUT THE UK, EUROPE AND THE UNITED STATES

•    A BROAD CHURCH TAKING IN ELECTRONICS, DARK AMBIENT, NEO-CLASSICAL NEW WAVE, GOTHIC SOUNDSCAPES AND COLD DREAM POP.

•    CURATED BY THE TEAM WHO BROUGHT YOU ‘CHERRY STARS COLLIDE’, ‘SILHOUETTES AND STATUES’ AND ‘STILL IN A DREAM’.

•    SLEEVENOTES COURTESY OF FRANK DESERTO.

Valor Kand in conversation with David Eastaugh

https://officialchristiandeath.com/

American rock band formed  in 1979 by Rozz Williams. Williams was eventually joined by guitarist Rikk Agnew of the band Adolescents, James McGearty on bass guitar and George Belanger on drums. This line-up was responsible for producing the band's best known work, their 1982 debut studio album Only Theatre of Pain, which was highly influential in the development of the style of music known as death rock, as well as on the American gothic scene which also produced bands such as Kommunity FK and 45 Grave.

Following the release of Only Theatre of Pain, Christian Death's line-up fell apart, and by the time of the band's second studio album, Catastrophe Ballet (1984), Rozz had been joined by Valor Kand of tour mates Pompeii 99 on vocals and guitar. Following the release of the band's third studio album, Ashes, in 1985, Williams left the band and Kand became frontperson, with no original members of the band remaining. This resulted in a divide in the band's fanbase and created controversy that has continued to this day.

Ira A Robbins in conversation with David Eastaugh

https://trouserpress.com/

Trouser Press magazine began as a mimeographed fanzine in March 1974 and grew to a 60,000-circulation glossy rock music monthly. Started by two high school Who-freak friends and a Jeff Beck fanatic they’d recently met, Trouser Press published 96 issues over the following decade, covering everything from British Invasion bands, ’70s arena rock and prog to punk, new wave, synth-pop, post-punk and reggae.

Zip It Up! The Best of Trouser Press Magazine 1974-1984 is an annotated anthology of the music writing that appeared in the magazine.

Annotated with recollections and reflections on the changing times, the ridiculous business of independent magazine publishing and the colorful, complicated artists — illustrated with cartoons, covers, documents and ads from the Trouser Press archive — Zip It Up! is vintage rock journalism of a form that is no longer widely practiced: features heavy on historical detail and lengthy, probing interviews, all written with wit, intelligence and a willful expression of opinions and values. It is also an extensive document of rock’s evolution from the 1970s to the mid-’80s, often capturing now-iconic bands in the early stages of their existence. By turns reverent, snarky, adulatory and cynical, Zip It Up! is a rich grazing ground for fans and students of music and music journalism.

The book is divided into sections covering the Sixties, Classic Rock, Glam Rock, Art and Prog Rock, the Roots of Punk, US / UK Punk and New Wave, Reggae, Post-Punk and more.

Robert Sellers and Nick Pendleton in conversation with David Eastaugh

http://www.paradiseroad.co.uk/marquee-the-story-of-the-worlds-greatest-music-venue

Marquee: The Story of the World’s Greatest Music Venue tells the story of both the music club and the festival, from the birth of the club in 1958 and festival in 1961, through to their sale by original owners Harold and Barbara Pendleton thirty years later.

Hardback, 320 pages, with 49 black & white illustrations

The Marquee is the most famous and iconic music club in the world. Melody Maker called it, ‛The most important venue in the history of pop music.’ 

The story of the Marquee is the story of popular music in Britain. This new book from Paradise Road evokes the hot, sweaty and sticky life and times of the club through the words of the musicians, management, staff and fans who were there to witness music history being made.

Gitane Demone in conversation with David Eastaugh

https://darkvinylrecords.bandcamp.com/album/the-new-young-kings-of-midnight?fbclid=IwAR2yqngs8N6zgEivN3YHKOsvq8e5u1cxCm4SBvX3TlMNwgU9Hg6Bd6TJAl4

https://gitanedemone.bandcamp.com/

American singer, musician and visual artist. Her career spans more than 30 years. She came to prominence in the mid-1980s as the keyboardist and backing vocalist of the influential band Christian Death. In addition to her work with Christian Death, Demone was previously a member of Pompeii 99, worked with Dreadful Shadows, and has had a solo career which has included three studio albums: Am I Wrong?, Stars of Trash and The Reflecting Shadow.

Paul Nash in conversation with David Eastaugh

http://www.thedansesociety.com/

In June 2018 the band release an EP, The FUTUR1ST, including a cover of NIN's "Hurt" dedicated to the Sophie Lancaster Foundation, and the tracks "One Thought in Heaven" and "Scream" featuring drummer Joss Rylance who replaced Iain Hunter, and who has subsequently been replaced by Tom Davenport. September 2020 saw the release of the bands 7th Studio album Sailing Mirrors whilst celebrating their 40 years anniversary. And the band are currently in production of their 8th studio album 'The Loop' due to be released late 2023.

Wayne Hussey in conversation with David Eastaugh

https://themissionukband.com/home

Book - Heady Daze The Mission Years 1985-1990

Cathi Unsworth in conversation with David Eastaugh

http://www.cathiunsworth.co.uk/

As Margaret Thatcher enters 10 Downing Street, a handful of bands born of punk - Siouxsie and the Banshees, Joy Division and the Cure - find a way to distil the dissonance and darkness of the shifting decade into a new form of music. Pushing at the taboos the Sex Pistols had unlocked and dancing with the fetishistic, all will become global stars of goth.

By the time Thatcher is cast out of office in 1990, the arrival of goth will have imprinted on the cultural landscape as much as the Iron Lady herself.

