Feb 13, 2019

The Screaming Blue Messiahs


The Screaming Blue Messiahs special with Kenny Harris in conversation 

The Screaming Blue Messiahs were a rock band, formed in 1983 in London by guitarist and singer Bill Carter, bass player and backing singer Chris Thompson and drummer Kenny Harris. The group emerged in the wake of the pub rock and punk scenes that had been very predominant on the UK capital's live music circuit during the late '70s/ early '80s. The band, a classic power trio, was active between 1983 and 1990 and released three major label LPs. They toured extensively throughout Europe, North America and Australasia, garnering wide critical acclaim for their aggressive blend of rhythm and blues, punk and rockabilly.


Before founding the Screaming Blue Messiahs, its three members had played together as The Small Brothers. Thompson and Carter had been part of the Captain Beefheart-influenced band Motor Boys Motor; together with Tony Moon on vocals, they recorded several tracks under that name on 24 August 1981 for John Peel's show on BBC Radio 1 and released a self-titled album. Initially, after Harris joined Carter and Thompson, the band briefly continued to perform under the name 'Motor Boys Motor'. According to Carter, the final name was chosen upon the suggestion of Ace/Big Beat's Ted Caroll, who was concerned that the band's initial proposal of 'The Blues Messiahs' sounded too pub rock.

Carter employed a rhythmic, blues-influenced, feedback-laden guitar style, using mainly Fender Telecaster guitars together with two combo amps: a Mesa Boogie and an HH outfitted with Gauss speakers. For his occasional forays into slide, he favoured 'the mike stand, or whatever is handy',[4] and that he only used open tunings 'when the strings go open by accident'.

Featuring a sound described as "rockabilly from hell" and a strong passion for Americana, cars, guns, aeroplanes and broadcast evangelism, the group released the mini-album Good and Gone on Big Beat Records. Its six songs, which had been selected from eleven songs recorded in spring 1984 with producer Vic Maile during a session at Elephant Studios in Wapping, London, included a version of Hank Williams' "You're Gonna Change". Upon its release, the EP entered the top twenty in the UK independent record chart, where it remained for six months.

The Screaming Blue Messiahs played their first official gig at 'Downstairs at the Clarendon', Hammersmith, London on 11 June 1984. On 24 July 1984, they performed the songs "Good And Gone", "Someone To Talk To", "Tracking The Dog" and "Let's Go Down to the Woods And Pray" during their first recorded session for the John Peel show on BBC Radio 1. Broadcast on 2 August, the session proved so popular that it resulted in two BBC releases, one a 4-track 12" and a later inclusion of 'Good And Gone' on an album sampler of Peel Sessions. In December of the same year, The Screaming Blue Messiahs appeared on The Old Grey Whistle Test on the BBC, playing two live songs: "Let's Go Down to the Woods And Pray" and "Good And Gone", and then undertook a short tour of the Netherlands.

Feb 13, 2019

The Hit Parade with Julian Henry


The Hit Parade special with Julian Henry talking about life in music, the creative process, starting a record label & much much more

The first Hit Parade's records were released in 1984. The Hit Parade's second and third singles "My Favourite Girl" and "The Sun Shines in Gerrards Cross" were played on BBC Radio 1 by DJs John Peel, David "Kid" Jensen and Janice Long but were dismissed by the music press as twee and inconsequential. The band originally consisted of three schoolfriends, Julian Henry, Raymond Watts and Matthew Moffatt. Watts moved to Berlin in 1989 to work with KMFDM, Henry developed a business in marketing and journalism, while Moffatt founded his own film lighting company. But they continue to release records, proclaiming the Latin motto "Semper Eadem" ("alvvays the same").

The Hit Parade record for JSH UK record label producing 7" vinyl singles in limited editions. The first Hit Parade single 'Forever' was released in 1984 with a mock-vorticist manifesto. A year later The Hit Parade signed to Stiff Records but the label went out of business before anything (other than a track on a compilation album) was released. The first pressing of the band's 'See You in Havana' single JSH5 with Stiff Records logo is collectible. The first Hit Parade LP "With Love From The Hit Parade" was released on their own label in 1988 to unfavourable reviews: 'mire of cheesy mundane tunes' 'oblivious to musical developments of the last 24 years' (Q Magazine) 'twee like you wouldn't believe' (MM), apart from NME which declared the Hit Parade to be the 'perfect pop machine'.

