C86 Show - Indie Pop

Jay Collins in conversation with David Eastaugh 

https://ryvvolterecords.bandcamp.com/

https://ryvvolterecords.storenvy.com/

https://www.facebook.com/RyvvolteRecords/

https://katecollinsart.bigcartel.com/

Hardcore Punk label based in Philadelphia. Formed in 2014, ran by Jay & Kate Collins.

Justin K Broadrick in conversation with David Eastaugh

https://jesu.bandcamp.com/

https://avalancherecordings.bandcamp.com/

https://www.facebook.com/officialgodflesh

Best known as the lead singer and a founding member of the band Godflesh, followed by Jesu.

He was briefly in the English grindcore band Napalm Death when he was a teenager in the mid-1980s, writing and recording guitar for their debut album, Scum. Broadrick has also maintained a parallel career as a producer, producing records and remixes. Since the 1990s he has worked with Kevin Martin as Techno Animal an electronic music project based in a fusion of industrial, dub, ambient and hip hop, which disbanded in 2001 and was reactivated in 2017 under the new name Zonal. Since 2012, he has been releasing hard techno music under the solo moniker JK Flesh. Broadrick has set up record labels such as HeadDirt, Avalanche Recordings, Post Mortem Productions (briefly renamed Uprising Productions), Lo Fibre and Heartache.

Gerard Evans in conversation with David Eastaugh

https://www.facebook.com/flowersinthedustbinofficial/?locale=en_GB

http://anarchoscene.blogspot.com/2011/07/flowers-in-dustbin.html

Lloyd James in conversation with David Eastaugh

English punk rock band formed in 1977. An openly left-wing and anti-fascist band, they performed at rallies for Rock Against Racism and the Anti-Nazi League, and at Right to Work marches.

https://naevus.bandcamp.com/

Naevus is a British experimental rock group. Formed in London in 1998 by Lloyd James (vocals, acoustic guitar) and Joanne Owen (bass, accordion), Naevus were often categorised as part of the ‘neo-folk’ genre. Their music has also drawn comparison with acts such as Swans and Wire, and often includes elements of industrial music. 

Chris Low in conversation with David Eastaugh

https://optimomusic.bandcamp.com/album/cease-resist-sonic-subversion-anarcho-punk-in-the-uk-1979-86

https://www.facebook.com/chris.low1

https://i-d.vice.com/en/article/evn3ej/up-yours-photographing-tokyos-punk-scene?fbclid=IwAR1JkBfS_EYSwXnslemly7Wcjm2bz13VUIW3YJUHjclnzttSL578lN_RU0I

‘Cease & Resist - Sonic Subversion & Anarcho Punk In The UK 1979-1986’ examines the anarcho-punk scene from the end of the Seventies to the mid-Eighties. Differentiating from conventional punk chiefly because of the explicit political messaging contained therein, but also because of some incredible musical experimentation by many of its acts, this flourishing underground scene threw up real gems all but unknown to the mainstream. This eighteen track collection gathers up just a handful of them, with tracks by Poison Girls, Flux Of Pink Indians, The Ex, Chumbawamba (long before ‘Tubthumping’!), scene godfathers Crass, and many more.

Cathi Unsworth in conversation with David Eastaugh

http://www.cathiunsworth.co.uk/

As Margaret Thatcher enters 10 Downing Street, a handful of bands born of punk - Siouxsie and the Banshees, Joy Division and the Cure - find a way to distil the dissonance and darkness of the shifting decade into a new form of music. Pushing at the taboos the Sex Pistols had unlocked and dancing with the fetishistic, all will become global stars of goth.

By the time Thatcher is cast out of office in 1990, the arrival of goth will have imprinted on the cultural landscape as much as the Iron Lady herself.

Now, forty years since its inception, author Cathi Unsworth provides the first comprehensive overview of the music, context and lasting legacy of goth. This is the story of how goth was shaped by the politics of the era - from the miners' strikes and privatisation to the Troubles and AIDS ­­- as well as how its rock 'n' roll outlaw imagery and innovative, atmospheric music cross-pollinated throughout Britain and internationally, speaking to a generation of alienated youths.

Shawn Stern in conversation with David Eastaugh

https://punkrockbowling.com/

Youth Brigade has released five studio albums of which the last was released in 1996. Almost each album was recorded with the original lineup of the Stern brothers (Mark, Adam and Shawn); bassist Bob Gnarly replaced Adam in 1985 during the recording of The Dividing Line, which was released as The Brigade. Adam returned in 1991 (when the band reunited) and contributed to the band's 1992 EP Come Again and their next two albums (Happy Hour and To Sell the Truth) before leaving once again in 2007.

