C86 Show - Indie Pop

Holly Lerski talking about her life in music

Holly Lerski formed Angelou with guitarist Jo Baker in 1996. They recorded their first demo in the winter of that year, which included a cover of the Leonard Cohen song "Hallelujah". Inspired by Jeff Buckley's version, Lerski had been a fan of Buckley's, corresponding with the artist. Local Norwich label Haven Records heard the demo and signed Angelou in the beginning of 1997, scheduling the release of the Hallelujah EP to coincide with a UK summer tour supporting Eddi Reader and Boo Hewerdine. 'Hallelujah' came out a week after Jeff Buckley's untimely death, ending the year on novelist Nick Hornby's 'Best of 97' compilation.

In 1998 Angelou released their first album 'Automiracles'. Now including drummer Phil Di Palma, the album was written by Lerski, and recorded in 10 days by producer Calum MacColl. The album featured guest vocals from Eddi Reader and Boo Hewerdine and received comparisons to The Sundays' debut 'Reading, Writing and Arithmetic'.

Their second album 'While You Were Sleeping', released in 2000, received further acclaim and established Lerski as one of the new crop of up and coming female folk artists. Written and produced by Lerski, and recorded in studio down-time, the album finished with a moving tribute to Jeff Buckley. Lerski went on to contribute this to the Buckley documentary 'Amazing Grace'.

In 2001 Spanish label El Diablo released an Angelou compilation called Midnight Witcheries. Now joined by new drummer Cath Evans and bassist Anne Richardson, this record allowed the band to be heard for the first time throughout Europe. They completed 2 extensive tours of Spain, appearing on national TV and radio. They also went on to release a further EP and 2 videos.

On hearing of their success abroad, UK music independent giant Sanctuary Records offered Lerski a recording and publishing agreement and at the end of 2001 Lerski finally signed a major deal. Angelou were soon off on the road again, this time as a duo touring Scandinavia and Europe with blues legend John Hiatt & The Goners.

On their return from Europe the band went into rehearsals for the third album, staying in a wooden hunting lodge in Derbyshire. Recorded both in Denmark and Manchester throughout 2002, 'Life Is Beautiful' was a much poppier record. It was finally released in 2003 under Lerski's own name. With the launch of the album came lives dates with The Cranberries, Jason Mraz and Josh Rouse, and support from BBC Radio 2 and most notably Wake Up To Wogan producer Paul Walters. There was also news that Lerski's song 'My Love' would be featured in a Hollywood film. It looked like the bands hard work had finally paid off, however it was not to be. In 2004 after disagreements with Sanctuary over lack of promotion for the record, Lerski was forced to leave the label and her songs behind.

In the summer of 2004, tired of the music industry and following a break up, Lerski relocated to Manchester where she began to write new material with the intention of releasing on her own imprint Laundry Label. 'Greetings From N.Y.' was Laundry's first release. Featuring on the cover a hand written postcard to Lerski from Jeff Buckley, 'Greetings' was a 'best of' CD showcasing Lerski and the band's music to date. BBC Radio 2's Wake Up To Wogan once again championed the record and 'More Than A Storm' featured weekly on his show. Starbucks at the time was also featuring tracks from 'Life Is Beautiful' on their in-store compilation.

By 2006, following the news that Sanctuary had been bought out by Universal Music Group, Lerski returned to Norwich to begin a new chapter.

Mick Houghton talking about his life in music & new publication - Fried & Justified

The list of bands and artists Mick Houghton worked with in an illustrious career in the music business reads like a Who’s Who of some of the greatest, most influential and downright dysfunctional cult groups of the post-punk era and beyond – Ramones, Talking Heads, The Undertones, The Jesus and Mary Chain, Felt, Sonic Youth, The Wedding Present, Spiritualized and Elastica among them. Often judiciously (or unintentionally) sidestepping the major trends in music – baggy, grunge and Britpop – his reputation for attracting outsiders led to him working with artists as disparate as Sun Ra, Andrew Oldham, Ken Kesey, Bert Jansch, Stereolab, Mercury Rev and Gorky’s Zygotic Mynci.

