March 24, 2021
Precious Recordings of London with Nick Godfrey in conversation with David Eastaugh
Classic BBC radio sessions (and maybe other rare stuff) by artists we like in lovingly curated vinyl packages with exclusive sleeve notes and pics. Coming up: the Jasmine Minks, BMX Bandits, Blueboy, Heavenly, Marine Research and more … and yes, let's make this precious
March 21, 2021
Eater with Andy Blade or Ashruf Radwan in conversation with David Eastaugh
Eater were known for being one of the youngest bands, if not the youngest band, in the punk scene. They were 14–17 years old when they formed the group.
Despite originating in London, the band made its first public performance on 20 September 1976 at Manchester's Holdsworth Hall, featuring Buzzcocks as their support act. The band did not yet have a permanent bassist and rented a local musician for the show. Lutfi Radwan was soon replaced by drummer Dee Generate (real name: Roger Bullen), and by November 1976, they had recruited bassist Ian Woodcock in time to play their first London gig.
Eater became one of the pioneering punk bands that played live in the first few months of the now-legendary Roxy Club. They topped the bill twice in January 1977; the second time they were supported by the Damned. They headlined again in February, this time supported by Johnny Moped, and twice more in March, supported first by the Lurkers and then by Sham 69. They also supplied two of their tracks, "15" (a version of "I'm Eighteen" by Alice Cooper) and "Don't Need It", to the seminal live compilation album The Roxy London WC2, released on 24 June 1977
March 19, 2021
The Meyce & The Moberlys special with Jim Basnight in conversation with David Eastaugh
Jim Basnight is a true veteran of the Seattle music scene. Since the mid-1970's, he has released albums with bands like The Meyce, The Moberlys, The Jim Basnight Thing, The Rockinghams and fine solo albums of power pop, punk, rock, folk, country, rock And roll and proto grunge.
March 17, 2021
Lloyd Cole and the Commotions special with Neil Clark in conversation with David Eastaugh
Scottish guitarist, known for his work with Lloyd Cole and the Commotions. He has regularly worked and toured with Lloyd Cole post-Commotions including playing on and touring in support of Cole's 2006 album, Antidepressant. He also worked on Cole's albums, Bad Vibes, Love Story, Etc, Music in a Foreign Language and Guesswork. Clark was a member of Bloomsday with Stephen Irvine of the Commotions and Chris Thomson of The Bathers. Clark also features on the Bathers' 1993 album, Lagoon Bluesand has collaborated with Canadian singer Mae Moore on her album Dragonfly. His guitar playing was featured on her single from that album "Genuine", which reached No. 6 on the RPM "Top 100" singles chart in Canada. In 1995 and 1998 he worked on two albums with French singer Axelle Renoir.
Has released two solo albums, Sundogs in 2008 and Second Story Sunlight in 2010. Both albums mix minimalist and cinematic guitar styles with ambient electronica. He currently also plays and writes with Ambrose Pottie, (drums) and Alisdair Jones (bass) in post-jazz trio, Sleepers.
March 12, 2021
Friends Again with Chris Thomson and Paul McGeechan in conversation with David Eastaugh
Friends Again were a Scottish 1980s new wave group, formed in 1981 in Glasgow.
They were formed by members Chris Thomson and Paul McGeechan, together with Neil Cunningham, James Grant and Stuart Kerr. The group was famous for their singles "State of Art", "Sunkissed" and "Honey at the Core". They released a self-titled EP in 1984, which peaked at No. 59 on the UK Singles Chart. They then recorded their debut album, Trapped & Unwrapped (1984).
After the demise of the band, Grant went on to form Love and Money in 1985 along with McGeechan and Kerr, while Thomson formed The Bathers.
