C86 Show - Indie Pop

Dolan Hewison in conversation with David Eastaugh

https://www.au-turn.com/about

The band recorded three sessions for John Peel's radio show, the first two of which were compiled onto an album, The Peel Sessions in 1991. Their song "Big" also reached No. 14 in the Festive Fifty in 1990 and featured on the influential 1990 compilation album Happy Daze. Their lone charting success in the United States was the single "Stockholm", which reached No. 30 on the Billboard Modern Rock charts in 1993.

Naomi Yang in conversation with David Eastaugh 

https://www.naomivision.com

https://www.damonandnaomi.com

Yang was bassist and occasional vocalist with noted dreampop band Galaxie 500 on all their recordings from 1987 until their split in 1991. She then recorded three albums and toured with the psychedelic rock band Magic Hour. Since Galaxie 500's split she has worked as duo with her partner Damon Krukowski as Damon and Naomi

Alice Bag in conversation with David Eastaugh 

https://alicebag.com

American punk rock singer better known as Alice Bag. She is the lead vocalist and co-founder of the Bags, one of the first punk bands to form in Los Angeles in the mid-1970s. Her first book, Violence Girl: From East LA Rage to Hollywood Stage, tells the story of her childhood in East Los Angeles, her eventual move to Hollywood, and the euphoria and fallout from the first punk wave.

Bag has remained active in music since the late 1970s and released her second book in 2015. She released Alice Bag, her debut solo album on Don Giovanni Records in June 2016. A second solo album, Blueprint, was released in 2018, followed by 2020's Sister Dynamite.

Mark "Wiff" Smith in conversation with David Eastaugh

https://www.companyofjustice.com

The original line-up of Play Dead consisted of Rob Hickson (vocals), Pete Waddleton (bass guitar), Mark "Wiff" Smith (drums) and Re-Vox (guitar). In July 1981, Re-Vox was replaced by Steve Green.

During their active years, Play Dead supported a number of acts, including the likes of Killing Joke, The Cult and The Sisters Of Mercy in the UK. They also appeared on Channel 4's music TV show, The Tube in late 1984.

A string of singles were released (many through Stoke-based Clay Records) from late 1983, throughout 1984 and early 1985. Play Dead toured frequently around the UK and Europe and by 1985, felt they had enough material to be able to put out their first ever live album, Into The Fire, which was released in May of that year.

Chris Walton in conversation with David Eastaugh

Their first EP, Just Good Friends, was released on their own Stolen Records label in autumn, 1989. It reached number 18 on the UK Indie Chart. Their second single was "Give In" c/w "Whole Damn Nation" which featured a dance remix of the latter track. The band started headlining their own gigs and became regulars at venues such as the Warehouse in Leeds, The Boardwalk in Manchester and The Leadmill in Sheffield.

Their debut LP "Invisible To You" was a collection of previous Stolen Records releases with two new tracks. It was launched at a home town concert at Leeds Town Hall on 5 July which was also filmed for a video release. Despite its relative lack of new material, "Invisible" sold well and remained in the indie charts for six weeks.

Frank Zincavage in conversation with David Eastaugh

https://recordstoreday.com/SpecialRelease/15813

The band primarily consisted of saxophonist Benjamin Bossi, vocalist Debora Iyall, guitarist Peter Woods, and bassist Frank Zincavage. The band went through four drummers, starting with Jay Derrah and ending with Aaron Smith. The band released three albums, It's a Condition, Benefactor and Instincts, along with one EP. They are best known for the songs "Never Say Never" and "A Girl in Trouble (Is a Temporary Thing)"; the latter became a Top 40 pop single.

Tim Arnold in conversation with David Eastaugh

https://timarnold.co.uk

https://timarnold.bandcamp.com/album/super-connected#

Singer songwriter, film-maker, composer, social activist and founder of Save Soho.

