C86 Show - Indie Pop

Richard Witts in conversation with David Eastaugh

The Passage were a post-punk band from Manchester, England, who appeared on several record labels including Object Music, Cherry Red Records, and their own label Night & Day, a subsidiary label to Virgin Records.

https://richardwitts.com/

Joe Dilworth in conversation with David Eastaugh

https://bildbandberlin.com/products/joe-dilworth-everything-all-at-once-forever?srsltid=AfmBOop7qFncpNI6g3QxwWIi_P1wOGycmFmfMmgE2wP6t9pW7Egjs87v

http://joedilworth.com/

Th' Faith Healers were an English indie rock band who were originally active between 1990 and 1994. They recorded multiple EPs and singles along with two full LPs

Andrew Reich, Jeffrey McDonald & Steve McDonald in conversation with David Eastaugh

https://www.reddkrossfilm.com/

https://reddkross.com/

From inventing Beach Punk to influencing the Grunge and Hair Metal movements, Redd Kross have maintained the highest level of musical integrity, originality and quality for over forty years.

Alan Clayson in conversation with David Eastaugh

https://alanclayson.com/

https://alanclayson.bandcamp.com/album/ancient-and-modern-highlights-of-half-a-century-2

Singer-songwriter, author and music journalist. He gained popularity in the late 1970s as leader of the band Clayson and the Argonauts. In addition to contributing to publications such as Record Collector, Mojo and Folk Roots, he subsequently established himself as a prolific writer of music biographies. Among his many books are Backbeat, which details the Beatles' early career in Germany, Ringo Starr: Straight Man or Joker?

Christina Bulbenko & Rex Broome in conversation with David Eastaugh

https://bigstirrecords.com/the-armoires

https://thearmoires.bandcamp.com/

The new record from the Burbank, CA indie pop quintet represents both a fresh start and the distillation of the potential inherent in their unique sound – somewhere between the sunshine pop of the '60s, the college rock jangle of the '80s and the Sarah Records/C86 chamber pop aesthetic of the '90s – and a lyrical approach that's always felt untethered to any one era or place. They've even put a name to the soundscape they inhabit: Octoberland, both the title of their forthcoming album (appropriately due on October 11, 2024) and a destination frequently referenced in its songs.

Leah Kardos in conversation with David Eastaugh

https://www.leahkardos.com/

https://www.amazon.co.uk/Kate-Bushs-Hounds-Love-33/dp/B0CYP75PF3

Peter Kelly in conversation with David Eastaugh

https://beerjacket.bandcamp.com/

Beerjacket is Scottish singer/songwriter, Peter Kelly, who has opened for The National, St Vincent, Kristin Hersh & Frightened Rabbit.

In 2018, Scottish Fiction released album/book of songs & short stories, Silver Cords, leading to an appearance at Edinburgh International Book Festival, a sold-out show with Cairn String Quartet at Celtic Connections, & radio play from BBC Radio 6 Music and KEXP.

Kazuko Hohki in conversation with David Eastaugh

https://www.kazukohohki.com/

https://www.cherryred.co.uk/frank-chickens?srsltid=AfmBOooDDNlbGuF-rplim_W0Q1z4FFliWJ_ehN3sGCtlLFB0W4kpAGNM

Frank Chickens are a Japanese musical group based in London, who have performed songs mainly in English since 1982.

They were nominated for the 1984 Edinburgh Comedy Award for their performance at the Edinburgh Festival Fringe. In the same year, their single "Blue Canary" was number 42 in BBC DJ John Peel's Festive Fifty, a poll of his listeners' favourite tracks of the year. The band recorded 28 songs over five sessions for Peel between 1983 and 1989.

In 1989 they hosted a television chat show on Channel 4 entitled Kazuko's Karaoke Klub.

One of the founders of the group, Kazuko Hohki performs as a theatre artist and performance artist. She also sang with the group Kahondo Style who released 'My Heart’s In Motion' (1985) and 'Green Tea and Crocodiles' (1987). She is married to record producer Grant Showbiz.

Joe McKecknie in conversation with David Eastaugh

The Passage were a post-punk band from Manchester, England, who appeared on several record labels including Object Music, Cherry Red Records, and their own label Night & Day, a subsidiary label to Virgin Records.

https://ra.co/dj/joemckechnie/biography

Kristi Callan in conversation with David Eastaugh

Vocalist and rhythm guitarist originally from Texas. Kristi Callan has performed with Wednesday Week, David Gray, Wondermints, Cruzados, Dave Davies, The Ventures, Big Soul, Lucky, The Roswell Sisters and others. 

