C86 Show - Indie Pop
Section 25 with Vin Cassidy

Section 25 with Vin Cassidy

March 25, 2019

Vin Cassidy from Section 25 in conversation

Section 25 formed in Poulton-le-Fylde near Blackpool, Lancashire, in November 1977. Initially the band was a duo, consisting of brothers Larry Cassidy (bass, vocals) and Vincent Cassidy (drums). In June 1978 they made their live debut with Phil Denton on guitar. Denton was replaced in November by Paul Wiggin. June 1979 saw the Cassidy brothers promote a charity gig in aid of International Year of the Child at Blackpool Imperial Hotel, featuring Section 25 and other local bands as well as Joy Division and Orchestral Manoeuvres in the Dark. As a result, Section 25 were invited to play at the Russell Club in Manchester, and joined Factory Records.

Their debut 7", "Girls Don't Count", was released in July 1980 on Factory Records, produced by Ian Curtis and Rob Gretton of Joy Division. All Section 25 releases would be released through either Factory Records (until the demise of that label), or sister imprint Factory Benelux. Their debut LP, Always Now, appeared in 1981 and was produced by Martin Hannett at Britannia Row studio. The pochette sleeve was among the most expensive and elaborate in the label's history (designed by Peter Saville) utilising an exclusive 'marble' effect design printed on the inner jacket and a fold-out cover that resembled a match-book similar to the cover used by Cabaret Voltaire for their 2x45 album.

The three-piece group played many gigs in Britain and Northern Europe between 1979 and 1981, both as a headline act and with other Factory Records artists, such as Joy Division, A Certain Ratio, Blurt, The Durutti Column, Crispy Ambulance and New Order. The group also released a self-produced second album, The Key of Dreams. However the original line-up split in September 1981 shortly after Paul Wiggin declined to fly to a concert in Helsinki supporting New Order, swallowing up most of their fee by travelling overland. With a North American tour already planned, his fear of flying made his departure inevitable. Factory label boss Tony Wilson then tried and failed to recruit then-unknown guitarist Johnny Marr as a replacement.

Abandoning much of the existing live set, the Cassidy brothers prepared for an upcoming European tour with backing tapes and an extra percussionist John Grice. Following a warm-up date in London, the group visited Belgium, Holland and Germany in January 1982 in tandem with Factory labelmates Crispy Ambulance. The band then undertook their first North American tour, albeit restricted to the East Coast.

1983 – 2006 (From The Hip to Love & Hate)

Joined by percussionist Lee Shallcross, Section 25 gradually evolved with a more electronic-dance direction, a process which culminated in the album From the Hip and remix single "Looking From A Hilltop", both released in 1984 and produced by Bernard Sumner of New Order. This second iteration of the band also featured the Cassidy brothers' sister Angela Flowers (vocals, keyboards) and Larry Cassidy's wife Jenny Ross (vocals, keyboards). The five-piece completed a lengthy second tour of North America in January 1985, where the single "Looking From A Hilltop" achieved a measure of club success.

Later in 1985 the single "Crazy Wisdom" emerged on Factory Benelux as a 12", but the group again splintered, leaving husband-and-wife team Larry Cassidy and Jenny Ross to complete a fourth album, Love & Hate, finally released by Factory in 1988. Bad News Week was also released as a 12" single, remixed by Bernard Sumner. Section 25 then fell silent for more than a decade, although their entire back catalogue was reissued on CD on LTM as well as an archive DVD, So Far. There have also been several live and rarity CDs released by the same label.

In 2001 the band regrouped and started composing new material. It was originally expected that this would form the basis for a new album, but these plans were derailed when Jenny Ross, after a long fight with cancer, died on 20 November 2004 at age 42. The LTM DVD So Far, an audio-visual history of the band released in January 2005, was dedicated to her memory.

2006 – 2009 (Part-Primitiv to Nature and Degree)

Now with Ian Butterworth (formerly of fellow Factory act Tunnelvison) on guitar and Roger Wikeley on bass and keyboards, the Cassidy brothers performed their first live show in nearly two decades at their hometown Poulton-Le-Fylde in May 2006 followed by dates in Blackpool, Paris, Brussels, Leicester, London and Athens.