Now, forty years since its inception, author Cathi Unsworth provides the first comprehensive overview of the music, context and lasting legacy of goth. This is the story of how goth was shaped by the politics of the era - from the miners' strikes and privatisation to the Troubles and AIDS ­­- as well as how its rock 'n' roll outlaw imagery and innovative, atmospheric music cross-pollinated throughout Britain and internationally, speaking to a generation of alienated youths.

Paul Roland in conversation with David Eastauugh

https://www.paulroland.net/

https://paul-roland.bandcamp.com/

English singer-songwriter, author and music journalist. Roland typically writes his songs in the form of stories, often addressing historical figures, characters from literature and film, or his own creations. He has explored genres including gothic rock, psychedelic pop, folk and baroque.

Described by Music Week as a "psychedelic cult celebrity", Roland has enjoyed an underground career as opposed to mainstream success, gathering a stronger fanbase in mainland Europe than in his native UK. He has been credited with spearheading steampunk music.

Mark "Wiff" Smith in conversation with David Eastaugh

https://www.companyofjustice.com

The original line-up of Play Dead consisted of Rob Hickson (vocals), Pete Waddleton (bass guitar), Mark "Wiff" Smith (drums) and Re-Vox (guitar). In July 1981, Re-Vox was replaced by Steve Green.

During their active years, Play Dead supported a number of acts, including the likes of Killing Joke, The Cult and The Sisters Of Mercy in the UK. They also appeared on Channel 4's music TV show, The Tube in late 1984.

A string of singles were released (many through Stoke-based Clay Records) from late 1983, throughout 1984 and early 1985. Play Dead toured frequently around the UK and Europe and by 1985, felt they had enough material to be able to put out their first ever live album, Into The Fire, which was released in May of that year.

Rocco Barker - Flesh for Lulu & Wasted Youth - in conversation with David Eastaugh

Nick Marsh (vocals and guitar) and James Mitchell (drums) formed the band and soon recruited Rocco Barker (originally from Wasted Youth, guitar and vocals), and Glen Bishop (bass), taking their name from an American cult movie. After a well received John Peel session, they signed to Polydor Records in 1983, and soon thereafter, bassist Glen Bishop left to join Under Two Flags, and was replaced by Kevin Mills (formerly of Specimen).

Wasted Youth were an English post-punk band from London, England, active between 1979 and 1982, which blended post-punk/pre-Goth with dark acoustic strains of the sort associated with Nick Drake and Syd Barrett. The line-up of the band was Ken Scott (vocals and guitar), Rocco Barker (guitar), Nick Nicole (synth), Darren Murphy (bass) and Andy Scott (drums)

Pleasant Gehman in conversation with David Eastaugh

https://pleasantgehman.com/tarotreadings/

Pleasant Gehman is a true renaissance woman. A lifelong multi-disciplinary artist, she is a writer, professional dancer, actor, psychic, musician and painter; she has  often been called “a force of nature”.

A Hollywood rock ‘n’ roll icon, during the 1970’s, she was one of the first punks in Los Angeles, documenting the scene she helped create in her fanzine Lobotomy, which lead to writing for the top mainstream rock publications. During the 1980’s, she toured fronting her three bands, all of whom released multiple recordings: The Screaming Sirens, The Ringling Sisters and Honk If Yer Horny. Concurrently, she was the talent booker for the seminal Los Angeles “alternative” clubs Cathay De Grande and Raji’s.

Jerome Alexandre - The Deadcuts, Andi Sex Gang, Black Bordello - in conversation with David Eastaugh

Deadcuts are an English post punk group formed in 2012 by former Senseless Things front man, Mark Keds (vocals/guitar) and Jerome Alexandre (guitar/backing vocals. 

Currently playing with the Andi Sex Gang and Black Bordello

Andi Sex Gang in conversation with David Eastaugh

Sex Gang Children are an early gothic rock and post-punk band that formed in early 1982 in Brixton in London, England. Although the original group only released one official studio album, their singles and various other tracks have been packaged into numerous collections, and they remain one of the more well-known bands of the early Batcave scene and have reformed for new albums and touring at various times since the early 1990s.

Rob Miller - Amebix & Tau Cross - in conversation with David Eastaugh

https://www.castlekeep.co.uk

English musician and swordsmith. Beginning his musical career in 1978, he is primarily known as the lead vocalist and bass player of pioneering crust punkband Amebix. He also plays in the international supergroup Tau Cross.

Party Day with Carl Firth in conversation with David Eastaugh

Party Day were an English goth/indie rock band formed in 1981 in Wombwell near Barnsley, South Yorkshire, England, originally a four-piece consisting of guitarists Martin Steele, Greg Firth, bassist Carl Firth and drummer, Mick Baker. Their sound was described as being "hard knuckleduster goth with post-punk overtones".

The band were formerly called 'Further Experiments' (1979–81)^[2] but refocussed as Party Day. They released their first single, "Row the Boat Ashore" c/w "Poison" on their own label, Party Day Records in 1983, and was well reviewed - "their simpering and delightful sound is a thing of beauty".

Their second single, "The Spider" was described as "Excellent punk junk howl" and was played on John Peel's BBC Radio 1. We shall hopefully continue to see them rip up the roots of this bland desolate music industry.

Clan of Xymox with Ronny Moorings in conversation with David Eastaugh

Clan of Xymox, also known as simply Xymox, are a Dutch rock band formed in 1981. Clan of Xymox featured a trio of songwriters – Ronny Moorings, Anka Wolbert, and Pieter Nooten and gained success in the 1980s, releasing their first two albums on 4AD, before releasing their third and fourth albums on Wing Records and scoring a hit single in the United States. Their 1980s releases included synthpop/electronic dance music. The band is still active, continuing to tour and release records with Moorings the sole remaining original songwriter.