Vinnie Fiorello & Melanie Kaye in conversation with David Eastaugh

https://www.thepunkrockmuseum.com

It’s been 45+ years since punk rock pogo’d its way into music, fashion, film, and popular culture. April 1st, 2023, The Punk Rock Museum in Las Vegas opens its doors and proudly shoves in your face the history, culture, and absurdity of rock n’ roll’s bastard step-child. This museum invites lifelong fans and curious looky-loos of all ages to experience a hands-on, uniquely punk rock experience.

Hugh Vivian - Omega Tribe - in conversation with David Eastaugh

https://omegatribe.bandcamp.com

Omega Tribe are an anarcho-punk band,  in 1981. With the roles of Hugh Vivian on guitar and vocals, Daryl Hardcastle on bass, Pete Fender on guitar and Pete Shepherd on drums, their first EP, Angry Songs, was produced by Penny Rimbaud and Pete Fender for Crass Records in 1982.

Their subsequent LP, No Love Lost,  won the hearts of many hardened anarchos and secured their place in anarcho-punk history. A far more melodic style, encouraged by producer and new guitarist Pete Fender created a highly influential template that many other bands were to build on.

Paul Roessler in conversation with David Eastaugh

https://paulroessler1.bandcamp.com

American musician and record producer. Roessler was a prominent member of the L.A. punk scene during the late 1970s and 1980s. He played keyboards in bands such as The Screamers, Twisted Roots, 45 Grave, Nervous Gender, SAUPG, Geza X and the Mommymen, Mike Watt and the Secondmen, Nina Hagen and The Deadbeats. Roessler has also released solo recordings such as "Abominable," "Curator," "The Arc," "6/12" and a rock opera entitled "Burnt Church" with Jeff Parker. He currently works as a record producer at Kitten Robot Studios in Los Angeles, California.

Colin Latter - Flux of Pink Indians - in conversation with David Eastaugh

The band formed in Hertfordshire, England in 1980 from the remaining members of The Epileptics (who during the first half of 1979 changed their name to Epi-X, owing to letters of complaint from The British Epilepsy Association) by Colsk Latter (vocals) and Derek Birkett (bass guitar) with guitarists Andy Smith, Neil Puncher, and drummer Sid Ation (who was also a member of Rubella Ballet).

The group signed with the Crass Records label in 1981. Their debut EP Neu Smell was released on Crass in 1981; it featured indie hit "Tube Disaster".^[1] Flux of Pink Indians continued in 1982 with the album Strive to Survive Causing Least Suffering Possible released on their own label, Spiderleg.

They released a second album in 1983, The Fucking Cunts Treat Us Like Pricks; this was banned by many British retailers, and copies were seized by Greater Manchester Police from the Eastern Bloc record shop, which was charged with displaying "Obscene Articles For Publication For Gain".

Ation left the group to work full-time with his other band Rubella Ballet, and was soon replaced by Bambi, formerly of Discharge, while Smith was replaced by Simon Middlehurst. However, both departed quickly for their original band, The Insane.^[1] While auditioning for their replacements, Puncher also left; the line-up was completed by former Darlex and Epileptics guitarist Kev Hunter, and drummer Martin Wilson. An extensive interview with the band appeared in No Class fanzine.

By 1986, the band had shortened their name to Flux; in that year they released their third album, Uncarved Block, which was produced by Adrian Sherwood and featured several members of the On-U Sound Records label.

Dorothy Max Prior in conversation with David Eastaugh

Discussing her new book - 69 Exhibition Road

https://www.roughtrade.com/gb/product/dorothy-max-prior/69-exhibition-road

Dorothy Max Prior is a writer and artist living in Brighton. In other lives, Max was a punk muse, post-punk drummer, and exotic dancer. Somewhere along the way, she has taught ballroom dancing and toured the world as a street theater performer, choreographer, director, and cabaret dancer.

Honey Bane in conversation with David Eastaugh

http://www.honeybaneofficial.com

Honey Bane began her musical career at the age of 14 in 1978 when she formed the punk rock band the Fatal Microbes.^[2] The band released a split 12" record with anarcho-punkband Poison Girls the same year. The first single, "Violence Grows" garnered some press attention and was given positive reviews by the British music paper Sounds.