A new studio album by the quartet, Part-Primitiv, was released by LTM in April 2007, together with Communicants, a DVD assembled from live performances in 2006. Larry and Vin Cassidy also featured in the 2006 Factory documentary film Shadowplayers, and a BBC television documentary on the label. The group performed at the Plan K venue in Brussels in December 2007 as part of the Factory Night (Once Again) event, being joined onstage by Peter Hook of New Order for a cover of "Temptation". It was then proposed that Hook and Section 25 play further shows together, performing a mixture of Section 25, Joy Division and New Order songs.

Roger Wikeley left Section 25 in 2008 and was replaced by Stephen Stringer. In November this revised line-up played with Peter Hook in Paris, Brussels, Oss in the southern Netherlands and Krefeld in North Rhine-Westphalia, Germany.[citation needed] Ian Butterworth parted company with the Section 25 at the end of the year. Stephen Stringer moved on to guitar and Section 25's sound engineer and programmer Stuart Hill moved on to bass guitar. Both were no strangers to Larry and Vin, who had helped them record demos in 1983 and 1985.

The band released a new album in 2009 called Nature + Degree through LTM Recordings. Several tracks featured vocals by Bethany Cassidy, daughter of Larry and Jenny, who joined the group as co-vocalist and keyboards player. Section 25 appeared at the "Factory Night (And Then Again)" event at Plan K on 12 December 2009, with Beth and Larry sharing vocals. The group also returned to the States for festival dates in Los Angeles and San Francisco.

On 27 February 2010, it was announced that founding member, singer, and bass player for the group, Larry Cassidy, had died at the age of 56.

2010 – present (Retrofit to Elektra)

Prior to Larry Cassidy's death, the band had completed work on a new album, Retrofit, which was released on 14 September 2010. The album features electro reworkings and updates of previously issued Section 25 tracks, as well as one new song "Über Hymn". The album closes with a new version of Looking From A Hilltop, produced and arranged by Stephen Morris of New Order.

Limited copies came with an extra CD of a 16-minute recording of Larry Cassidy reading selected lyrics of Joy Division's Ian Curtis. This was recorded in January 2010 and would be Larry's last visit to a recording studio.

The band opted to continue to perform with their current line up. Section 25 played the FAC251 club in Manchester on 20 November 2010, and in 2011 issued their first new release without Larry Cassidy, a download-only EP titled "Invicta" EP, via Hacienda Records. June 2012 saw a deluxe vinyl reissue of From the Hip (Fact 90), issued as a special edition on Factory Records with 'remixed' artwork by Peter Saville, as well as a split coloured-vinyl 12" with Stereograph featuring two dub versions of "Colour Movement Sex and Violence" and "Inner Drive".

Saville also provided the cover image and title for their eighth studio album, Dark Light, issued on the Factory Benelux imprint in February 2013. "My Outrage" was also released as a 7" single. Also released during the same period were the 10" single "Invicta Max" (an expansion of the 2011 EP of the same name) and the official remix album "Eigengrau", featuring numerous remixes of earlier Section 25 recordings by Zoviet France, Absolute Body Control, Portion Control and Renaldo and the Loaf among others.

In May 2014 the group issued an expanded 30th anniversary CD edition of From the Hip via Factory Benelux, with a bonus disc featuring original demos as well as a BBC radio session from 1984 plus a new recording of "Reflection". Both Bernard Sumner and Jon Savage contributed liner notes. The new version of Reflection (subtitled 'Younger Image') was also issued as a limited edition orange vinyl 7" single to mark Record Store Day in April 2014. On Record Store Day the band performed in Manchester with Factory peers Crispy Ambulance and Minny Pops. A review of the show in The Guardian newspaper described Section 25 as "a revelation" and "the best new/old band in Britain."

In April 2015 Section 25 released "Mirror", another limited edition 7" single for Record Store Day, with guest vocals by Simon Topping, formerly of A Certain Ratio. The song dated from 1980 but had never before been recorded in the studio. Both the song and the packaging complemented a new CD edition of Always Now, re-mastered and featuring a bonus disc with their 1981 John Peel radio session as well as a complete live concert from 1980. The packaging replicated the original wraparound cover designed by Peter Saville.

In 2016 the group released a new live album, "Alfresco", as a vinyl and CD package to mark Record Store Day in April. That same year the track "Hit" from their 1981 album Always Now was sampled by Kanye West on a new song, "FML", featured on his seventh studio album, The Life of Pablo.[6]

In December 2017 the band announced on their Facebook page that they were working on a new album, to be released during the spring 2018. Vincent Cassidy also announced that their original guitarist, Paul Wiggin, will contribute on the new album.