But the three acts Mick is most closely identified with are Echo & the Bunnymen, Julian Cope (and the Teardrop Explodes) and the Justified Ancients of Mu Mu/KLF in all their guises. Between them, these three played a significant role in shaping the musical landscape of the eighties and nineties, and – as confidant and co-conspirator – Mick was with their chorus along the way, carefully navigating the minefield of rivalries and contrasting fortunes. It is Mick’s indefatigable belief that it was always the music that came first, and it is his knack of attracting so-called difficult and troubled artists that makes Fried & Justified such an amusing, honest and insightful tale.

The Janitors special with Tim Stirland in conversation

The Janitors were Andrew Denton (vocals), Craig Hope (slide guitar, keyboards), Pete Crowe (bass guitar), and Tim Stirland (drums). Denton, Hope and friend Phil Storey recorded demos in Leicester's Highfields which Yeah Yeah Noh's John Grayland brought to the attention of some indie labels. Described as "a mixture of Membranes meeting Captain Beefheart", they signed to Marc Riley's In-Tape label, releasing their debut single, "Chicken Stew" in July 1985 (on which Hope played all of the instruments). It went on to reach the top 10 of the UK Independent Chart. In anticipation of the single's release, Denton and Hope moved to Newcastle to recruit bassist Simon Warnes, however Crowe took his place bringing along fellow art student Tim Stirland as drummer (replacing the drum machine of the first single).

Second single "Good to be King" was also an indie hit, reaching number 14, and debut album Thunderhead, produced by Jon Langford of The Mekons, peaked at number 6 on the indie albums chart. The band recorded three sessions for John Peel's BBC Radio 1 show, one each year between 1985 and 1987. Pete Crowe was ejected over a dispute with Denton and replaced by Jeff Murray. The band then moved to the Abstract label. In 1988 Phil Storey joined on rhythm guitar. After two further singles, their second album, Deafhead, was released in June 1988. The band released one more single and in late 1988, Dentover left the band. American Bobo Nando picked up the mike, contributing to one new song "Billy Psycho". The band dissolved in August 1989.

Stirland went on to perform with The Mekons. Hope (Hoppy) is currently guitar technician for Chris Martin of Coldplay. Denton is now an incredible history teacher and top class lad. Jeff Murray formed G.R.O.W.T.H. with Kev of Gaye Bykers on Acid and Tommo of The Bomb party, but they split after one album. Crowe moved to New Zealand. Nando (Paul Touche) sang briefly with Birthmark. Phil Storey died in July 2014.

David Balfe special talking about his life in music, the Teardrops, Zoo & Food records and much much more.

Balfe and Drummond, having met while playing together in Big in Japan, founded the Zoo record label in 1978 in order to release Big in Japan's posthumous EP From Y to Z and Never Again. The label went on to sign and release the early work of The Teardrop Explodes and Echo & the Bunnymen.

Balfe and Drummond did their production work under the name of The Chameleons, and also released the singles "Touch" and "The Lonely Spy" – credited to Lori and The Chameleons – on the Zoo label, later licensing them to Sire/Korova.

Although they released a few other artists, The Teardrop Explodes and Echo & the Bunnymen grew to take up most of their time. Eventually, due to lack of finance, they signed both bands to major London Record Companies and continued to manage them, while letting the label fade into inactivity.

Balfe and Drummond's publishing company, Zoo Music, signed many of the above and below artists, as well as multi-million selling acts The Proclaimers in 1987 and Drummond's later band The KLF.

Balfe began as The Teardrop Explodes' label head, manager and producer, but after their first single, on the departure of their original keyboard player, Paul Simpson, Balfe stepped in for what turned into four years in and out of the band, having a famously tempestuous relationship with their singer, Julian Cope. He played keyboards on their Top 10 single, "Reward", and their two gold albums, Kilimanjaro (1980) & Wilder (1981).