But the band's diy approach was lauded by fanzines (Caff, Are You Scared To Get Happy, Especially Yellow) and the album sleeve was self-taken 'selfie album cover'. The album has been re-issued and is now regarded as 80s indie classic.[2][3]Following its release Henry was approached by Cherry Red Records and arranged[4] nine songs on the first Would-be-goods album. In the 1990s, The Hit Parade signed to Sarah Records label and recorded "In Gunnersbury Park" b/w "Harvey".

After live shows in Tokyo shopping malls in the 90s the Hit Parade were linked to the Shibuya-kei movement alongside groups The Pastels, Orange Juice and Flipper's Guitar in Japan. The Hit Parade signed to Vinyl Japan and later Polystar Records, had a minor hit with "Hello Hannah Hello". They toured Japan several times, played at the opening of the Virgin Megastore Shinjuku, Tokyo, appearing on MTV Japan and other music TV shows, and signed to Minty Fresh Records, Chicago, in the United States releasing their first US single, "Hello Hannah Hello".

The Hit Parade produced their fifth album with St Etienne producer Ian Catt in 2006 The Return of the Hit Parade, and 9th single "My Stupid Band", the story of a failed pop group doomed to a life of obscurity. It was published with a Manifesto that called for Food Lovers Fairs to be banned and for JG Ballard to be knighted. In 2007 the Hit Parade single "You Didn't Love Me Then", appeared on Sanctuary Records C86 double album Cd86: The Birth of Indie Pop.

The 10th Hit Parade 7" single was a tribute to Le Corbusier's 'Unite D'Habitation', featuring Manchester singer Cath Carroll. "I Like Bubblegum" b/w "Zennor Mermaid" raised funds for the Porthmeor Studio in St Ives Cornwall restoration fund and was voted one of the best singles of 2010 by Drowned in Sound. Julian Henry was interviewed in The Guardian in 2011.

In 2014 the Hit Parade released "Cornish Pop Songs", songs set in South West England, described by Cornishman art critic Lee Trewhela as 'the best album made about Cornwall this century" and "a glorious collection of melodic, memorable guitar-based tunes". The album was re-issued on vinyl in 2016.

Henry and Watts have been recording new Hit Parade material for 2019 release ; their 13th single "Happy World", released in 2018 to mark Record Store Day was described by the Arts Desk as "the very definition of twee Eighties style indie".


Feb 8, 2019

The Chesterfields special with Simon Barber


The Chesterfields special with Simon Barber talking about life in the band, the ups & downs & much much more

The Chesterfields were an English indie pop band from Yeovil in Somerset

The band was formed in summer 1984 by Dave Goldsworthy (vocals, guitar), Simon Barber (bass, vocals), and Dominic Manns (drums), joined in 1985 by Brendan Holden (guitar). Early recordings included contributions to the Golden Pathway tapes, that captured the West Country music scene of the time, such as "Stephanie Adores" and "The Boy Who Sold His Suitcase", the latter with a female lead singer, Sarah.

The first vinyl release was as one half of a flexi disc; "Nose out of Joint" shared a single side with The Shop Assistants' "Home Again", and was given away free with copies of London's Legend fanzine and future Subway Organisation boss, Martin Whitehead's own Bristol fanzine.

They signed to The Subway Organization, releasing three well-received singles, before Holden was replaced by Rodney Allen. The debut LP Kettle was released in July 1987, with a compilation of the early singles, Westward Ho! issued later the same year. Allen left to join The Blue Aeroplanes, to be replaced temporarily by Andy Strickland of The Loft/The Caretaker Race, before a more permanent replacement was found in the form of Simon Barber's brother Mark.

The band then moved to their own Household label, issuing two more singles and a third album, Crocodile Tears. Manns left and was replaced by future PJ Harvey drummer Rob Ellis but when Goldsworthy departed in late 1988 the band effectively split. The Barber brothers continued as The Chesterfields for a final single, "Fool Is The Man" in 1989.