June 2018 saw the release of an eleven-track album Elektra, recorded at West Orange Studios during the early part of the same year. The album featured appearances by original guitarist Paul Wiggin and newest family member Michael Cassidy on bass. One of the tracks (FML) is an acoustic cover of the Kanye West track that sampled the band's Hit from their 1981 set Always Now.

Ted Chippington special

Ted Chippington special

March 21, 2019

Ted Chippington special.

Chippington started performing in 1981 under the name "Eddie Chippington" before changing to Ted "due to maturity and baldness". He first came to national prominence when a gig he had performed in Birmingham in 1984 supporting the Fall was released by local record label Vindaloo on a 7" EP entitled Non Stop Party Hits of the '50s, '60s and '70s. The EP title refers to his penchant for performing his own versions of classic hits, including on this occasion his rendering of Ottawan's "D.I.S.C.O.". The record was played by John Peel on his BBC Radio Oneprogramme - a rare occurrence for a comedian.

In 1986 he released an album, Man in a Suitcase - a collection of live recordings plus some more songs, including his versions of "She Loves You" and Alvin Stardust's "I Feel Like Buddy Holly" - which reached the Top 10 indie album chart. "She Loves You" received wider exposure after Steve Wright repeatedly played it on his Radio 1 show, which in turn led to the track being released as a single by Warner Brothers. It narrowly failed to make the Top 75 but Chippington claims that the deal with Warners' earned him "£1,000 and a nice curry".

Despite its failure to crack the charts, "She Loves You" raised Chippington's profile considerably and led to numerous media appearances, including a turn on the BBC's lunchtime magazine show Pebble Mill at One, the latter fulfilling a lifelong ambition.

Chippington also fielded interviews with the New Musical Express, Birmingham's BRMB and the colour supplement of the Mail on Sunday. He also performed at the Glastonbury and Readingfestivals.

Chippington once again came close to mainstream UK singles chart success with a recording of his theme tune "Rockin' with Rita (Head to Toe)" which he performed with his fellow Vindaloo artists the Nightingales and We've Got a Fuzzbox and We're Gonna Use It. A further single followed with his reading of Dion's "The Wanderer", in which the boastfulness of the original lyrics was turned on its head: "I'm not the wanderer, I'm not the wanderer...not too keen on roaming around and around and around".

The Wolfhounds with Andrew Golding

The Wolfhounds with Andrew Golding

March 18, 2019

The Wolfhounds special with Andrew Golding talking about life in music, indie pop and his new solo album Dragon Welding'.

The Wolfhounds began as a slightly askew indie pop/rock band, and signed to the Pink label in 1986. First EP Cut the Cake was well enough received for the NME to include them on their C86 compilation album. After three singles and debut album Unseen Ripples From A Pebble on Pink,[1] they briefly moved to Idea Records for the Me single, then rejoined Pink's boss at his new label September Records. September soon evolved into Midnight Music which was the Wolfhounds' home for all subsequent releases.

With original members Bolton and Clark replaced by David Oliver and Matt Deighton, the Wolfhounds' sound developed into a denser, less poppy sound.[citation needed] After a compilation of earlier material, second album proper Bright and Guilty was released in 1989, featuring the singles "Son of Nothing", "Rent Act" and "Happy Shopper". The sound progressed further with the albums Blown Away (also 1989) and Attitude (1990), which found them in Sonic Youth territory, interspersing raging guitars with elegant compositional exercises. This proved to be the final Wolfhounds release of the 80s, with the band splitting in early 1990.

Golding and Stebbing formed Crawl, while Callahan hooked up with former Ultra Vivid Scene member Margaret Fiedler in Moonshake. Matt Deighton formed Mother Earth.

The current line-up is David Callahan (guitar/vocals), Andy Golding (guitar/vocals), Peter Wilkins (drums) and Richard Golding (bass). The Wolfhounds reformed in 2005 for a gig to mark the 20th anniversary of the release of their first single "Cut the Cake" in 1985.

In 2006, they were asked by Bob Stanley of St Etienne to play at the ICA in London, alongside Roddy Frame and Phil Wilson, to celebrate the 20th Anniversary of the NME cassette C86. They have continued to play live, re-energised when The Membranes asked them to be special guests at The Lexington in London, and in March 2012 played with Laetitia Sadier from Stereolab in support at a benefit to raise funds for the Timperley Frank Sidebottom memorial statue.