Founders of the band were the sisters Kristi and Kelly Callan—daughters of actress K Callan. The sisters formed their first group, The Undeclared, in 1979. The duo evolved into a trio, Goat Deity, in 1980, when they were joined by Steve Wynn. Wynn left to concentrate on his other band, The Dream Syndicate, and Kjehl Johansen (of The Urinals) joined on bass guitar, with the band name changing again to Narrow Adventure. With David Provost replacing Johansen in 1983, the band became Wednesday Week (named after the Undertones song), and they released their debut EP, Betsy's House, later that year.^[1][2] Further lineup changes followed, with Provost being replaced by Heidi Rodewald at the end of 1983, and Tom Alford joining on lead guitar in early 1984. In 1985, David Nolte (of The Last) replaced Alford, giving the band its most stable lineup.

Katell Keineg in conversation with David Eastaugh

https://katell.keineg.com/news

https://westhampsteadarts.com/nightery_event/katell-keineg/

Katell Keineg was born in Brittany and was brought up first there and then in Wales.  After graduating from the London School of Economics she moved to Ireland and started gigging, before re-locating to New York in 1992.  She was quickly embraced by the scene around St Mark’s Place’s now legendary Sin-é, building her reputation for ‘conveying a nearly beatific sense of joy in performance’ (Los Angeles Times).  In 1993 she released a seven-inch single, ‘Hestia’ – ‘arcane and beautiful, one of the most extraordinary songs’ (Mojo) – on Bob Mould’s SOL Records label.  That same year, Keineg sang on Iggy Pop’s American Caesar.  He passed a copy of ‘Hestia’ on to Elektra Records, which led to a deal with the label and the release of her acclaimed debut album Ô Seasons Ô Castles in 1994.  

Mike West in conversation with David Eastaugh

The band members had little in common with most Manchester bands. Goody was a graduate of Winchester School of Art. Vincent had been an art critic and painter. Seal, a Glaswegian, was a classically trained musician who had run an art gallery. And West, who wrote the songs, was the Australian-born son of the author Morris West.

The band played many gigs at the Boardwalk club, in Manchester, where they recorded their Big Noise live album in 1989.

West moved to New Orleans to pursue a solo career in the early 1990s.

Jakko Jakszyk in conversation with David Eastaugh

https://kingmakerpublishing.com/jakko-m-jakszyk/

Jakko M. Jaksyzk is an award-winning, world-renowned musician, best known for having been a member of Level 42, but most recently, for the past 13 years, lead singer and guitarist with progressive rock founding fathers King Crimson.

Who’s The Boy With The Lovely Hair? is, at first glance,  a traditional rock’n’roll memoir, charting Jakko’s long and varied musical career, packed with eyebrow-raising and hilarious anecdotes about his encounters with everyone from Michael Jackson to Kate Bush and Gene Simmons, Uri Geller, Cliff Richard and the Dali Lama.  Dig a little deeper, however, and it soon becomes clear that this autobiography is much more than that.

Who’s The Boy With The Lovely Hair? is an almanac of entertaining tales from the mid-20th century rock’n’roll, theatre and alternative comedy trenches, all told with great wit and charm.

This is a book about origins, identity and who we become.   It tells the story of an abandoned child who became lost in dreams of becoming a musician and who, with determination, talent and a slice of luck,  ended up working with their childhood heroes. 

Bill Leeb in conversation with David Eastaugh

http://www.mindphaser.com/

https://frontlineassembly.bandcamp.com/album/model-kollapse

Electronic musician and record producer. He is best known for being a founding member of the industrial music group Front Line Assembly and Delerium.

Leeb began his musical career with industrial band Skinny Puppy in 1985 under the pseudonym Wilhelm Schroeder, contributing bass synth and occasional backing vocals to a few of their recordings and concerts. He left in 1986 and formed his own industrial project Front Line Assembly with Michael Balch, and later Rhys Fulber and Chris Peterson.

