C86 Show - Indie Pop

Paloma McLardy  in conversation with David Eastaugh

https://www.punkspalmolive.com/

Spanish drummer and songwriter who was a member of influential early punk bands. She founded the Slits toward the end of 1976. After leaving that group in 1978, she joined the Raincoats and performed on their first album, The Raincoats.

Deena Shoshkes in conversation with David Eastaugh

http://www.thecucumbers.net/

Old Shoes, The Cucumbers’ first collection of new material in almost two decades, although band mainstays Jon Fried and Deena Shoshkes have released several albums and singles of new music in the interim - Deena as a solo artist, Jon and Deena together in the NJ indie pop all-star ensemble The Campfire Flies. This is sent for your editorial use; please don't post or share. The Cucumbers were key figures on the Hoboken jangle pop scene of the 80s, whose catchy, quirky, danceable songs brought them a burst of national attention, and they remain a vital part of their local music scene.

Robin Dallaway in conversation with David Eastaugh

https://silverlakemusic.bandcamp.com/

The Very Things were an English Dadaist post-punk band from Redditch, Worcestershire, England, formed in 1983 and active until 1988. 

The Cravats - A neo-dadaist group from Redditch, UK, formed in March 1977. Guitarist / vocalist Martin Seys left the band early and drummer Ethos Yapp left after the recording of first single 'Gordon'. From there on, the 'classic' line up of The Shend, Robin Raymond Dallaway, Svor Naan and Dave Bennett managed to release six more singles and two full albums (most of them on Small Wonder; some appeared in the indie charts Top 30), interspersed with some dada happenings. Between July 1979 and November 1982, they were also asked to make four sessions for the legendary John Peel radio show. 

Wayne Hussey in conversation with David Eastaugh

https://themissionukband.com/home

Book - Heady Daze The Mission Years 1985-1990

Graham Parker in conversation with David Eastaugh

https://www.grahamparker.net/Home.html

In the spring of 1975, Graham Parker, a 24-year-old petrol pump attendant from Surrey, England, began to drive up to London to meet like-minded musicians and get a backing band behind his songs, which he now considered to be stronger and more interesting than anything he was hearing on the radio. By placing an advert in the Melody Maker he met Noel Brown, a guitarist, and Paul “Bassman” Riley, a bass player who had featured in Chilli Willi and The Red Hot Peppers, a so- called “pub rock” band that had recently split up. Riley thought Parker should meet Dave Robinson, a manager who ran a small studio above the Hope and Anchor pub in Islington. Robinson had previously managed Brinsley Schwarz, another demised pub rock outfit that included its eponymous guitarist, Nick Lowe on bass and Bob Andrews on keyboards. 

Annie Hogan  in conversation with David Eastaugh

https://annihogan.co.uk/

https://annihogan.bandcamp.com/

Annie Hogan studied piano before attending Leeds University in 1979 to study politics. It was while in Leeds she met Marc Almond and Dave Ball at a local music venue. In 1980, Hogan took a year out and began DJing and promoting in local clubs. Some of her first bookings were bands like Soft Cell and the Human League. Later in London, she met Matt Johnson from the The who introduced her to Simon Fisher Turner who she began recording with on an album titled Deux Filles. It was this recording that began her working relationship with Almond, after he had heard Hogan playing on the album. Almond then asked her to collaborate on his solo material. Her first ever live concert was performing with an early line up of Marc and the Mambas at the Theatre Royal, Drury Lane. The line up consisted of Hogan, Almond and Matt Johnson.

Vinita Joshi  in conversation with David Eastaugh

https://rocketgirl.co.uk/

Rocket Girl has evolved over two decades to become one of the UK’s most innovative and eclectic small independent labels, providing a home for a whole spectrum of alternative artists, new and established: Television Personalities, Cocteau Twins’ Robin Guthrie, Füxa, A Place to Bury Strangers, Piano Magic, God is an Astronaut, to name just a handful.

Allan Jones Allan Jones  in conversation with David Eastaugh

https://www.bloomsbury.com/uk/too-late-to-stop-now-9781448218257/

Alexander Hacke & Danielle de Picciotto in conversation with David Eastaugh

https://www.hackedepicciotto.de/

https://www.youtube.com/watch?v=zcpB_TGQIOg

Roxane Jessi in conversation with David Eastaugh

https://www.roxanejessi.com/

Thirty-five years into the Burning Man movement, there are now over 100 annual events around the world. In 2018, aid worker Roxane Jessi set out to experience seven of these events firsthand, to get to the heart of a culture that is creating community in a disconnected world. Her journey spanned five continents, from Afrikaburn to Black Rock City, Blazing Swan to Burning Japan, Fuego Austral, Midburn and Nowhere. This is the story of that eye-opening odyssey, and the first book of its kind to provide a glimpse into Burning Man's eclectic Regional Network.

David Cousins in conversation with David Eastaugh

https://strawbsweb.co.uk/index0.asp

Founded in 1964 as the Strawberry Hill Boys. The band started out as a bluegrass group, but eventually moved on to other styles such as folk rock and progressive rock.