An EP called EP001 was released on Vollwert-Records Berlin in April 2012 containing three songs that pre-date the band's first single but that were never recorded satisfactorily at the time. Of these songs, 'Skullface' has picked up a lot of radio play.

The band released several 7" singles in 2013, included on new album Middle Age Freaks, released on Odd Box Records in 2014. Also in 2014 an anniversary limited-edition issue of Unseen Ripples from a Pebble (plus bonus tracks) was released by Optic Nerve Recordings.

In October 2016, the Wolfhounds released their sixth album Untied Kingdom (...Or How to Come to Terms with Your Culture). Louder Than War rated it 9/10.

 

 

Finitribe with David Miller

Finitribe with David Miller

March 15, 2019

Finitribe special with David Miller in conversation

The band formed in Edinburgh in 1984 by Chris Connelly, John Vick, Andy McGregor, Philip Pinsky, David Miller and Simon McGlynn.

Initially a post-punk guitar outfit, the band released a debut E.P. Curling and Stretching on their own Finiflex label in the summer of 1984, graduating to their first John Peel Session in 1985 before rethinking their whole approach in the mid 80s.

Tired of the conventional drums, bass and guitar set up, they acquired a sampler and began experimenting with electronic music. The result was Let The Tribe Grow, an EP released on the Glasgow label Cathexis and featuring 'De Testimony', a seminal dance floor anthem for the original Balearic/Acid House generation. Subsequently, they signed to Chicago label Wax Trax and released two singles, "I Want More" (a cover of the Can song) and "Make it Internal", raising their profile in the States and resulting in extensive radio and club success.

A long and arduous "toilet" tour of the UK in 1988 led to the departure of three members – including Connelly who relocated to the States and joined the Revolting Cocks and Ministry – and a parting of the ways with Wax Trax Records.

This in turn resulted in a resurrection of the Finiflex label and a distribution deal with Fast Forward for a long-awaited debut album, Noise Lust and Fun. The band was now made up of Pinsky, Vick and Miller along with various contributions from Little Annie, Rosanne Erskine and Wilf Plum. A series of remix EP's proved their electronic and dance floor credentials and brought indie chart success.

The band met and signed a long-term publishing deal with Andy Heath (director of Beggars Banquet and Momentum Publishing), allowing the band to grow and develop without the constant need for advances from record companies.

After signing a new deal with One Little Indian the band with encouragement from label boss Derek Birkett ran into controversy almost immediately with the 'Animal Farm' EP. Subverting the nursery rhyme "Old MacDonald" for the purposes of berating the similarly titled hamburger outlet, Finitribe (as they were now known) offered up a flavour of the anti-consumerist stance prevalent on new album Grossing 10k (1989). The subsequent threat of legal action was not exactly helped by a "Fuck off McDonald's" poster and T-shirt campaign.

The band continued to develop stronger links with the electronic music world for their next single and album. Andrew Weatherall produced and remixed the single "101" (1991) along with Graham Massey from 808 State. Justin Robertson then worked with the band to remix and produce the singles "Ace Love Deuce" and "Forevergreen" (1992). These singles all featured on the band's most critically and commercially successful album, An Unexpected Groovy Treat (1992), the last album they were to record for One Little Indian.

The success of this album allowed the band to re launch their 'Finiflex' label and the in-house production team recorded and released many singles including those by Justin Robertson, State of Flux, Ege Bam Yasi and Sparks. A Finiflex Compilation album And Away They Go was released to critical acclaim in 1993. The band was redeveloping their studio complex in Leith during this period and coordinated all management, recording, press and merchandise from there.

After leaving One Little Indian the band further developed their studio complex and looked for a new recording deal. With the assistance of Tom Watkins (Pet Shop Boys, East 17) the band negotiated a deal with Pete Tong at London/FFRR. This deal allowed for the completion of the state of the art recording studio in Leith and facilitated complete independence for the recording of their next album.

For the writing and pre-production of the band's fourth album they relocated to a small crofting settlement called Sheigra. near Kinlochbervie in the north west of Scotland. In 1994 the band released the single "Brand New" and although a minor hit the relationship with London/FFRR was cooling. A further single "Love Above" and the album Sheigra were released in 1995. The band followed this with a tour with Sparks and then their own headlining tour of the UK.

By early 1996 David Miller and Philip Pinsky split from John Vick, the former continuing with Finitribe and John Vick successfully continuing with the studio complex Finiflex.