The band split for good in the summer of 1989, Simon Barber forming Basinger, and Mark Barber joined Grape. Goldsworthy fronted several more bands, including Furnt, Diceman and Mujer 21 (Band). The Chesterfields reformed briefly in the 1990s to tour Japan after their material was re-issued there. Dave Goldsworthy (Davy Chesterfield) was killed by a hit & run driver in Oxford, UK, on 9 November 2004.

The band's continuing fanbase saw much of their back-catalogue re-issued by Vinyl Japan in the 1990s.

In June 2014 to celebrate the legendary NME C86 tape, Design (fronted by Barber) along with Andy Strickland of The Loft/The Caretaker Race played a set of songs by The Chesterfields at the 92 Club in London. Following the success of The Chesterfields set at the NME C86 gig, Design continued to play classic Chesterfields songs such as'Johnny Dee', 'Lunchtime for the Wild Youth' and 'Last Train to Yeovil' throughout 2014 & 2015.

In 2016, The Chesterfields with their new line up of Simon Barber, Andy Strickland, Helen Stickland and Rob Parry played Exeter's Cavern Club and The 100 Club in London, with further gigs announced including a return to Yeovil with The Haywains. The Chesterfields have been announced as playing the NYC Popfest in New York, from 19–22 May 2016 to coincide with a new EP release, the title of which is still to be confirmed at this time.

Feb 8, 2019

C86 special with Neil Taylor in conversation


Journalist Neil Taylor in conversation - alongside Roy Carr & Adrian Thrills compiled the original NME cassette.

C86 is a cassette compilation released by the British music magazine NME in 1986, featuring new bands licensed from British independent record labels of the time. As a term, C86 quickly evolved into shorthand for a guitar-based musical genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. In its time, it became a pejorative term for its associations with so-called "shambling" (a John Peel-coined description celebrating the self-conscious primitive approach of some of the music) and underachievement. The C86 scene is now recognized as a pivotal moment for independent music in the UK, as was recognized in the subtitle of the compilation's 2006 CD issue: CD86: 48 Tracks from the Birth of Indie Pop. 2014 saw the original compilation reissued in a 3CD expanded edition from Cherry Red Records; the 2014 box-set came with an 11,500-word book of sleevenotes by one of the tape's original curators, former NME journalist Neil Taylor.

The C86 name was a play on the labelling and length of blank compact cassettes—commonly C60, C90 and C120—combined with 1986.

Feb 7, 2019

Close Lobsters with Andrew Burnett in conversation


Close Lobsters with Andrew Burnett in conversation talking about life in music, the indie scene and much much more 

Close Lobsters first came to wider prominence with the track "Firestation Towers" on the NME's C86 compilation. They signed to Fire Records and released their debut single "Going To Heaven To See If It Rains" in October 1986. They released a second single "Never Seen Before" in April 1987 which strengthened their reputation as one of the leading emerging indie bands. They went on to release two albums: Foxheads Stalk This Land was released in 1987 and Headache Rhetoric in 1989. Rolling Stone's review of "Foxheads Stalk This Land" called it "first-rate guitar pop from a top-shelf band. Close Lobsters could have been just another jangle group, but they have a lot more going for them than just chiming Rickenbackers."

Their popularity on United States college radio stations led to an invitation to the New York Music Seminar in 1989, which in turn led to an extensive American tour. They toured extensively in the UK, Germany and the United States of America and Canada. The band eventually took an extended break.

Their 'Best of' Singles retrospective, Forever, Until Victory! - the title is from the reputed last sign-off in a letter from Ernesto 'Che' Guevara to Fidel Castro 'Hasta la victoria siempre!' - was released on 5 October 2009 on Fire Records.

Close Lobsters's song "Let's Make Some Plans" was covered by the Wedding Present on the B-side of their "California" single in 1992.

In March 2012, Close Lobsters reformed to play the second Madrid Popfest, Glasgow, third Popfest Berlin and the 2013 NYC Popfest.

In May 2014, Close Lobsters played the Copenhagen Popfest and released new EP, "Kunstwerk in Spacetime". Lead single "Now Time" received significant attention, and the band hinted at more new music to come in an interview with Sound.wav Music in July 2014.

Close Lobsters's song "Let's Make Some Plans" was covered by The Luxembourg Signal on the B-side of their "Laura Palmer" single in 2017.