After The Teardrop Explodes disbanded in 1983, Balfe moved to London where, after managing Strawberry Switchblade (UK top 5 Hit, "Since Yesterday") and Brilliant (the post-Killing Joke band of subsequently famous producer, Youth), he then founded the Food record label in 1984.

Food, initially funded by Balfe alone, signed Voice of the Beehive, Zodiac Mindwarp (both of whom moved on to major labels, while Balfe continued to manage them for many years), Crazyhead, and Diesel Park West, before signing a deal with EMI to fund and distribute the label worldwide while retaining creative independence.

They then signed Jesus Jones who went on to have a number one album in the UK and multi-million sales internationally with their second album, 'Doubt', and a number one single in the USA with 'Right Here Right Now'. A year after signing Jesus Jones they signed Blur.

Balfe, along with later label partner Andy Ross, convinced the band to change their name from 'Seymour' to Blur on signing in 1989.

Balfe also directed Blur's first two music videos, "She's So High" and "There's No Other Way".

Disenchanted with the alternative scene in the years of "Grunge", Balfe decided to sell the Food label to EMI in 1994, and semi-retire with his young family to the country – inspiring Damon Albarn to pen Blur's first No.1 hit, "Country House"

Datblygu special with David R. Edwards in conversation with David Eastaugh

The band was formed in by vocalist David R. Edwards and instrumentalist T. Wyn Davies in 1982 while they were at Ysgol Uwchradd in Aberteifi, with instrumentalist Patricia Morgan joining in 1984. Edwards' lyrics were almost entirely in the Welsh language, the subject matter reflecting his "extreme disillusionment" with life in Wales in the early 1980s era under Margaret Thatcher. After four cassette-only releases on Casetiau Neon, the band had their first vinyl release in 1987 on Anhrefn Records, with the Hwgr-Grawth-Og EP featuring just Edwards and Morgan, which was picked up by John Peel and led to a session being recorded for his BBC Radio 1 show (the first of five such sessions).

While Welsh radio gave the band little airplay, they also found an outlet through Geraint Jarman's Fideo 9 television show on S4C.

The band's first album, Wyau (Eggs), was released in 1988, and was followed two years later with Pyst (Posts) on the Ofn label. Davies left in 1990 and the group continued as a duo for a while, before being augmented by a series of musicians, notably drummer Al Edwards. Moving to Ankst Records, the Christmas-themed Blwch Tymer Tymor cassette was issued in 1991. Edwards collaborated with Tŷ Gwydr and Llwybr Llaethog on the 1992 album LL.LL v T.G. MC DRE, before releasing a final Datblygu album in 1993 with Libertino.^[1] After a single, "Alcohol"/"Amnesia" in 1995, the band split up.

In August 2008 a new 7" single "Can y Mynach Modern" (The Song of the Modern Monk) was released. The song recounts (over its brief ninety seconds) the turmoil and madness that engulfed Edwards as the band fell apart in the mid nineties and the long road to recovery that resulted from the fallout. The track is intended as a full stop on their legacy rather than a brand new start.

Datblygu have been cited as a major influence on the generation of Welsh bands that followed, including Gorky's Zygotic Mynci and Super Furry Animals (who covered Datblygu's "Y Teimlad" on their Mwng album).

In a rare TV appearance, David featured on S4C documentary programme O Flaen dy Lygaid in 2009, presented by Cardiff-based broadcaster and friend of David's, Ali Yassine, which followed David and his battle to recover from mental illness. The programme also featured Datblygu bandmember and former Pobol y Cwm actress Ree Davies and her own battle against mental illness.

In 2012 an exhibition celebrating the band's history was held in a Cardiff coffee shop. Edwards and Morgan reunited in 2012 for the EP Darluniau'r Ogof Unfed Ganrif ar Hugain. A new mini-album, Erbyn Hyn, was released in June 2014.