The slimmed down Finitribe, now operating from house built on the side of a volcano, started a new label U.G.T and released an LP by Acid House maverick Ege Bam Yasi. While looking for a new label and a new singer Finitribe went to Essex to work with former Prodigy collaborator Jason Byrne. The result was the EP Squelch and the meeting up with future producer Witchman(John Roome).

For a short while the band hooked up with Chas Smash (Madness) as manager, this indirectly led to a meeting with Korda Marshall and a deal was struck with Infectious/ Mushroom Records(home of Garbage and Ash). Philip and David recruited a band and picked up some guitars and drums.

The band's fifth album 'Sleazy Listening' was recorded in Edinburgh with John Roome (Witchman) producing. It featured Paul Haig, Little Annie, Niroshini Thambar, Chris Ross, John Roome and Katie Morrison. The album mixed electronica and live instrumentation and received critical acclaim. Melody Maker stating that, " If Finitribe had lived and worked in Bristol they would have won the Mercury Music prize by now".

The album was launched with a sell out gig at The Shooting Gallery, Edinburgh with Davy Henderson's Nectarine No. 9. The band toured the UK with their most successful gigs for several years, headlining the ICA in London. They recorded the first ever John Peel live session and released three further singles for Infectious.

This was the band's last album and tour. Their last gig was at a sell out Bath Moles Club in the summer of 1998.

Other interests and priorities meant that Philip and David put Finitribe to one side . One more single was released 'Bored' (2000).

In January 2014 the band reissued "De Testimony" on limited 12" vinyl and have plans to reissue further classics from their catalogue.

 

The Claim with David Arnold in conversation

The Claim with David Arnold in conversation

March 11, 2019

The Claim special with David Arnold in conversation.

They formed around 1980, as part of the independent Medway scene around the nearby towns of Rochester, Chatham and Gillingham and influenced by classic acts such as The Kinks, The Jam, The Clash and The Smiths. Stylistically, they shared much in common with fellow Kent band The Dentists and early Creation Records acts such as The Jasmine Minks.

Between 1985 and 1992, The Claim released two albums and various singles and EPs, first on their own record label, and then via Kevin Pearce's Esurient Communications imprint, Bob Stanley's Caff label and the German-based label A Turntable Friend. Their first outing, Armstrong’s Revenge & Eleven Other Short Stories (1985) was followed by the 12" EP This Pencil Was Obviously Sharpened By a Left-Handed Indian Knife Thrower (again on Trick Bag Records). By the time of 1988's Boomy Tella LP, the quality of their politically fused, bittersweet songs had matured considerably, and it is now regarded as their high-water mark. Meanwhile, their single "Wait And See" was recorded at ex-Jam drummer Rick Buckler's studio with ex-Jam producer Vic Coppersmith-Heaven.

The Claim also teamed up with the poet and ex-Dentists drummer Vic Templar (an alias for Ian Smith) for various evenings which combined a play, featuring members of The Claim, with a musical performance by the band. Templar also collaborated with The Claim for the song "Mike The Bike", issued as the B-side to perhaps The Claim's most impressive outing, "Birth Of A Teenager", issued as a limited edition single housed in a sleeve designed by the Medway scene's most multi-faceted talent, Billy Childish. For another gig, Welsh band The Manic Street Preachers played their debut London show supporting The Claim. The Claim played their final show in January 1993.

None of The Claim's music appeared on CD at the time. Recently, the band themselves compiled a retrospective, Black Path, which was released on Rev-Ola Records in September 2009.[2][3] The band played a reunion gig in Rochester, Kent on 19 September 2009 to coincide with the project's release. On Thursday 25 March 2010, they played at a second reunion show with fellow Medway band The Dentists at Dingwalls in Camden Town, London.

 

Inca Babies special with Harry Stafford

Inca Babies special with Harry Stafford

March 6, 2019

Inca Babies special with Harry Stafford in conversation.

Still retaining their original Manchester post-punk roots, the Inca Babies have appeared since 2008 at festivals and concerts across Europe, performing at 'Drop Dead' festival in Vilnius, Lithuania and 'Deathcave 2014' festival in Saint-Petersburg and Moscow, as well as playing live in Warsaw, Milan, Rome, Athens, Amsterdam, Los Angeles, London and many other cities across Europe. They are booked to appear for the first time in India, at the Saarang 2015 festival in Chennai (Madras).

The band was formed in Hulme, Manchester by Bill Bonney (bass guitar), Harry Stafford(guitar) Julian Woropay (vocals) and Alan Brown (drums), taking influences from Link Wray, The Cramps, The Gun Club and The Birthday Party[1] Debut single "The Interior" was released in November 1983 on their own Black Lagoon label. Over the next five years they released a further six singles and four albums with a few changes of line-up, 1988's Evil Hour featuring Clint Boon of Inspiral Carpets on keyboards. Alan Brown of bIG fLAME and The Great Leap Forward was also drummer for a time.

The band recorded four sessions for John Peel's BBC Radio 1 programme between 1984 and 1987.

However the band folded in the late 1980s, reforming for a concert in Munich marking the 20th anniversary of the booking agency IBD. The Inca Babies had been the agency's first overseas act. The Munich performance stimulated interest in the band and founder member Harry Stafford recruited Goldblade drummer Rob Haynes to remain part of the band. The death of original bass player Bill Marten came as Stafford was writing material for the band's first new release in two decades. Former A Witness bassist and longstanding friend Vince Hunt stood in to complete the album and for dates across Europe in late 2009 and 2010 and continues to play live and record with the band.

A double A-side blue vinyl 7" limited edition single "My Sick Suburb/Tower of Babel" was released by Black Lagoon Records to mark Record Store Day on 21 April 2012. The songs comment on the notorious Hulme Crescent flats in Manchester which were a centre of the city's counterculture in the 1980s and home to the band's early line-up. An accompanying video was uploaded to YouTube filmed and edited by film-maker and musician Boz Hayward.

Throughout 2012, the band made live appearances across the UK and Europe, performing in Italy, Poland and The Netherlands and also flying to Los Angeles for a one-off show.

In October 2012, the band released a CD titled Re-Peeled to mark their inclusion in a musical tribute night in Manchester to BBC DJ John Peel. This featured re-recordings of four songs originally recorded for sessions for John Peel's BBC Radio One show in the early 1980s.

The second album from the reformed line-up, Deep Dark Blue, was released in November 2012 and the band toured widely in 2013 to promote it, performing live across the UK and in Greece and Belgium.

In 2014, the vinyl only 12" EP Scatter was released to mark the resurgence of interest in vinyl records on Record Store Day and the band released their third album since reforming, The Stereo Plan. Following a launch party in Manchester with the reformed line-up of A Witness featuring Vince Hunt and Rob Haynes, the Inca Babies performed for the first time in Russia, headlining the Deathcave 2014 festival in Saint-Petersburg and Moscow, and also India, appearing at the Saarang global culture festival at IIT Madras in Chennai in January 2015.

Following The Stereo Plan, Harry Stafford started work on a solo album while Rob Haynes toured extensively with The Membranes and Vince Hunt joined Martin Bramah's Blue Orchids. A series of UK live appearances were booked for 2017 including at Blackpool's Rebellion festival on 6 August and also in Naples, Italy in July.

 

Jo Bartlett - It’s Jo & Danny

Jo Bartlett - It’s Jo & Danny

March 4, 2019

Jo Bartlett in conversation - talking about life in music, The Buzz Club, It's Jo & Danny, Ultimate Records, The Green Man Festival and much much more

https://indiethroughthelookingglass.com/about-2/

Quote from her website

"I was in my first band at 14. I promoted my first gig at 17. I went on to promote loads of gigs at The Buzz Club in Aldershot, which I started with Danny Haganin 1985. I booked bands including The Stone Roses, Blur, The Manic Street Preachers, Suede, The Happy Mondays, Primal Scream, The Charlatans and lots more. Soon you’ll be able to see all the fliers, posters, live recordings and memories I’ve collected on this site.

Danny and I were always in bands while we promoted those gigs. We were part of the C-86 movement, releasing a couple of 12″s on Dan Treacy’s Dreamworld Records.

I worked in London as a press officer and plugger for independent label, Ultimate Records from 1991 – 96. Organising press trips to Japan, TV appearances, radio sessions and live reviews for lots of fantastic bands. Including this live tv appearance for Senser on ‘The Word’ – i’m in the crowd somewhere!"

 

The Rosebuds with Jim Rivas in conversation

The Rosebuds with Jim Rivas in conversation

March 3, 2019

The Rosebuds special with Jim Rivas in conversation

 

The Rosebuds are a Sacramento, CA band that originated in 1988! Indie pop, shoe gaze, psychedelic rock.

 

Dustin Reske: vocals, guitar
Josh Berkeley: bass
Ben Berkeley: guitar
Jim Rivas: drums