Feb 5, 2019

Girls At Our Best with Jez Alan


Girls At Our Best special with guitarist Jez Alan in conversation 

The group initially consisted of vocalist Judy "Jo" Evans, guitarist James "Jez" Alan, bassist Gerard "Terry" Swift and drummer Chris Oldroyd.

They took their new name from a line in their track "Warm Girls", released as the B-side to their self-financed 1980 debut single "Getting Nowhere Fast". The single, released in April 1980 on their own Record Records, reached No. 9 on the UK Indie Chart.

Oldroyd departed to join Music for Pleasure, and was replaced by Paul Simon (formerly of Limmie Funk Limited, Neo, Radio Stars, the Civilians and Cowboys International).

Second single "Politics", backed by "It's Fashion!", was released in November 1980, also on Record Records. It was distributed by Rough Trade, reaching No. 12.

Simon was replaced by Darren Carl Harper (formerly of the Expelaires) before Girls at Our Best! recorded their session for John Peel on 17 February 1981, which was first broadcast 23 February 1981.

The group's next single, "Go for Gold", issued in June 1981 by Happy Birthday Records, became their biggest Indie Chart hit, reaching No. 4.

On 20 October 1981, the group released their sole album, Pleasure. Rod Johnson shared drumming duties with Harper, who had left the band during the recording process in summer 1981. The album, the first to be released on the Happy Birthday label, came complete with a "Pleasure Bag" of stickers and postcards. Pleasure reached No. 2 on the UK Indie Chart and No. 60 on the UK Albums Chart., followed by the band's fourth single, "Fast Boyfriends" (backed by "This Train"), released by Happy Birthday in October 1981.

Girls at Our Best! split in 1982.

The band's 1981 Peel session, produced by Dale Griffin, was released as a 12" EP in 1987 by Strange Fruit Records. It featured "China Blue" and "This Train" on the A-side and a medley (titled "Getting Beautiful Warm Gold Fast from Nowhere") on the B-side.

Pleasure was reissued in 1994 by Vinyl Japan in an expanded edition that included the first two singles and "This Train". Another reissue, issued by Cherry Red Records on 18 May 2009, included the 1994 edition's bonus material as well as a four-song 1981 Richard Skinner session and a previously unreleased demo track. A 2014 double-vinyl reissue of the album by Optic Nerve Recordings featured the original album on the first LP and all four singles on the second.


Feb 4, 2019

It’s Immaterial with John Campbell


It's Immaterial special with John Campbell in conversation talking about life in music.

It's Immaterial were formed by three former members of Yachts - Mancunian John Campbell vocals, Martin Dempsey guitar, and Henry Priestman keyboards - in addition to Paul Barlow, drums. By 1984, the band had been reduced to a duo - Campbell and Jarvis Whitehead, guitar and keyboards, who joined in 1982.

On 11 November 1981, around the time of the release of the band’s third single, It's Immaterial recorded the first of four sessions for John Peel at BBC Radio 1. The track listing was "A Gigantic Raft (in the Philippines)", "Imitate The Worm", "White Man's Hut", and "Rake". "A Gigantic Raft" was featured on the soundtrack of Jonathan Demme's 2004 remake of The Manchurian Candidate.

In April 1985, the band recorded their fourth and final John Peel session (track listing: "Rope", "Hang On Sleepy Town", "Space", and "Festival Time"). In the same month, the band's Fish Waltz EP reached number 30 in the UK Indie Chart.

Less than a year later the band had a hit single with "Driving Away From Home (Jim's Tune)". ('John Campbell puts his foot down on the pedal – ever so gently – to cruise out along the M62. A Mini-Midwestern road movie transported to Liverpool'. This song was their biggest hit and has since featured widely on television advertisements and on 1980s based compilation albums.[citation needed]

Another minor hit followed, "Ed's Funky Diner (Friday Night, Saturday Morning)", with accompanying video, before the release of the band's debut album, Life's Hard and Then You Die, in September 1986.

In 1990 they released their second album Song. As before, the music was of a subdued, understated nature, with wry wit in the manner of an indie Pet Shop BoysThe album was a commercial flop, despite receiving positive reviews in the music press. The album was produced by Calum Malcolm, best known for his work with The Blue Nile.