They are best known for their hit "Part of the Union", which reached number two in the UK Singles Chart in February 1973, as well as for "Lay Down", a popular progressive rock hit from the same LP. Strawbs toured with Supertramp in their "Crime of the Century" tour, doing their own "Hero and Heroine" tour, which drew musical similarities and themes.

Wreckless Eric in conversation with David Eastaugh

https://www.wrecklesseric.com/#/

https://www.tapeterecords.de/artists/wreckless-eric

English rock/new wave singer-songwriter, best known for his 1977 single "Whole Wide World" on Stiff Records. More than two decades after its release, the song was included in Mojo magazine's list of the best punk rock singles of all time. It was also acclaimed as one of the "top 40 singles of the alternative era 1975–2000".

Daniel Jeanrenaud in conversation with David Eastaugh

https://thekingsnakes.bandcamp.com/album/live-at-the-old-waldorf-june-5-1981

THE KINGSNAKES – Live at the Old Waldorf: June 5, 1981 A wild and dangerous rockabilly band! That's what the Kingsnakes were in San Francisco in 1980, part of a local music scene comprised of punk, new wave, and hard rock acts. Led by Frenchman Daniel Jeanrenaud, a fervent disciple of Gene Vincent, the Kingsnakes also featured James Ferrell (guitar), Ze Moita (bass), Danny Mihm (drums) and Karl Malinowski (guitar). This previously unreleased live set captures the band opening for Robert Gordon at the Old Waldorf, just a few months before they supported Chuck Berry at the same venue. Local KALX deejay Terry Hammer was on hand to record the raucous soundboard mix. The final two songs on this album are bonus studio sessions. Live at the Old Waldorf: June 5, 1981, is part of Liberation Hall’s ongoing “Sounds from the San Francisco Underground” series.

Tymon Dogg in conversation with David Eastaugh

https://tymondogg.bandcamp.com/album/battle-of-wills-expanded-edition

https://tymondogg.uk/

English singer-songwriter and multi-instrumentalist. Dogg's career started early with shows at the Cavern and Peppermint Lounge in Liverpool when he was 15. As well as pursuing a solo career, he collaborated with many bands and musicians including The Clash, and was a member of Joe Strummer's last band, The Mescaleros.

Simon Dunford in conservation with David dEastaugh

https://linktr.ee/thebardots?fbclid=IwAR1eMGHnZPfEonJDLYhND6EJnW1S68i0qj_o0pNgtBFdhD4lFNBDENNDXXk

Greg Jarvis in conversation with David Eastaugh

https://www.flowersofhell.com/

https://flowersofhell.bandcamp.com/album/keshakhtaran

The Flowers of Hell are a transatlantic experimental orchestra made up of a revolving line-up of 16 or so independent musicians based in Toronto and London. Their mostly instrumental sound builds bridges between classical music and post-rock, shoegaze, space rock and drone music, often resulting in their being described as an orchestral extension of the work of The Velvet Underground and Spacemen 3. They are led by synesthete composer Greg Jarvis. Much of their repertoire is an exploration of the timbre-to-shape synesthesia that causes Jarvis to involuntarily perceive all sounds as floating abstract visual forms.

Tommy Stinson in conversation with David Eastaugh

https://www.tommystinson.com/

Stinson's latest venture is Cowboys in the Campfire. A duo with Chip Roberts, their debut album ‘Wronger’ is perhaps the most ‘American' album he has ever made, its ten songs riding a giddy trail of twang and grit, melody and (mostly lyrical) mayhem. The very first song, ‘Here We Go Again’, sets the tone; Stinson on ukulele, singing about the ardours of creativity, while horns swell and the only hint of percussion is from the tapping of feet by the musicians in the room. Stark and immediate, it is like sitting smack in the middle of a maelstrom.

Ginger Coyote inn conversation with David Eastaugh

White Trash Debutante deals with issues of gender equality and transcendence. The band's original line-up featured thirteen musicians, including lead vocalist Ginger Coyote, vocalists Ariana Uptime and Cindy Uptime, vocalist Roy Wonder, bassist Billy Gould, drummer Michael Crawford, guitarist Jay Crawford, trumpet player Terra Leong, harmonica player Jon Sugar, as well as Jennifer Blowdry, Dean Thomas. White Trash Debutante played its first show on August 30, 1986 at The Stone in San Francisco, opening for Devine.

One critic wrote: "Punk rock has always had its socio-political agitators as well as bands that simply wanted to entertain; White Trash Debutantes are a perfect example of the latter."

Blag in conversation with David Eastaugh

https://thedwarves.com/

https://thedwarves.bandcamp.com/album/blag-dahlia-introducing-ralph-champagne

Formed as a garage punk band under the name Suburban Nightmare, their career subsequently saw them move in a hardcore direction before settling into an eclectic punk rock sound emphasizing intentionally shocking lyrics. They have been described as "one of the last true bastions of punk rock ideology in the contemporary musical age".

Audrey Golden  in conversation with David Eastaugh

https://www.audreyjgolden.com/

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance.

The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda.

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance.

The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda.