C86 Show - Indie Pop

Bob Bert in conversation with David Eastaugh

Based in Hoboken, New Jersey, Bert initially came to prominence as drummer for the experimental rock band Sonic Youth during the early to mid-1980s. Bert played on the Sonic Youth releases Confusion Is Sex, Sonic Death, and Bad Moon Rising. After Bad Moon Rising, Bert quit the group.

Bert contributed during the last half of the 1980s as percussionist for noise band Pussy Galore. 

In the early 1990s, Bert drummed for the Chrome Cranks (which also included Peter Aaron on vocals; Jerry Teel on bass; and William Weber on stun guitar).

After the dissolution of the Cranks, Bert joined forces with guitarist Kid Congo, guitarist Jack Martin, bassist/vocalist Jerry Teel and organist Barry London in the rootsy New York City band Knoxville Girls.

Patrick Dougher in conversation with David Eastaugh

https://www.godbodyart.com/new-page-3

https://www.hachettebookgroup.com/titles/patrick-dougher/concrete-dreamland/9780316571043/

https://lionsgatesound88.bandcamp.com/album/algorhythm

Born in Brooklyn in 1963, Patrick Dougher grew up in some of the most turbulent and culturally impactful periods of NYC's history. Often neglected as a child by his parents-a father who struggled with alcohol addiction and an overworked mother who struggled to make ends meet-he learned to fend for himself. Now a renowned visual artist, musician, actor and writer, Dougher brings to the page his memories, struggles, personal revelations, and a life intimately tied to the realities of growing up Black and disenfranchised on the streets of one of the most remarkable cities in the world.

Concrete Dreamland is tragic and triumphant, gritty and hard, poetic and outrageously funny. Told in Dougher's brutally raw and courageously honest voice, these stories act as snapshots of a life lived in extremes: from gangsters to God, street style to sexuality, to recovery from drug addiction and alcoholism. He tells of his adventures as a pre-hip hop "hard rock' and an original Black punk rocker surviving during the dangerous days of the crack and AIDS epidemic in NYC, while also sharing tales of racism, homelessness, and his many brushes with fame and death.

Ben Devenezia in conversation with David Eastaugh

The Story

"Where the Kids Still Scream" explores the evolving spirit of New York City's punk scene and asks:

Does punk still hold true to its roots?

Has the ethos of the '70s–'90s been diluted or reshaped in the internet age? Is it still possible to live a punk lifestyle in 2025?

Through interviews with legendary voices from the past and present, this documentary dives deep into what punk meant, what it still means, and where it might go next.

Kickstarter: 

Robert Darlington in conversation with David Eastaugh

https://translatorlive.bandcamp.com/album/beyond-today-live-at-the-farm-san-francisco-july-12-1986

https://www.youtube.com/watch?v=_NhHVZ-320c

A celebrated group of the new wave era, Translator has announced details of their first live concert release. Beyond Today: Live at the Farm – San Francisco 1986 arrives May 9 on LP, CD, and download from Liberation Hall. The vinyl LP will feature eight tracks from the final show of the group’s period at Columbia Records (1982-1986). The CD and download will include an additional four live tracks, including the previously unreleased “Puzzles,” as well as two brand-new songs mixed last year by renowned producer Ed Stasium. All formats are distributed by MVD Entertainment Group (USA) and Wienerworld (UK).

Nancy Barile author of 'I'm Not Holding Your Coat: My Bruises-and-All Memoir of Punk Rock Rebellion' in conversation with David Eastaugh 

From Catholic school girl to glam maniac to organiser of classic early 1980s East Coast hardcore shows, Nancy Barile made her place behind the boards and right in the front row as SSD, Minor Threat, Bad Brains, Dead Kennedys, and Black Flag wrote new rules. In the dangerous early years of punk, she rebelled, fighting for fair space as she found her purpose.

Justin K Broadrick in conversation with David Eastaugh

https://jesu.bandcamp.com/

https://avalancherecordings.bandcamp.com/

https://www.facebook.com/officialgodflesh

Best known as the lead singer and a founding member of the band Godflesh, followed by Jesu.

He was briefly in the English grindcore band Napalm Death when he was a teenager in the mid-1980s, writing and recording guitar for their debut album, Scum. Broadrick has also maintained a parallel career as a producer, producing records and remixes. Since the 1990s he has worked with Kevin Martin as Techno Animal an electronic music project based in a fusion of industrial, dub, ambient and hip hop, which disbanded in 2001 and was reactivated in 2017 under the new name Zonal. Since 2012, he has been releasing hard techno music under the solo moniker JK Flesh. Broadrick has set up record labels such as HeadDirt, Avalanche Recordings, Post Mortem Productions (briefly renamed Uprising Productions), Lo Fibre and Heartache.

Patrick Fitzgerald in conversation with David Eastaugh

https://patrickfitzgerald.bandcamp.com/

https://www.youtube.com/watch?v=r7Zr_w9cxtQ

Patrick Fitzgerald, singer and bass player in Kitchens of Distinction. After Kitchens he was: Fruit, one half of three fabulous duos - Lost Girls | The April Seven | Oskar's Drum - and solo he is Stephen Hero. He has been releasing records under all these guises and more since 1987.

Kitchens of Distinction (sometimes shortened colloquially to KoD) formed in Tooting, South London in 1986. The trio consist of lead singer and bassist Patrick Fitzgerald, guitarist Julian Swales and drummer Daniel Goodwin.

The band were considered part of the shoegaze subgenre and released four studio albums before disbanding in 1996. In September 2012, Patrick Fitzgerald announced Kitchens of Distinction's reunion, followed by the 2013 release of their fifth album, their first in 19 years.

Morley Bartnof in conversation with David Eastaugh

https://andyandtherattlesnakes.com/about

https://www.facebook.com/cosmo.topper

American keyboardist, guitarist, songwriter and composer, born 1959, in Los Angeles, California.

Originally Bartnof spelled with one "f" and later changed to Bartnoff. May appear on releases as Morley Bartof or CosMorley Be. Stepping Away from his previous project Cosmo Topper, Morley's new project is the aptly named "Randy Californians."

Richard Bellia  in conversation with David Eastaugh

https://richardbellia.com/

Photographer Richard Bellia was there when it mattered carrying his trusted camera to capture moments in music’s vast cannon of historical importance, some which now forms his own tapestry of work in Un œil sur la musique 1980-2016 i.e. An eye on music 1980-2016.

The intro to the book says ‘’a thousand photos: breathe the same air as the musicians, feel the bass, the riffs and the silences, sixtieth of a second per sixtieth of a second.’’ With this in mind its hard not to get stuck straight in with the mammoth heavyweight volume of photos infront of you. The first striking images come from prime Punk era via Denmark Street, John Lydon looking grimacingly at the camera in the studio and on stage with PiL, Joe Strummer looking cool as holding his guitar towards the camera, Topper Headon, Mick Jones and leather clad Paul Simonon all looking equally stunning in separate shots.

Mark Hoyle in conversation with David Eastaugh

https://www.route-online.com/all-books/swerve

https://dubsex.net/about

Dub Sex are often cited as one of Manchester’s greatest ‘lost’ bands. Formed in the concrete landscape of 1980s Hulme, their music is appropriately raw and intense, bass-led with wiry guitar patterns swirling around the impassioned vocal style and presence of frontman Mark Hoyle. 

They came to prominence over the release of five critically acclaimed EPs and mini-albums in the late 80s. John Peel picked up on them from the outset playing a demo recording of ‘Tripwire!’ later describing the band on-air as “one of my very favourites”. Dub Sex went on to record 4 sessions for his BBC Radio show, the first of which incredibly aired 3 times in just 6 weeks during Feb/Mar 1987.  

‘Tripwire!’ saw a formal release later in 1987 on the band’s debut EP. The mini-album ‘Push’ and ‘The Underneath’ EP soon followed. Enthusiastic music press reviews helped the band’s profile rise amongst the post-punk fraternity and incendiary live shows led to several TV appearances including BBC’s influential ‘Snub TV’ and Tony Wilson’s Granada show ‘The Other Side of Midnight’.  

By early 1989 and the release of the ‘Swerve’ EP, Dub Sex had become Indie Chart regulars with ‘Swerve’ also making John Peel’s ‘Festive Fifty’ at the end of that year.  

Gerard Evans in conversation with David Eastaugh

https://www.facebook.com/flowersinthedustbinofficial/?locale=en_GB

http://anarchoscene.blogspot.com/2011/07/flowers-in-dustbin.html

Chris Sullivan in conversation with David Eastaugh

https://www.thesullivan.net/home

https://www.cherryred.co.uk/blue-rondo-bees-knees-and-chicken-elbows-expanded-2cd-edition?srsltid=AfmBOop68rFMyboq_cMuXbKfDxStVOacJIeB2YGuD-iZUNlgpTsdKf9E

Blue Rondo à la Turk was a floating collective of jazz and salsa oriented musicians, created by singer/lyricist Chris Sullivan who arrived in London from Merthyr Tydfil in the mid 1970s. His stated goal for the band was "to bring back show biz".

In the band’s first interview, Sullivan said of their sound: “Call it Latin American jazz with funk and African leanings – plus a few others because all of us have adventurous musical tastes.” Sullivan co-wrote most of the band's original material; he also painted the distinctive cubist art that adorned most of the band's releases.