In the same year as Song, former It's Immaterial keyboard player, Henry Priestman, had a UK number one album The Christians with the band of the same name.

Since 2010 some unreleased songs from the album have appeared on different internet music channels. (Track listing (in order of their appearing): "Just North of Here", "New Moon", "Is it Alright (Between us)", "House for Sale" and "How Can I Tell You")

A deluxe edition of their album Life's Hard and Then You Die" was released on 1 July 2016. The double CD issue contains the original album remastered plus bonus tracks of single versions, B sides, remixes and one of the group's John Peel sessions.

On 23 September 2016 the group launched the campaign to produce and release their "lost and found" album House For Sale via Pledge Music. The pledge target was reached, although an initial tentative release date of Spring 2017 was later postponed to early 2018.

Feb 3, 2019

Blueboy with Paul Stewart


Blueboy special with Paul Stewart in conversation talking about life in music, Sarah Records and much much more


Blueboy were an indie pop band formed in Reading, Berkshire who were signed to Sarah Records and later Shinkansen Recordings. Core members Keith Girdler and Paul Stewart also recorded as Arabesque and Beaumont.

Blueboy formed around 1989 and initially consisted of Keith Girdler (on vocals) and Paul Stewart (on guitars), formerly of little-known band Feverfew. They soon signed to Sarah Records, releasing the home-recorded single "Clearer" in 1991, and took on more members, including singer/cellist Gemma Townley and second guitarist Harvey Williams (of The Field Mice/Another Sunny Day).

"Clearer" was followed by several singles and two albums on Sarah, If Wishes Were Horses and Unisex. In October 1994, Blueboy recorded a session for John Peel's BBC Radio 1 show. Their final release, The Bank of England, was released in 1998 on Sarah head Matt Haynes' new label, Shinkansen Recordings. By then, Girdler and Stewart were the only original members of the band. Girdler and Stewart were also involved in two other bands, Arabesque and Beaumont,  and Girdler also recorded with Lovejoy. Townley later joined Trembling Blue Stars, as did Williams.

Keith Girdler was diagnosed with cancer in 2004 and he died on 15 May 2007. Prior to his death he was working as volunteer manager for Age Concern in Eastbourne.

In 2008, Siesta Records issued a compilation album called Country Music (Songs for Keith Girdler). The compilation was put together by Richard Preece (of Lovejoy) to raise money for the Martletts Hospice in Hove who cared for Girdler.


Feb 1, 2019

BOB special with Dean Legget


Dean Legget from BOB is in conversation - talking about life in music, BOB and much more

The initial line-up was Richard Blackborow (vocals, keyboards, guitar), Simon Armstrong (guitar, vocals). Jem Morris (bass guitar), joined the duo in 1986, and, augmented with a drum machine, they recorded the band's first release, a flexi disc, released in 1986 on their own House Of Teeth label, and containing three short songs: "Prune (Your Tree)", "Groove" and "Brian Wilson's Bed". The band gave a copy to John Peel in a fortuitous encounter in the Rough Trade record shop, and he played it many times. The drum machine was replaced by Gary Connors (drums) in 1987, and this line-up recorded 1987's What a Performance EP and the first of three BOB John Peel sessions. Blackborow stated in 1988 that the band had a diverse set of songs in their repertoire at that stage and that the songs on the EP were selected from "by doing a quick poll of our friends".

Early in 1988, Gary Connors was replaced by former Jamie Wednesday drummer Dean Legget, and the band recorded their second single, the Kirsty EP, a session for BBC Radio One's Simon Mayo, and their second John Peel session. Both singles received heavy play by John Peel.

The two singles were compiled together with the earlier flexi disc as Swag Sack, which was their final recording for the Sombrero label. All later releases were on their own House Of Teeth label.

In 1989, the band released the Convenience EP (which reached no.31 in John Peel's Festive Fifty at the end of the year), followed by a limited edition/fan club release containing three songs: "Esmerelda Brooklyn", "I Don't Know" and "Sink". After their third and final John Peel session, Morris was replaced by ex-Caretaker Race bassist Stephen 'Henry' Hersom, and this final line-up recorded the Stride Up EP in 1990, an LP Leave The Straight Life Behind and the Tired EP in 1991, and one last single, the Nothing For Something EP in 1992. BOB became one of the victims of the demise of Rough Trade's distribution arm, which limited sales of the album and forced the band to tour for an extended period to recoup the album's costs. A feeling of disillusionment with the 'business' side of the music caused a drop in morale, and they disbanded early in 1995.