March 10, 2021
Simon Rivers in conversation with David Eastaugh - Part 2
Last Party formed in 1985, although their history stretches back to the band No Trains At The Bay, which the members formed at school in 1978, and who had a song called "The Last Party". One of their earliest gigs was in support of The Sound, their original drummer Steve Infield being a housemate of The Sound's bass player Graham Bailey. They released their debut album on their own Harvey label the following year. They were the support act at The Stone Roses' first London gig, at the Greyhound in Fulham, and were favourites with John Peel, recording two sessions for his BBC Radio 1 show, one on 1987 and a second in 1989. In 1995, the band members at the time (singer Simon Rivers, bass player Daniel Ashkenazy, Kim Ashford, and Neil Palmer) decided on a new name, The Bitter Springs, changing their name "in the hope that journalists who had ignored the Last Party would give us another listen". The debut release under this new name, the Addison Brothers EP, featured Vic Godard, and the Bitter Springs enjoyed a long association with Godard, acting as his backing band, the Subway Sect, for nine years, also contributing to studio recordings including Godard's Blackpool album, where Godard and the Bitter Springs provide musical backing to lyrics by Irvine Welsh.
March 5, 2021
14 Iced Bears special with Robert Sekula in conversation with David Eastaugh
14 Iced Bears were a British indie pop band associated with the C86 music scene. Formed in Brighton in 1985, by Robert Sekula and Nick Emery the band featured a shifting line-up of musicians across their seven-year existence, centred on songwriter and vocalist Rob Sekula and guitarist/songwriter Kevin Canham. Their jangly indie pop was characterised by a fuzzy protopunk-influenced guitar sound, and saw them receive modest critical acclaim in Britain's music press as well as prompting disc jockey John Peel to recruit them to record a couple of sessions for his programme on BBC radio. The group released a handful of singles, including "Come Get Me" on the influential Sarah label, and two full-length albums: the eponymous 14 Iced Bears(1988), and Wonder (1991).
March 4, 2021
Last Party & The Bitter Springs special with Simon Rivers in conversation with David Eastaugh - Part 1
Last Party formed in 1985, although their history stretches back to the band No Trains At The Bay, which the members formed at school in 1978, and who had a song called "The Last Party". One of their earliest gigs was in support of The Sound, their original drummer Steve Infield being a housemate of The Sound's bass player Graham Bailey. They released their debut album on their own Harvey label the following year.
March 3, 2021
Microdisney & The Fatima Mansions special with Cathal Coughlan in conversation with David Eastaugh
In 2020, Coughlan completed work on an album entitled "Song Of Co-Aklan", featuring collaborators old and new - including Nick Allum, Aindrias O'Gruama, Jon Fell, Luke Haines, Audrey Riley, James Woodrow and Rhodri Marsden. The album is released in March 2021 on Dimple Discs and was preceded by the 'Song of Co-Aklan' single. He is also now part of a duo with US-based Irish producer and musician Jacknife Lee, which has also completed an album.
March 2, 2021
Doctor and the Medics with Clive Jackson in conversation with David Eastaugh
Doctor and the Medics is a British glam rock band formed in London in 1981. The group was most successful during the 1980s and is best known for their cover of Norman Greenbaum's "Spirit in the Sky" which reached No. 1 in the UK Singles Chart. The band currently performs with a newer and established line-up. As well as previously being classed a tribute act to various artists, they are including many of their original songs in their live set. The group's musical style includes neo-psychedelia, glam rock, new wave and pop rock.
March 1, 2021
Conflict with Colin Jerwood in conversation with David Eastaugh
Formed in 1981, the band's original line up consisted of: Colin Jerwood (vocals), Francisco 'Paco' Carreno (drums), Big John (bass guitar), Steve (guitars), Pauline (vocals), Paul a.k.a. 'Nihilistic Nobody' (visuals). Their first release was the EP "The House That Man Built" on Crass Records. By the time they released their first album, It's Time to See Who's Who, on Corpus Christi Records, Pauline and Paul had left the band. Conflict later set up its own Mortarhate Records label, which put out releases by other artists including Hagar the Womb, Icons of Filth, Lost Cherrees, The Apostles, and Stalag 17.