Ian Christie  in conversation with David Eastaugh

https://khartomb.bandcamp.com/album/swahili-lullaby-teekon-warriors-daisy-high-before-i-die-edition

https://www.khartomb.com/

https://www.youtube.com/khartomb

Khartomb were an English reggae-influenced independent group inspired by The Slits, among other widely-varying sounds of the era, who started up in the 1981 timeframe and featured songwriters Ian Christie (guitar) and Caroline Clayton (bass, vocals, flute), as well as originally Simon (General Gordon) on drums (later on percussion), augmented by Ali Barnes, and Paula Crolla and Karen (surname undisclosed) on vocals. Their only release was a 7 inch on Whaaam! Records, a label run by Dan Treacy of Television Personalities (Swahili Lullaby b/w Teekon Warriors) with Caroline on vocals for Swahili Lullaby, and Paula singing Teekon Warriors. After having been dormant since the early 1980s, Ian and Caroline reformed in the mid-2010s, up through 2019.

Chris Sullivan in conversation with David Eastaugh

https://www.thesullivan.net/home

https://www.cherryred.co.uk/blue-rondo-bees-knees-and-chicken-elbows-expanded-2cd-edition?srsltid=AfmBOop68rFMyboq_cMuXbKfDxStVOacJIeB2YGuD-iZUNlgpTsdKf9E

Blue Rondo à la Turk was a floating collective of jazz and salsa oriented musicians, created by singer/lyricist Chris Sullivan who arrived in London from Merthyr Tydfil in the mid 1970s. His stated goal for the band was "to bring back show biz".

In the band’s first interview, Sullivan said of their sound: “Call it Latin American jazz with funk and African leanings – plus a few others because all of us have adventurous musical tastes.” Sullivan co-wrote most of the band's original material; he also painted the distinctive cubist art that adorned most of the band's releases.

Mike Batt in conversation with David Eastaugh

https://www.mikebatt.com/

https://www.amazon.co.uk/Closest-Thing-Crazy-Musical-Adventures/dp/1785120840

Described variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures.

For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent.

After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just the beginning as he then went on to work with various artists as a songwriter, composer and producer, including Art Garfunkel, George Harrison, Cliff Richard, Andrew Lloyd-Webber and Katie Melua.

Featuring cameos from some of the biggest stars in the business from Paul McCartney to Prince, The Closest Thing to Crazy takes us not only on the rocky (and classical) journey of Mike Batt's life but also on a tour around the inside of his mind.

Paul Rutner in conversation with David Eastaugh

Mumps were a popular band at clubs such as Max's Kansas City and CBGB. They also performed at Irving Plaza and Maxwell's (Hoboken, New Jersey), and opened for the Ramones at Hurrah in August 1978. Their concerts were lively and featured energetic, expressive performances from Lance Loud and other band members on songs like "We're Americans", "I Believe In Anyone But You", "Strange Seed", "Brain Massage", "Scream and Scream Again".

Their first 45 record single was "I Like To Be Clean", backed by "Crocodile Tears" on Bomp Records. Their second was "Rock & Roll This & That" with two B-sides: "Muscleboys" and "That Fatal Charm". The recorded version of "Rock & Roll This & That" interpolated a short guitar riff from the Rolling Stones' "(I Can't Get No) Satisfaction", but in live performances, they would interpolate other riffs such as David Bowie's "Rebel Rebel". In spite of these two independently produced singles, they failed to secure a contract with a major record label, notably being told "'We don’t want ‘the gay band'" by A&M

David Bash in conversation with David Eastaugh

https://internationalpopoverthrow.com/

The festival is dedicated to bring classic pop music to the public, and is run by CEO and founder David Bash and Rina Bardfield. Although the festival has over the years featured several major label acts, such as Phantom Planet, Maroon 5 (under their previous incarnation, Kara's Flowers), and The Click Five, Bash tries to maintain the grassroots feel of the festival by featuring primarily unsigned bands, and presenting them in a festival platform with similar minded artists.

Jez Willis in conversation with David Eastaugh

http://utahsaints.com/

Utah Saints were described as "the first true stadium house band" by the KLF's Bill Drummond, though their music is difficult to place into one genre. The dance group originally met as music promoters and DJs for the Mix Nightclub in Harrogate in the early 1990s. They began as MDMA, featuring two former The Cassandra Complex members Jez Willis and Keith Langley, along with Bobby Rae and guitarist Martin Scott. Willis started The Utah Saints with the addition of Tim Garbutt