Peter Crowley in conversation with David Eastaugh

https://www.amazon.co.uk/Down-at-Maxs-Peter-Crowley/dp/B0D7QR4F6Y

https://www.farwestpress.com/far-west-books/p/down-at-maxs-peter-crowley

Laura Davis-Chanin in conversation with David Eastaugh

http://backbeatbooks.com/books/9781617136870

https://www.amazon.co.uk/Infinite-Dreams-Life-Alan-Vega/dp/149307248X

Winner of the ASCAP Deems Taylor/Virgil Thomson Award for Excellence in Writing and named in Billboard's top 10 Music books of 2018 for her book, "The Girl in the Back," Laura is pursuing her second love, writing. Her first love, her daughters, bring her eternal sunshine everyday. Her second book, "I am Michael Alago," about the unique and remarkable person who brought Metallica to the world as well as Nina Simone's last album, was released in 2020 on Backbeat Books.

Just completed a biography of Alan Vega, front man for the band, Suicide, entitled "Infinite Dreams: The Life of Alan Vega" - released August 2024, while she finishes her novel based on true events entitled "A Finished Noise".

Simon Fisher Turner in conversation with David Eastaugh

https://simonfisherturner.bandcamp.com/album/instability-of-the-signal

https://www.youtube.com/watch?v=HMKWlALrBIA

English musician, songwriter, composer, producer and actor. After portraying Ned East in the 1971 BBC TV adaptation of Tom Brown's Schooldays and roles in films such as The Big Sleep (1978), Turner rose to fame as a teenage star in Britain when his mentor, Jonathan King, released Turner's eponymous first album on UK Records

Gaye Black in conversation with David Eastaugh

https://www.gayeblack.co.uk/

English punk rock musician, who played bass guitar in the band The Adverts in the late 1970s. She was one of the first female rock stars of the punk rock movement, whom The Virgin Encyclopedia of 70s Music called the "first female punk star". She was "one of punk’s first female icons". Dave Thompson wrote that her "photogenic" looks, "panda-eye make-up and omnipresent leather jacket defined the face of female punkdom until well into the next decade".

Rin Lennon, Michael George,Jay Smith-drums &  Alias Wilde  in conversation with David Eastaugh

https://monogroove.bandcamp.com/album/the-flip-side

http://www.rinsrescues.com

https://www.youtube.com/user/rinlennon4/featured

Frank Deserto in conversation with David Eastaugh

https://www.cherryred.co.uk/no-songs-tomorrow-darkwave-ethereal-rock-and-coldwave-1981-1990-4cd-box-set

•    FEATURING THE CURE, DEAD CAN DANCE, CLAN OF XYMOX, COCTEAU TWINS, SOFT CELL, TONES ON TAIL, IN THE NURSERY, ATTRITION, IRON CURTAIN, ALIEN SEX FIEND, CRANES, KIRLIAN CAMERA, NEON AND MANY MORE.

•    4CD SET EXPLORING THE 1980s’ DARKWAVE/COLDWAVE SCENE THROUGHOUT THE UK, EUROPE AND THE UNITED STATES

•    A BROAD CHURCH TAKING IN ELECTRONICS, DARK AMBIENT, NEO-CLASSICAL NEW WAVE, GOTHIC SOUNDSCAPES AND COLD DREAM POP.

•    CURATED BY THE TEAM WHO BROUGHT YOU ‘CHERRY STARS COLLIDE’, ‘SILHOUETTES AND STATUES’ AND ‘STILL IN A DREAM’.

•    SLEEVENOTES COURTESY OF FRANK DESERTO.

Lora Logic in conversation with David Eastaugh

https://www.essential-logic.co.uk/

https://essentiallogic.bandcamp.com/

fter co-founding X-Ray Spex, Lora Logic formed Essential Logic in 1978, shaping post-punk with unique sax, whimsical melodies. Their 1979 album, 'Beat Rhythm News,' stood out. After a long hiatus, Essential Logic returned in 2022 with 'Land of Kali.’

Essential Logic are an English post-punk band formed in 1978 by saxophonist Lora Logic after leaving X-Ray Spex. The band initially consisted of Lora on vocals, Phil Legg on guitar and vocals, William Bennett (later of Whitehouse) on guitar, Mark Turner on bass guitar, Rich Tea (Richard Thompson) on drums and Dave Wright on saxophone. Turner was later replaced by Sean Oliver (later of Rip, Rig & Panic) on bass. The band split in 1981 and reformed in 2001.

Alan Lee Shaw in conversation with David Eastaugh

English guitarist whose career began after leaving art school, in music projects with Twink. He later formed short-lived The Rings with 'Twink' Alder & drummer Rod Latter, before he and Latter created punk band Maniacs with bassist Robert Crash.

In 1977 Shaw created glam-punksters Physicals, who released a single, with Paul Cook on drums. This was followed by stints in Brian James' "Brains" and "The Hellions" (managed by Miles Copeland) from 1980. During 1981, Shaw teamed up in a writing partnership with Kirsty MacColl.

During 1983 there was another brief band, "Hush Hush" with Chris Sol. Then, with Sol, the eponymous band album "Heaven And The Angels" in 1986 and a later shelved UK project with Dee Dee Ramone. Another brief spell with a Brian James band was followed by Shaw joining The Damned in 1993.