After the 1979 breakup of the Fatal Microbes, and a stint in a juvenile detention facility that garnered more press attention, Bane began a collaboration with Crass, while she was on the run from the Social Services after serving a sentence at the St. Charles Youth Treatment Centre in Essex.^[4] Lending lead vocals and backed by the band under the name Donna and the Kebabs, Crass released the EP You Can Be You in 1979. It was the debut release on Crass' newly found label, Crass Records.

In 1981, Bane began collaborating with her then manager, Jimmy Pursey. The collaboration resulted in a new single, "Turn Me On Turn Me Off" which peaked in the UK Singles Chart at No. 37,^[1] and Bane subsequently appeared performing the single on Top of the Pops. "Turn Me On Turn Me Off" marked a musical departure of Bane from punk rock to a new wavesound.

Patrick O'Neil - Anarchy At The Circle K - in conversation with David Eastaugh 

Anarchy At The Circle K is literally a punk tour-de-force. An in your face gut-wrenching, and at times humorous, tale of Patrick O’Neil’s stint as a roadie, road manager, and drug addict during punk’s heyday of the 1980’s. Crisscrossing the highways of America, on tour with such influential punk bands as Dead Kennedys, TSOL, Flipper, and Subhumans. O’Neil writes a brutally honest and no holds barred memoir depicting the sleepless nights behind the wheel, never-ending string of decrepit night clubs, a plethora of ruthless promoters, depressing dressing rooms, copious amounts of cheap beer, clandestine drug buys, riotous crowds, intense violence, inadvertent OD’s, and seedy motel one night stands. This book is an insider’s look at life on the road from back in the day and you’re along for the ride.

Matt Cornish- Thatcher on Acid - in conversation with David Eastaugh

Thatcher on Acid were an English anarcho-punk band. They formed in Somerset during 1983. Their name is a satirical reference to former UK prime minister Margaret Thatcher. Ben Corrigan, Bob Butler and Andy Tuck also played in Schwartzeneggar with ex-Crassmember, Steve Ignorant. The band opened the anarcho-punk band Conflict's "Gathering of the 5000" show at Brixton Academy, an event which resulted in many arrests and achieved a degree of infamy.

Steve Lake - Zounds - in conversation with David Eastaugh

The band were formed around the nucleus of Steve Lake from Reading, Berkshire and evolved from a number of jamming sessions with other musicians and friends in Oxford, taking in influences from the Velvet Underground to the Sex Pistols. The band began performing gigs in 1977/78 with a line-up of Steve Lake (vocals/bass), Steve Burch (guitar) and Jimmy Lacey (drums), adding Nick Godwin (guitar)^[1] at their second gig – adopting the name 'Zounds', chosen from a dictionary by Burch

Dunstan Bruce - Chumbawamba - in conversation with David Eastaugh

https://www.aiiy.co.uk

Chumbawamba formed in Burnley in 1982 with an initial line-up of Allan "Boff" Whalley, Danbert Nobacon (born Nigel Hunter), Midge and Tomi, all four previously members of the band Chimp Eats Banana, shortly afterwards joined by Lou Watts

Rob Miller - Amebix & Tau Cross - in conversation with David Eastaugh

https://www.castlekeep.co.uk

English musician and swordsmith. Beginning his musical career in 1978, he is primarily known as the lead vocalist and bass player of pioneering crust punkband Amebix. He also plays in the international supergroup Tau Cross.

Andy Moor - The Ex &The Dog Faced Hermans - in conversation with David Eastaugh 

Moor began his musical life in Edinburgh, Scotland playing guitar with Dog Faced Hermans, an eclectic group that mixed post-punk energy with traditional tunes and improvisations. In 1990 he moved to the Netherlands after an invitation to join Dutch band The Ex. In 1995 he began another group, Kletka Red with Tony Buck Joe Williamson and Leonid Soybelman, fusing traditional klezmer, Greek and Russian songs with their own styles of playing.

Christian Hayes or Bic Hayes special - Dark Star, Levitation & Ring - in conversation with David Eastaugh

Bic Hayes, is an English rock guitarist, singer and songwriter. Best known as the frontman of Dark Star and guitarist with Levitation, he has also released solo material as Mikrokosmos, which was produced by Tim Smith.

Hayes first appeared on the south London psychedelic rock scene in the mid-1980s: by 1988 he was playing guitar with Ring, moving on to become bass player with The Dave Howard Singers in 1989. In the same year he joined Cardiacs as second guitarist, replacing departing saxophonist Sarah Smith. Hayes would appear as part of the band on their All That Glitters is a Mare's Nest live album and video: he would also make writing and recording contributions to their studio album Heaven Born and Ever Bright. During this period, he also worked on an intermittent thrash rock project called Panixphere.