The BOB single "Convenience" was released for the first time on a digital format on the John Peel compilation box set Kats Karavan in October 2009.

In February 2014, "Leave the Straight Life Behind" was re-released by British independent label 3 Loop Music as a 2CD expanded edition which included the remastered album plus a bonus CD of all the John Peel and BBC sessions, as well as extra tracks.

Feb 1, 2019

C86 Show special


Jan 31, 2019

Galaxie 500 special with Damon Krukowski


Damon Krukowski in conversation talking about life in music, Galaxie 500, Billy Krammer and much much more


Guitarist Dean Wareham, drummer Damon Krukowski and bassist Naomi Yang had met at the Dalton School in New York City in 1981, but began playing together during their time as students at Harvard University.


Wareham and Krukowski had formed a series of punk-influenced student bands, before Wareham returned to New York. When he returned in 1987 he and Krukowski formed a new band, with Yang joining the group on bass guitar, the new group deciding on the name Galaxie 500, after a friend's car, a Ford Galaxie 500.

The band began playing gigs in Boston and New York City, and recorded a demo which they sent to Shimmy Disc label boss and producer Mark Kramer, who agreed to produce the band.[4] With Kramer at the controls, the band recorded the "Tugboat" single in February 1988, and the "Oblivious" flexi-disc, and moved on to record their debut album, Today, which was released on the small Aurora label.[5] The band toured the United Kingdom in late 1988 and in 1989, then signed to Rough Trade and released their second album, On Fire, which has been described as "lo-fipsychedelia reminiscent of Jonathan Richman being backed by The Velvet Underground", and is considered the band's defining moment.[4]On Fire reached number 7 in the UK Indie Chart, and met with much critical acclaim in the United Kingdom, but was less well received by the US music press, who cited Wareham's 'vocal limitations' as a weakness.

Galaxie 500 recorded two sessions for John Peel's BBC Radio 1 programme, these later released on the Peel Sessions album. Their cover of Jonathan Richman's "Don't Let Our Youth Go To Waste" was also voted into number 41 in 1989's Festive 50 by listeners to the show.

The band split up in the spring of 1991 after the release of their third album, This Is Our Music. Wareham, who had already moved back to New York, quit the band after a lengthy American tour.

Galaxie 500's records were released in the US and UK on the independent Rough Trade label. When Rough Trade went bankrupt in 1991, Krukowski and Yang purchased the masters at auction, reissuing them on Rykodisc in 1996 as a box set containing all three albums and another disc of rarities.

Jan 29, 2019

Jah Wobble special


Jah Wobble in conversation, talking about life in music.

Jah Wobble - English bass guitarist, singer, poet and composer. He became known to a wider audience as the original bass player in Public Image Ltd (PiL) in the late 1970s and early 1980s, but left the band after two albums. Following his departure from PiL, he went on to a successful solo career, continuing to the present. In 2009, he published his autobiography, Memoirs of a Geezer. In 2012, he reunited with fellow PiL guitarist Keith Levene for Metal Box In Dub and the album Yin & Yang

Jan 28, 2019

Marine Girls Special with Gina Hartman


The Marine Girls special with Gina Hartman in conversation 

Marine Girls were a post-punk group from Hatfield, Hertfordshire. The group was formed in 1980, by two sixth form school friends: Tracey Thornand Gina Hartman. Originally, Thorn just played guitar and Hartman was the lead vocalist and percussionist. Thorn overcame her shyness and started singing too by the time they started making records. They were later joined by Jane Fox on bass and her younger sister, Alice, on joint vocals and percussion.

Jan 23, 2019

Kristin Hersh special


Kristin Hersh in conversation

Kristin Hersh is an American singer-songwriter, musician and author, known for her solo work and with her rock bands Throwing Muses and 50FootWave.