In recognition of his constant change of musical direction, Iggy Pop noted in an interview with NME that Tim’s music reminded him of David Bowie.  Tim scored music for Iggy’s film, Blood Orange, featuring the theme song, “Money Kills Love.”  Tim is also the last artist to collaborate with Bowie and Kate Bush mentor, Lindsay Kemp. Their 2018 video single and live arts installation ‘What Love Would Want’ was inspired by the United Nations’ ‘He for She’ campaign for gender equality and has since sparked a movement for social and human rights in Europe and North America. Tim is an active and vocal LGBTQIA+ ally.

Wesley Doyle in conversation with David Eastaugh

http://jawbonepress.com/conform-to-deform/

Along with Factory, Mute, and Creation, Some Bizzare was the vanguard of outsider music in the 1980s. The label’s debut release reads like a who’s who of electronic music, featuring early tracks from Soft Cell, Depeche Mode, Blancmange, and THE THE, while over the next decade its roster would include artists such as Marc Almond, Cabaret Voltaire, Einstürzende Neubauten, Foetus, Swans, Coil, and Psychic TV.

For a time, Some Bizzare was the most exciting independent record label in the world, but the music is only half of the story. Self-styled label boss Stevo Pearce’s unconventional dealings with the industry are legendary. Sometimes they were playful, other times less so; either way, he was a force to be reckoned with. His preternatural ability to spot talent meant his label was responsible for releasing some of the decade’s most forward-thinking, transgressive, and influential music.

Rob Munk in conversation with David Eastaugh 

https://robmunk.bandcamp.com/album/phased-out

Rob Munk is a singer-songwriter, instrumentalist from the US, whose catchy, thought-provoking music is reminiscent of all the great guitar bands that emerged from the late 80s and early 90s. It’s music that goes back to the roots of neo-folk, alt-county, lo-fi, neo-blues, power-pop, Jangly-rock, and chamber-pop and creates an infectious stream of sing along tracks. Delivered with politically infused lyrics, and off-beat musings, Munk is an accomplished artist, whose music is warmly nostalgic, emphatic and mastered with impeccable professionalism.

Paul Linehan in conversation with David Eastaugh

https://www.frankandwalters.net

Signing for the Setanta label in 1991, the group debuted with the release EP1, and the lead track "Fashion Crisis Hits New York" became an indie hit. The follow-up EP EP.2 was released soon after, which was followed by the band's signing to the Go! Discs label, where The Frank and Walters partnered with producer Edwyn Collins to record the Happy Busman EP. They found success in the UK, and, following a tour in support of Carter USM, an Ian Broudie radio edit of the LP song "After All" reached the Top 20 in the UK Singles Chart, peaking at No. 11. It reached No. 5 in the Irish chart.

Debora Iyall in conversation with David Eastaugh

https://romeovoid.bandcamp.com/album/live-from-mabuhay-gardens-november-14-1980

https://romeovoid.com

American new wave/post punk band from formed in 1979. The band primarily consisted of saxophonist Benjamin Bossi, vocalist Debora Iyall, guitarist Peter Woods, and bassist Frank Zincavage.  The band released three albums, It's a Condition, Benefactor and Instincts, along with one EP. They are best known for the songs "Never Say Never" and "A Girl in Trouble (Is a Temporary Thing)"; the latter became a Top 40 pop single.

Adele Bertei in conversation with David Eastaugh

https://www.adelebertei.com

Bertei began her career playing guitar and singing in the Wolves, her first band with Laughner. She left Cleveland for New York City in 1977 shortly after Laughner died prematurely of complications due to alcoholism.

Bertei quickly became a prominent figure in the no wave art and music scene in NYC, playing Acetone organ and guitar in the original line up of the Contortions fronted by James Chance.

written three books as well. Published in 2013, Bertei’s first book is “Peter and the Wolves” about her friendship with musician Peter Laughner and their journey through the 1970’s underground punk scene. The book was rereleased in 2021. Bertei’s second book, Why Labelle Matters, is about the cultural and musical progress achieved by Patti Labelle and the Bluebelles in the 1960’s. The newest book by Bertei is a memoir titled “Twist: An American Girl.” The release date is set for spring of 2023 with publisher ZE Books.

