C86 Show - Indie Pop

Sananda Maitreya in conversation with David Eastaugh 

https://sanandamaitreya.com/

https://www.youtube.com/SanandaMaitreya

Artist, composer, arranger, producer, multi-instrumentalist, entrepreneur and Post Millennium Rocker, SANANDA MAITREYA was born in New York U.S.A. on March 15th 1962.

n 1987 his debut album “Introducing the Hardline”, gives him International success. Sananda wins a Grammy Award in 1988 as Best R&B Vocal Performance, Male.In June 1988 he is on the cover of Rolling Stone Magazine and he is nominated “Top International Newcomer” at the British Awards. In the following years 3 studio albums are published: “Neither Fish Nor Flesh” in 1989, “Symphony or Damn” in 1993 and “Vibrator” in 1995.The albums have many famous songs including the soundtracks of various legendary Hollywood movies such as: ‘Beverly Hills Cop III’, ‘Prêt-à-Porter’, ‘The Promised Land’, ‘The Fan’, ‘Shake Rattle & Roll’, ‘Frankie & Johnny’. 

Guy Mankowski in conversation with David Eastaugh 

https://iknowhowtolive.substack.com/p/welcome-to-i-know-how-to-live-the

Dorothy Max Prior in conversation with David Eastaugh 

https://www.roughtrade.com/product/dorothy-max-prior/sex-is-no-emergency-adventures-in-a-post-punk-wonderland

Further adventures in psychedelic rock, ballroom dancing, performance art, and parenting in 1980s Britain. Further adventures in a post-punk wonderland from the author of the acclaimed 69 Exhibition Road.

In this new volume, focusing on the 1980s, Dorothy Max Prior recalls her days as a ballroom dancing tutor in South Kensington, drumming and touring with infamous experimental pan-sexual psychedelic rock group Psychic TV, exploring London and New York City's queer clubbing undergrounds, the tangled worlds of the UK’s indie music scene at the height of its influence, performance art, and parenting.

Ted Zurkowski in conversation with David Eastaugh

https://www.tedzurkowski.com/

https://www.honeywestmusic.com/ted-zurkowski.php

An acclaimed member of New York's acting community, Ted Zurkowski is a Lifetime Member of the Actors Studio. He's also been playing in bands and composing songs since his tender, pre-shaving years.

In 1994, he and fellow Studio member Lynnea Benson founded the venerable Frog & Peach Theatre Company, one of New York's most popular Shakespeare ensembles. A man of many talents, Ted sometimes found himself serving as Frog & Peach's Lead Actor; sometimes as Director, often as a Producer, and frequently, as a Composer.

With a burgeoning musical career, and a great many fish to fry, Ted bid farewell to theatre to return to his first love: playing music and writing songs full time. In 2017, he joined with British rock and roll legend Ian McDonald (King Crimson, Foreigner) to form the band Honey West, releasing their debut album, "Bad Old World".

Noel Burke in conversation with David Eastaugh 

https://www.facebook.com/groups/1001217991862133/user/61555741167271/

https://www.facebook.com/groups/1001217991862133

Irish singer, who is best known for replacing Ian McCulloch as the lead singer with Echo & the Bunnymen from 1989 to 1993.

Burke's first band was St. Vitus Dance, who released the album Love Me, Love My Dogma in 1987. The band split and Burke was contacted by Will Sergeant, who invited him to join Echo & the Bunnymen as lead vocalist. The band released Reverberation (1990) 

In 2005, Burke reformed St. Vitus Dance for some live shows. An album of new material, Glyphotheque, was released in 2008.

Richard James Burgess in conversation with David Eastaugh 

https://landscape.band/

https://landscapeband.bandcamp.com/

English musician, singer, songwriter, record producer, composer, author, manager, marketer and inventor.

Burgess's music career spans more than 50 years. He came to prominence in the early 1980s as co-founder and co-lead singer of the synthpop band Landscape, which released a top-5 hit in 1981 with the single "Einstein a Go-Go". Burgess is one of the main composers of Landscape's music, and made major musical and lyrical contributions to the band's songs. After the band's break-up he pursued a brief solo career releasing one mini-album, Richard James Burgess in 1984.

He launched his career as a producer with Spandau Ballet's debut UK hit "To Cut a Long Story Short", the first commercial success for the hitherto underground New Romantic movement.

Burgess currently serves as the President and CEO of A2IM: American Association of Independent Music.

Chris D in conversation with David Eastaugh 

Chris D. (born Chris Desjardins) is an American punk poet, singer, writer, rock critic, producer, and filmmaker. He is best known as the lead singer and founder of the early and long-running Los Angeles punk/death rock band the Flesh Eaters.

The Flesh Eaters were a staple of the L.A. punk scene in the 1980s.^[7] The band played alongside seminal bands like The Misfits and The Meat Puppets.^[3] A number of original Flesh Eaters releases, like River of Fever, were recorded through Shakeytown Music/BMI.^[4] Others were produced by Upsetter, Invasion/Bomp, Zippo/Demon or SST.

From 1989 to 1993 and from 1997 to 2000, Desjardins performed live with varying line-ups of The Flesh Eaters. During the first of these periods, three more albums came out on SST Records: Dragstrip Riot (1991), Sex Diary of Mr. Vampire (1992), and Crucified Lovers in Woman Hell (EP - 1993).Two additional albums, Ashes of Time (1999) and Miss Muerte (2004), were released.

Reinhold Heil in conversation with David Eastaugh

https://reinholdheil.com/

German musician, producer, and film and television composer. He initially achieved success in Germany as a member of the post-punk and Neue Deutsche Welle groups Nina Hagen Band, Spliff and Nena, and later as a music producer.

As a film composer, he is known for his collaborations with director Tom Tykwer, on films such as Run Lola Run (1998), Perfume: The Story of a Murderer (2006), The International (2009), and Cloud Atlas (2012). 

Paul Marko in conversation with David Eastaugh 

https://punk77.co.uk/

https://www.facebook.com/punk77UK/?locale=en_GB

A history of UK Punk Rock from 1976-79: Featuring bands, fashion, Club & Pubs, history, fanzines & features 

Rob Janicke in conversation with David Eastaugh

https://www.robjanicke.com/

HAVE I GOT A LITTLE STORY FOR YOU...

The year was 1984. I was eleven years old and popular music was in a state of confusion. Along with songs by artists I liked such as Van Halen, Prince, Quiet Riot, Duran Duran, Billy Idol, and The Police, Top 40 radio constantly played songs from bands or artists that didn't quite do it for me. Apologies to Kenny Loggins, Phil Collins, Bananarama, Wang Chung, and Ray Parker Jr.

Due to the divorce of my parents and telling my mom that I was so unhappy that I no longer wanted to live, I was now a couple of years into therapy. It was around this time that I really began to find solace in music. The mid to late '80s gave me hope. Rap, punk rock, and alternative music befriended me at a time when I needed them the most.

A mixtape from 1989, courtesy of a high school friend, opened my soul to the music that would change my life forever- the gritty sound of grunge.

I know that this experience is not unique to me or my life. History has shown that millions of Gen X kids who were going through some heavy times in the late '80s and early '90s, found comfort in the grunge and alternative music and culture that came first from Seattle, then the world.

Music can save lives; we are proof of that. This book and that sentiment is for the SLACKER in all of us.

- Rob Janicke, author of Slacker

Jon Klein in conversation with David Eastaugh

In 1980, he formed Bristol band Specimen with Ollie Wisdom and Kev Mills. In 1982, after moving in London and renting a place in Soho, Klein co-founded with Wisdom the club the Batcave, which was a party on Wednesday nights at The Gargoyle. Klein and Wisdom then opened a Batcave club night in New-York.

In 1987, he became a full-time member of Siouxsie and the Banshees. He recorded three albums with the band, Peepshow in 1988, Superstition in 1991 and the Rapture in 1995.

Howard Wuelfing in conversation with David Eastaugh

https://www.diwulf.com/products/available-for-presale-descenes-and-discords-an-anthology

On August 19, 2025, Descenes and Discords: An Anthology will be released, offering a powerful time capsule of the birth and early evolution of punk music through the pages of two influential fanzines: Descenesand Discords. These publications, originally printed and distributed in Washington, D.C. during the late 1970s and early 1980s, captured the raw energy, irreverent spirit, and revolutionary ethos of the underground music scene — the first locally, the second nationally.

Published by writer and musician Howard Wuelfing, Descenes was a hyperlocal chronicle of D.C.'s burgeoning punk, hardcore and new wave communities. It featured scene reports, interviews, and passionate live and record reviews of now-legendary acts like Bad Brains, Slickee Boys, and Half Japanese and dozens of others that never gained national recognition. As vital local music scenes sprung up around the country, Discords picked up the baton with a wider lens — covering bands like Black Flag, Pylon, Circle Jerks, Mission of Burma and many more, all with the same DIY authenticity and zero-corporate gloss.

Descenes and Discords: An Anthology presents full facsimiles of every issue of both zines, preserving the original cut-and-paste layouts, typewritten rants, and Xeroxed charm that defined a generation of independent media. The anthology is enriched with new commentary by Howard Wuelfing, reflecting on the zines’ creation and impact. It also includes a transcribed conversation between Wuelfing and Ian MacKaye — the iconic frontman of Minor Threat and Fugazi — where they discuss the fanzine era’s role in shaping punk’s identity and legacy. A Foreword by esteemed D.C. cultural critic, and contributor to both ‘zines, Mark Jenkins sets the historical stage for readers.

John Ellerby in conversation with David Eastaugh 

http://www.waveneyclarion.co.uk/

The Waveney Clarion was a unique publication, born of the Barsham Fairs. A monthly magazine, it hammered away for eleven years at social injustice, music, ecology, beer, art and the best type of potato to grow on your allotment.

“The beginning of the Waveney Clarion resulted from the kind of unexpected, fortuitous coincidences that don't come knocking every day, making a venture feel like it is meant to happen and cultivating a sense of inevitability.” Sandra Bell, first editor and founder of the Clarion.

Published over a tumultuous decade, the Clarion chronicled an extraordinary period from a perfectly particularperspective – the outlands of rural East Anglia, where coypu were hunted and music, fairs and the fate of our earth seemed to be the only concerns.

Mark Brend in conversation with David Eastaugh

http://jawbonepress.com/down-river/

Down River: In Search Of David Ackles is an illuminating study of mythmaking, the popular music industry, and a forgotten enigma of the 1970s.

In 1972, David Ackles’s third album, American Gothic, was released to a flurry of press plaudits declaring it to be ‘the Sgt Pepper of folk’ and one of the greatest records ever made. Yet the album, like its two predecessors, failed to sell, and after one more record, its creator simply vanished. He found work, raised a family, and died a couple of decades later, having never made another record.

Today, Ackles’s music is largely consigned to the streaming netherworld. It is yet to be properly repackaged and reappraised, and he remains largely unknown. But there is no middle ground. You either love him or you’ve never heard of him. His admirers range from Black Flag’s Greg Ginn to indie polymath Jim O’Rourke to Genesis drummer turned platinum-selling solo artist Phil Collins.

In 2003, when Elvis Costello interviewed Elton John for the first episode of his television show Spectacle, the two spoke at some length, and with palpable respect, about Ackles’s great talent, before performing a duet of his ‘Down River’—the same song Collins had selected for Desert Island Discs a decade earlier.

Paul Da Vinci in conversation with David Eastaugh

https://pauldavinci.com/home

https://www.pauldavinci.net/

Paul Da Vinci is best known as the "incredible" voice on the Rubettes' number one selling single "Sugar Baby Love", which sold over 8 million copies world-wide featuring his three and a half octave voice.  Paul sang all the lead vocals on the record, including the high falsetto, and was also lead vocalist on  the B side of the record "You could have told me".  Recorded at 1.30am Lansdowne Studios, Holland Park, London in 1973.

He had several other chart successes over the 70's and 80's as a solo artist with his own compositions "Your Baby Ain't Your Baby Anymore" and "If You Get Hurt" which he also produced, and as featured lead vocalist on the  Tight Fit single "Back to the Sixties part II" . 

Jamie James in conversation with David Eastaugh

https://shop.bandwear.com/collections/oglio-records-shop/products/ogl048

James was initially known as the leader and founder of the rockabilly trio The Kingbees, active between 1978 and 1982. The group included drummer Rex Roberts and bassist Michael Rummans. The Kingbees recorded two albums with David J. Holman, producing on RSO. The first, titled The Kingbees, (released March 1980) featured the James-penned hit "My Mistake".

The second album, titled The Big Rock, was released in March 1981 and also spawned national touring, a performance on Dick Clark's American Bandstand and a cameo role in the movie The Idolmaker. Shortly thereafter the band split up.

In 1983 James released a solo EP with Vanity Records titled The Big One. In the late 1980s, James hooked up with noted actor Harry Dean Stanton to form a unique musical ensemble which performed until the year 2000.

In 2000 James went on to form the rock and roll band "DQ and The Sharks" featuring actor/musician Dennis Quaid.

In 1993 James had also released a solo LP on Schoolkids Records titled Cruel World. In 2000 he released his latest solo LP on Oglio Records, titled Crossroads. Oglio also released a two-album CD issue of the Kingbees first and second LPs.

Terry Reid in conversation with David Eastaugh

https://www.terryreid.com/

Joe Boyd in conversation with David Eastaugh

https://www.joeboyd.co.uk/

https://www.amazon.co.uk/Roots-Rhythm-Remain-Journey-Through

Chris Stamey in conversation with David Eastaugh

https://www.chrisstamey.com/

https://chrisstamey.bandcamp.com/

Anything Is Possible, the latest collection of original material (and one affectionate cover) from North Carolina songwriter / vocalist / guitarist / producer Chris Stamey, an indie rock icon with a long and illustrious history that’s encompassed co-founding seminal avant-pop band the dBs, playing with Alex Chilton in the 70s and more recently with Jody Stephens's Big Star Quintet, and recording with the all-star smart-pop outfit the Salt Collective. The new album features special guests such as the Lemon Twigs, Pat Sansone (Wilco), Probyn Gregory (Brian Wilson band), and Marshall Crenshaw among others. The album was produced by Stamey at Modern Recording in Chapel Hill, NC. Anything Is Possible is being released by Label 51 Recordings on 1digital download and streaming platforms today and 12” LP vinyl, CD, August 8.

Gerard Langley & Chris Sharp in conversation with David Eastaugh 

https://www.theblueaeroplanes.com/

The Blue Aeroplanes first performed under that name at the King Street Art Gallery in Bristol in 1981. They consisted mainly of former members of Art Objects, with the addition of Nick Jacobs, former guitarist and vocalist of Southampton band the Exploding Seagulls.

The Blue Aeroplanes' first album, Bop Art was released on their own Party Records in 1984, and was rapidly picked up by the Abstract (US) and Fire (UK) labels. It contained material that had been considered as a follow-up to Art Objects' only album, Bagpipe Music. Gerard Langley's largely spoken poetic lyrics were combined with a heavily guitar-centric band that went on to release Tolerance (1985) and Spitting Out Miracles (1987) and several singles and EPs whose B-sides were brought together in the compilation FriendLoverPlane (1988), all on the Fire label.