She has released eleven solo albums. Her guitar work and composition style ranges from jaggedly dissonant to traditional folk. Hersh's lyrics have a stream-of-consciousness style, reflecting her personal experiences.

Jan 19, 2019

Napalm Death special with Barney Greenway


Napalm Death special with Barney Greenway


Napalm Death are a British extreme metal band formed in Meriden, West Midlands, England, in 1981.While none of its original members remain in the group since December 1986, the lineup of vocalist Mark "Barney" Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera has remained consistent of the band's career since 1992's Utopia Banished, although, from 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado as the replacement of one-time guitarist Bill Steer; following Pintado's departure, the band reverted to a four-piece rather than replace him.

The band is credited as pioneers of the grindcore genre by incorporating elements of crust punk and death metal, using a noise-filled sound that uses heavily distorted, down-tuned guitars, grinding overdrive bass, high speed tempo, blast beats, and vocals which consist of incomprehensible growls, or high-pitched shrieks, extremely short songs, fast tempos, and sociopolitical lyrics. The band's debut album Scum, released in 1987 by Earache Records, proved substantially influential throughout the global metal community. According to the Guinness World Records, their song "You Suffer" is the shortest song in the world, at only 1.316 seconds long.

Napalm Death have released sixteen studio albums, and are listed by Nielsen SoundScan as the seventh best-selling death metal band in the United States.

Jan 18, 2019

Calvin Johnson special


Calvin Johnson special - talking about life in music, K Records, radio & much much more.

Calvin Johnson is an American guitarist, vocalist, songwriter, music producer, and disc jockey born in Olympia, Washington.

Known for his uniquely deep and droning singing voice, Johnson was a founding member of the bands Cool Rays, Beat Happening, The Go Team and The Halo Benders.

Calvin Johnson is also the founder and owner of the influential indie label K Records (now Dub Narcotics) and has been cited as a major player in the beginning of the modern independent music movement.

As a prominent figure in the Olympia music scene, he was one of the major organizers of the seminal International Pop Underground Convention.

Jan 17, 2019

Cocteau Twins special with Simon Raymonde


Cocteau Twins with Simon Raymonde in conversation.

Cocteau Twins were a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth by Elizabeth Fraser (vocals), Robin Guthrie (guitars, drum machine), and Will Heggie (bass), with Heggie replaced by multi-instrumentalist Simon Raymonde in 1983.

The group has earned much critical praise for its distinctive ethereal sound and the soprano vocals of Fraser, which often abandoned recognizable language altogether. They have been recognized as pioneering the 1980s subgenres of ethereal wave[7] and dream pop, and were associated with the UK label 4AD for much of their career.


Jan 16, 2019

Robyn Hitchcock special


Robyn Hitchcock in conversation

English singer-songwriter and guitarist. While primarily a vocalist and guitarist, he also plays harmonica, piano, and bass guitar.

After reaching prominence in the late 1970s with The Soft Boys, Hitchcock launched a prolific solo career. His musical and lyrical styles have been influenced by Bob Dylan, John Lennon, Syd Barrett, Captain Beefheart, Bryan Ferry and Roger McGuinn. Hitchcock's lyrics tend to include surrealism, comedic elements, characterisations of English eccentrics, and melancholy depictions of everyday life.

He has recorded for two major American labels (A&M Records, then Warner Bros.) over the course of the 1980s and 1990s, and was the subject of a live performance/documentary film (Storefront Hitchcock) by major motion picture director Jonathan Demme in 1998, but despite this, mainstream success has been limited. He has earned strong critical reviews over a steady stream of album releases and live performances, and a "cult following" for his songs.

Jan 15, 2019

The Chills with Martin Phillips in conversation


Martin Phillips from The Chills in conversation.

The Chills are a New Zealand rock band formed in Dunedin in 1980. The band is essentially the continuing project of singer/songwriter Martin Phillipps, who is the group's sole constant member. For a time in the 1990s, the act was billed as Martin Phillipps & The Chills. In the 1980s and 1990s, The Chills had some significant chart success in their homeland, and were a cult band in other parts of the world as one of the earliest proponents of the Dunedin sound.

The band released Snow Bound its seventh album, on September 14, 2018

Jan 11, 2019

Laibach special with Ivo Saliger


Laibach special with Ivo Saliger in conversation

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