February 25, 2021
Spacemen 3 & Sonic Boom with Peter Kember - Part two - in conversation with David Eastaugh
February 24, 2021
Spacemen 3 & SonicBoom with Peter Kember in conversation with David Eastaugh
Founding member, vocalist, guitarist and keyboardist of alternative rock band Spacemen 3, lasting from 1982 until the band's dissolution in 1991.
He provided the production on MGMT's sophomore album Congratulations, Panda Bear's albums Tomboy and Panda Bear Meets the Grim Reaper, and Beach House's album 7.
As a solo artist, Kember has recorded as Spectrum and E.A.R. (Experimental Audio Research), parallel musical projects with recordings under both names occasionally only featuring Kember. He has occasionally performed live under both monikers, most recently in 2008–11 as Spectrum, touring as a band in America and Europe. Kember has played and collaborated with a number of artists, including Stereolab and Yo La Tengo.
February 23, 2021
Mood Six with Phil Ward in conversation with David Eastaugh
Mood Six were a so-called neo-psychedelic band formed in London's West End in 1981. Emerging from the remnants of punk bands ( Security Risk ), mod revival groups like The Merton Parkas and the VIPs, their original lineup included Phil Ward, Tony Conway, Andy Godfrey, Guy Morley, Paul Shurey, and Simon Smith.
Debuting with two tracks - "Just Like a Dream" and "Plastic Flowers" - on the A Splash of Colour compilation, the group found itself caught up in the forefront of the short-lived British new psychedelic revival. Signing to EMI, Mood Six issued their first official single written by Tony Conway, "Hanging Around", but parted from the label when the release of the follow-up, "She's Too Far (Out)," was bizarrely aborted, leaving only white label versions in circulation. 80's artist Toni Basil chose to record her own version of "Hanging Around" and this is included as the B-side to her massive selling "Mickey" single. It was also included on her hit album "Word of Mouth".
February 22, 2021
The Janitors with Andrew Denton in conversation with David Eastaugh
The Janitors were Andrew Denton (vocals), Craig Hope (slide guitar, keyboards), Pete Crowe (bass guitar), and Tim Stirland (drums). Denton, Hope and friend Phil Storey recorded demos in Leicester's Highfields which Yeah Yeah Noh's John Grayland brought to the attention of some indie labels. Described as "a mixture of Membranes meeting Captain Beefheart", they signed to Marc Riley's In-Tape label, releasing their debut single, "Chicken Stew" in July 1985 (on which Hope played all of the instruments). It went on to reach the top 10 of the UK Independent Chart. In anticipation of the single's release, Denton and Hope moved to Newcastle to recruit bassist Simon Warnes, however Crowe took his place bringing along fellow art student Tim Stirland as drummer (replacing the drum machine of the first single).
February 21, 2021
Thomas Zimmermann in conversation with David Eastaugh
Managed tours around Germany for the likes of the Television Personalities, Jesus & The Mary Chain, The Wedding Presents & many more
February 18, 2021
And the Native Hipsters with William Wilding in conversation with David Eastaugh
...And the Native Hipsters was an English experimental group formed in London, England in 1979. Centred on the nucleus of musicians William Wilding and Blatt (Nanette Greenblatt), they are best known for their 1980 single, "There Goes Concorde Again", which attracted the attention of BBC Radio 1 DJ John Peel, and reached number five on the UK Independent Charts. The song was listed by New Musical Express in their "NME Writers 100 Best Indie Singles Ever" in 1992.
February 15, 2021
The Pandoras with Melanie Vammen in conversation with David Eastaugh
The Pandoras is an all-female garage punk band from Los Angeles, California with a run 1982 to 1991. The band is among the first handful of all-female rock bands to ever be signed. From the beginning, the band found a strong following in the Hollywood garage rock and Paisley Underground scene. The Pandoras enjoyed strong radio support from DJ Rodney Bingenheimer. The band graduated from the garage rock sound to a more contemporary, hard rock style in later years, spawning the off-shoot band The Muffs.