Larry Stabbins in conversation with David Eastaugh

https://www.larrystabbins.com

Played in the cult pop group Weekend and started writing with its guitarist Simon Booth. This later evolved into Working Week, a band that took a mix of Latin, soul, jazz and funk into the pop charts. From the Latin Jazz Dance scene in London clubs, the band mixed jazz with Latin dance rhythms and vocals by singers such as Juliet Roberts, Julie Tippetts, Robert Wyatt and Tracy Thorn. The band toured extensively in Europe and Japan, performing at most of Europe's major Jazz Festivals and recording five albums for Virgin Records.

Charlie Beddoes in conversation with David Eastaugh

https://www.amazon.co.uk/OVERDRIVEN-story-dirty-sound-ambition-ebook/dp/B0BRNT417C

https://nastylittlelonely.bandcamp.com

Charlie Beddoes is a bass player and vocalist with over 20 years experience in the Music Industry. She was a founder member, songwriter and bass player for 90's rock band Rub Ultra, signed to Virgin Records and Sony Music Publishing.

Julia Gorton in conversation with David Eastaugh

http://www.juliagorton.com/coming-new-products/nowhere-new-york

With a synthesis of imagery, metaphor and feeling, in a space located between attraction and angst, Julia Gorton's photos of New York's No Wave scene, 1976-1980, capture a fleeting time with unique style. 192 pages and 170 photos.

Her beautiful vision of downtown Manhattan, in the moments before AIDS, crack, Disney and condos changed everything forever, focus on subjects including musicians and friends; Debbie Harry, Patti Smith, Tom Verlaine, David Byrne, Lydia Lunch, Iggy Pop, James Chance, Richard Hell, Anya Phillips and many others less well known, but certainly just as memorable. 

Scrote in conversation with David Eastaugh 

https://scrotemusic.com

A press release states [via Rolling Stone] that the 2023 edition will “interpret Bowie’s greatest hits with a special emphasis on Bowie’s Ziggy Stardust proto punk era, his Berlin trilogy records (‘Low’, ‘Heroes’, and ‘Lodger’) and his later Trent Reznor infused years”.

Doug Martsch in conversation with David Eastaugh

https://www.builttospill.com

Martsch's first band was Farm Days, with Andy Capps and Brett Nelson in the early 1980s. His second band was Treepeople, with whom he released three albums and two EPs. He has been the lead singer and guitarist of Built to Spill since 1992

The band signed to Sub Pop in October 2021. On September 9, 2022, the band released their first album of new material since 2015, When the Wind Forgets Your Name.

Thalia Zedek in conversation with David Eastaugh

American singer and guitarist. Active since the early 1980s, she has been a member of several notable alternative rock groups, including Live Skull and Uzi both of which, according to Spin magazine, "made big noise in the underground", and Come. Critic Heather Phares writes that Zedek's music can be defined by "the permanent, aching rasp in her voice, her guitar's bluesy bite, the startlingly clear-eyed lyrics about life and loss."

Andy Blade in conversation with David Eastaugh

Andy Blade relaunched Eater in 2022, playing shows across The UK - an album is planned for release in 2023.

In October 2001, the band's second single, "Thinking of the USA" (originally released in June 1977), was included in Mojo magazine's list of the best punk rock singles of all time. In 1999, the track also appeared on the five-CD box set 1-2-3-4 Punk & New Wave 1976-1979.

Paul Clark in conversation with David Eastaugh

https://www.thebolshoibrothers.com

The original lineup consisted of singer/guitarist Trevor Tanner, drummer Jan Kalicki, and bassist Graham Cox. Tanner and Kalicki had previously played together in the short-lived punk band Moskow. Early gigs supported the likes of the Cult, the March Violets and the Lords of the New Church. After eight gigs bass player Graham Cox was replaced by Nick Chown. In 1985, the band released their debut single, "Sob Story", followed by the mini-album, Giants, and their hit song "Happy Boy". Word of mouth was such that the Bolshoi were able to sell out many of their early headlining performances.